climate change

“You’ve Got to Know How to Speak Animalese”: Literary Explorations of Engagements with the Animal Other

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Jessica Murray
University of South Africa, Pretoria, South Africa. Email: murraj@unica.ac.za. ORCID: 0000-0001-8383-2459

[Received 25 May 2023, modified 26 July 2023, accepted 27 July 2023, first published 27 July 2023]

Rupkatha Journal, Vol. 15, Issue 2, 2023. https://doi.org/10.21659/rupkatha.v15n2.20
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Abstract

As the harmful impact of anthropogenic activity on the environment becomes increasingly glaring, it has become more urgent than ever to find more ethical and sustainable ways of engaging with the other animals with whom we share space. From extreme weather events to food supply disruptions and species extinctions, it is no longer possible to cling to the hubristic myth of an independent human who exercises dominion over nature. Our actions and choices have very real, immediate, and often unintended environmental consequences and our own species survival depends on accepting this inter-dependent reality in a spirit of respectful responsibility. While climate change is now widely considered to be an issue that demands serious attention, this article will argue that any attempt to foster greater environmental care will be compromised if we fail to listen to the voices of the animal other. I will explore the ways in which other animals try to speak and the challenges that inevitably arise when attempting to hear those voices by anchoring my argument in a literary analysis of selected contemporary novels. I will demonstrate that, even when authors represent characters who care deeply about the environment, animals tend to fall through the cracks of their activist commitments, and they repeatedly turn away from opportunities to listen respectfully to the voices of animals.

Keywords:  Animal, voice, listening, climate change, violence, environment, contemporary fiction

[Sustainable Development Goals: Climate Action, Life on Land]

On Secular Spirituality in the Duffer Brothers’ Stranger Things, Series 1

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Liesl E. King

York St John University, England. Email: l.king@yorksj.ac.uk

Volume IX, Number 3, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n3.03

Received August 07, 2017; Revised September 12, 2017; Accepted September 17, 2017; Published September 20,  2017.

 Abstract

This paper explores the way in which the Duffer Brothers’ popular Netflix series Stranger Things draws on religious symbolism in order to create an allegorical landscape, one which invites viewers to consider the most pressing topics of our time—climate change and ideological opposition. It argues that apocalyptic sf, with its focus on urgent contemporary questions related to technological advancement, is the perfect genre for exploring secular spirituality and ethics, as it potentially impacts as well as appeals to religious and non-religious viewers alike. The paper concludes by considering the way Stranger Things encourages viewers to consider what a ‘spiritual’ response to disaster might look like, and what we might do individually and collectively to become more aware of the damaged “hyperobjects” (Morton, 2013) that surround and move through us, but which can be extremely difficult to keep in clear view.

Keywords: Netflix series, Stranger Things, hyperobjects, climate change, ideological opposition.

Drama and the Politics of Climate Change in Nigeria: A Critical Appraisal of Greg Mbajiorgu’s Wake Up Everyone

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Norbert Oyibo Eze, University Of Nigeria, Nsukka

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 Abstract

Johnny Igbonekwu observes that ‘an obvious primal instinctive human quest” is to “conquer the world” but he equally notes that man has not been able to achieve this goal, in spite of his “formidable intellectual assaults on the multifarious stupendous mysteries of the world” (Talk About Man 1). The quest for all manner of domination-economic, political, territorial, and spatial, etc, has driven man into invention and mindless application of technology which in choking nature, cause it to frequently retaliate through global warming, tsunami, landslide, erosion, and flooding of different dimensions. The constant decimation of human lives, businesses, buildings, and municipal services as well as the emergence of perturbing diseases owing to these palpable effects of natural disaster, force the issue of climate change to occupy a significant place in the world of environmental studies and research. This paper seeks to explain the place of drama in tackling the problem of climate change through a detailed analysis and interpretation of Greg Mbajiorgu’s Wake Up Everyone considered to be a giant impact assessment study and provocative wake-up call. Keep Reading