Knowledge

Contrasting Approaches to Language, Meaning, and Knowledge in Advaita Vedanta and the Western Literary Traditions

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Aayushee Garg  
Ph.D. in English, Assistant Professor at Amity School of Languages, Amity University, Lucknow.

Rupkatha Journal, Vol. 15, Issue 3, 2023. https://doi.org/10.21659/rupkatha.v15n3.02
[Article History: Received: 12 February 2023. Revised: 08 August 2023. Accepted: 12 August 2023. Published: 14 August 2023]
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 Abstract

The present research article undertakes a comprehensive examination of contrasting approaches to language and meaning, topics that have engendered contemplation and discourse across a range of disciplines including literature, philosophy, and linguistics. The article commences by delving into the foundational disparities between Indian and Western literary theories concerning the intricate relationship binding knowledge and meaning. While the Western tradition concentrates predominantly on interpreting textual meaning, treating literary works as subjects for analysis and critique, the Indian tradition perceives concepts and ideas within texts as indirect indicators of reality and self-realization. The ancient Indian school of thought, Advaita Vednata, presents a distinctive viewpoint on the dynamic interplay between language and meaning. The article further dissects the distinct attributes of the seemingly paradoxical and contradictory language prevalent in classical Indian texts. Through this exploration, it strives to uncover the methodology of constructing meaning as employed within the framework of Advaita Vednata. This analysis is juxtaposed against the approach to linguistic interpretation prevalent in the Western literary tradition—a tradition largely rooted in the empirical world. Advaita Vedanta places significance on direct experience or anubhava, prioritizing it over transmitted knowledge, and acknowledges that the true essence of the self transcends human comprehension. By navigating the quandary of defining literary language, elucidating the process of meaning-making in Western literary theory, delving into Advaita Vednata philosophy, and studying the role of language in representing the essence of the self, this research aspires to contribute meaningfully to the ongoing discourse in the areas of literary criticism and philosophical studies.

Keywords: Language, meaning, self-realization, knowledge, Advaita Vednata.
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CitationGarg, Aayushee. 2023. Contrasting Approaches to Language, Meaning, and Knowledge in Advaita Vedanta and the Western Literary Traditions. Rupkatha Journal 15:3. https://doi.org/10.21659/rupkatha.v15n3.02.

Editorial, Volume V, Number 3

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With this edition (Vol. V, No. 3) the Rupkatha Journal on Interdisciplinary Studies in Humanities completes five years of its glorious presence online. The journal was conceived mainly as a scholarly platform seeking standardization of scholarship and research, and as an online experiment helped by the Web 2.0 phenomenon for dissemination and access in non-profit model on a user-friendly interface on the digital media. With the very first issue we took up measures for standardizing its publishing system following certain established global norms, and the journal began to be recognized by scholarly indexing, archiving and directory and library services like EBSCO, Elsevier Scopus, MLA, DOAJ, Archive-it etc. But the biggest recognition and acceptance came from scholars who contributed to it as readers, authors and editors. We have been trying very hard in spite of being a non-profit initiative, to improve the quality with every issue and introduced new user-friendly services following certain norms—scholarly, ethical, technical. New areas were selected for research and enquiry, and new scholarly voices were encouraged and promoted. Several special issues were brought out successfully with much enthusiasm from different parts of the globe. Keep Reading

Canonical Values vs. the Law of Large Numbers: The Canadian Literary Canon in the Age of Big Data

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Carolina Ferrer, Université du Québec à Montréal (UQAM), Canada

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 Abstract

In this article, I propose an alternative technique to the traditional method of constitution of the literary canon. Instead of basing the determination of the canon on different values, I scrutinize the Modern Language Association International Bibliography database in order to determine the most cited authors and literary works. Specifically, I study Canadian literature. Thus, through the process of data mining, I obtain a sample of over 25,000 references that allows us to observe the chronological evolution and the linguistic distribution of the critical bibliography about Canadian literature. This quantitative technique yields a corpus of 151 titles and 295 writers that are cited more than 10 times in the database. Consequently, this bibliography is not the result of subjective selection criteria, but is based on the law of large numbers. Furthermore, this study shows that the quantitative analysis of bibliographic databases is an effective way to bring new light to the field of literary studies. Keep Reading

The Concept of Crisis in Art and Science

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Eleni Gemtou,  University of Athens, Greece

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Abstract

The concept of crisis in art and science is to be investigated through two approaches: a historical-sociological and a philosophical-ontological one. In the framework of the historical-sociological approach, the crisis that has been affecting both the scientific and the artistic community, has been due to external sociological causes or to the psychological inabilities and personal ambitions of their members. The traditional notions of pure science and high value-laden art have been often neglected, as both scientists and artists deviated from the ideal principles of their working codes. This approach reveals common structures and behaviors in human communities, independent from the differences in subjects, methodologies and purposes they serve. The philosophical–ontological approach to art and science and to the course of their development leads, however, to the opposite conclusion: both art and science as rational systems are incompatible with the concept of crisis due to different reasons in each case. Keep Reading

Editorial: Special Issue on Performance Studies

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In this edition of Rupkatha we have the privilege of incorporating an introductory essay by Richard Schechner, in which he once again valorizes the anthropological foundations of performance studies and goes on to refer towards the infallible necessity of observing behaviour as a kind of transbiological agency and of tracing its effects in theatre and other kinds of representations. Schechner belongs to a tradition of performance scholars who believed in a kind of large, scientific ontology for the arts, a tendency which is evident when he quotes a New York University scholar. Perhaps the objective vision of a performance continuum is instructive for the future, as it creates an immediate stance, of both engaging as well as transcending the flow of experience in our lives which are organized and controlled  by means of mimetically emerging actions. The performer acquires, in Schechner’s scheme, as a liminal activist, so wonderfully described by anthropologist Victor Turner, and analysed in the scientism of Geertz’ observations of culture as an influential medium in which the arts and performances get endowed with signification. Keep Reading

Call for Reviewers and Copy-editors

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Peer-ReviewReviewers

We invite applications from established scholars to act as Reviewers for the Rupkatha Journal (www.rupkatha.com). Reviewers  familiar with OJS (Open Journal System) and/or other platforms for online review will be preferred as we will introduce new system of online review in 2014. Interested scholars need to send the following in their CV:

  1. Institutional affiliation details along with associations with other journals;
  2. Areas of specialization and expertise;
  3. List of published works.
  4. A small photograph.

Preferred Areas of Specialization: Aesthetics, Cultural Studies, Cultural Anthropology, Visual Arts, Music, Digital Humanities, Electronic Literature, French Literature, Spanish Literature, Latin American Literature, Animal Studies, Classical European Literature, Classical Indian Literature. (We are not looking for specializations in the areas like Indian English Writings, Postcolonial Literature etc) Nature of the work: All the submitted articles and book reviews go through Double-blind Peer Review process. A reviewer gets only one article for anonymous review for any issue and s/he needs to submit the report within one month. The Rupkatha Journal is a non-profit open access initiative and so nobody associated with the journal gets paid. This is a non-monetary voluntary service for the academic community. No remuneration: Since the journal is a non-profit academic initiative, reviewers will not be paid any amount. They should consider it a voluntary academic service. However, we can provide them with Experience Certificate if needed. Please send your CV to editor@rupkatha.com.

Copy-editors

Candidates should have the following essential skills:

  • An excellent command of the English language
  • Good knowledge in literature for spotting factual errors
  • Logical skill to recognize inconsistencies or vagueness
  • Love for perfection
  • Passion for Open Access
  • Aesthetic sense
  • Time to meet deadline
  • And finally, good command over any of the Word Processors, MS Word or Open Office

Educational qualification: Postgraduate in English literature or Linguistics No remuneration: Since the journal is a non-profit academic initiative, Copy-editors will not be paid any amount. They should consider it a voluntary academic service. However, we can provide them with Experience Certificate if needed. Please send your CV to editor@rupkatha.com.

Stillness of star-less nights: Afghan Women’s Poetry of Exile

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Rumpa Das, Maheshtala College, South 24 Parganas, India

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 Abstract

Contemporary English poetry by Afghan women presents a remarkable reading experience. Critical explorations, at ease with post-colonial conditions, minority solitude and feminist readings, have largely remained inimical to the unique, yet chequered history that women poets such as Zohra Saed, Sahar Muradi, Sara Hakeem, Fatana Jahangir Ahrary, Fevziye Rahzigar Barlas and Donia Gobar document in their works. Most of them write in their native Dari and Pushtun languages as well as in English and often their English compositions have smatterings of their native tongues. Even though individual experiences differ, these women delve into the collective memory of oppression, pain and unrest to give vent to their feelings, and seek to reach out towards a sorority of shared angst. This paper seeks to explore the complex cultural contexts which have given birth to Afghan women’s poetry in exile. Keep Reading

The Poetics of John Ashbery

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Gargi Bhattacharya, Rabindra Bharati University

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Abstract

John Ashbery (1927- ) takes the postmodernist polysemy of meaning in interpreting a work of art and the polyphony of styles in composing as his forte. He questions the various linguistic codes and makes us aware of the artificiality of the language. All political, ethical and aesthetic imperatives are rhetorical constructs. The writer uses language to persuade the reader to accept the formulated truth and he intervenes in the process of perception by his/her politics of representation. Though his iconoclastic approach towards writing and individuality of style has kept him aloof from mainstream academic syllabi, yet he has now become a prominent figure in Contemporary American Literature. It is interesting to note how Ashbery’s poetry revives the Romantic sensibility while applying the digitalized methods and the postmodern syndromes of immediacy, indeterminacy, disjunctive syntax, open-ended and multiplicity of interpretations. This paper explores the aesthetics of John Ashbery’s poetry. Keep Reading

Bob Dylan’s Folk Poetics in the Later Albums: Telling the Story of America in Ruins in Simple Poetic Language

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Matt Shedd, University of Oregon, USA

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Abstract

Bob Dylan’s recent albums have returned to a more basic sense of American vernacular and poetics, employing stock phrases that evoke a rural America of the past. However, the past does not provide any shelter from modern day angst and impending devastation. We see this particularly in the 2001’s Love and Theft, coincidentally released on the day of the Twin Towers attack. By foregoing concepts of radical artistic individuality, Dylan use more traditional folk poetics to provide a historical and communal account of the descent of the United States into what Dylan calls “an empire in ruins.” Keep Reading

The Astronomer’s Palace: an Instrument for the Observation of the Sky

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Maria Elisa Navarro Morales, McGill University, Canada

Abstract

As a result of the improvement in observational astronomy in the seventeenth century, particularly with the advent of the telescope, astronomical observatories started to be built to house the instruments for the observation of the heavens. With Tycho Brahe’s Uraniborg as precedent in the XVI century, the astronomical observatories of the XVII century were mainly institutional buildings with a political agenda. In contrast, the project for an Astronomical Palace by Juan Caramuel de Lobkowitz (1678-9), was neither a building to contain instruments, nor did it follow an institutional program.  In Caramuel’s project, the building serves as an instrument for the observation and measurement of the celestial movements, integrating the instruments traditionally housed in the building and the building itself into a single structure.  The present paper will look at the Astronomical Palace as an instance of architecture as an instrument to inquire into the natural world.  Keep Reading