Literature - Page 7

“The Noble Savage and the Civilised Brute: Nature and the Subaltern Angst in Swarup Dutta’s Machh Master (The Expert Angler)

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Sajalkumar Bhattacharya, Ramakrishna Mission Residential College, West Bengal, India

Abstract

Parallel reading of history from the subaltern point of view is not only possible, but it also often proves to be revealing. It often unearths a new discourse, which challenges the canonized history or even subverts it. This paper offers a reading of a recent Bhasa (Bangla) novel Machh Master (The Expert Angler) where the Naxalite Movement that rocked Bengal in the sixties, has been narrated and analysed from the viewpoint of one dalit subaltern. The novel attempts to create a binary between this ‘uncorrupted’ world/mode of existence and the civilized, sophisticated, intellectual, but essentially ‘corrupted’ urban world. In this natural savage world and its eco-system, the urban, elitist Naxalite movement turns out to be nothing but an imposition and an intrusion. At the end, disillusioned Neul detaches himself from this movement, goes back to, and embraces Nature in a desperate bid to get back his pre-lapserian mode of existence. Neel, chief agent of the Naxalite movement, too is influenced by these children of Mother Nature, and undergoes a transformation. This paper explores this interesting role of Nature in this new reading of the history of mankind. Keep Reading

Rabindranath Tagore’s English Prose: “Some Qualities of Permanence”

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Fakrul Alam, University of Dhaka, Bangladesh

Abstract

This paper explores the enduring qualities of Rabindranath Tagore’s English prose and puts forward the thesis that not only the Gitanjali poems but also many other of his English writings attained “some qualities of permanence” almost wholly because of his artistic skills. In addition to the strength of his ideas and the intensity of his feelings, the main reason why his prose works found an appreciative audience for a long time in the west can often be attributed to his adroit use of the English language in his letters, lectures, essays and speeches and his ability to adjust his style in accordance with the occasion, the audience, the genre and the subject matter. Without the impact the English prose writings have had, Tagore’s international reputation would not have survived thus far. Indeed, the enduring popularity of a work such as Nationalism tells us quite clearly that while as far as his argument is concerned there is a lot that is still relevant for the world in Tagore’s English writings, they should still appeal to us also because of his eloquence and writing skills. Keep Reading

Aesthetics of Indian Feminist Theatre

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Anita Singh, Banaras Hindu University, Uttar Pradesh, India

Abstract

This study addresses a number of Indian feminist plays (both by men and women) that were written and performed in the last century and early years in this century. The paper focus specifically on Indian theatre because of its long established theatre tradition that goes back to 1st century B.C. Ironically in such a country there were hardly any women dramatist to speak of before 19th century. At the core, the belief of a Feminist theatre is in the efficacy of theatre as a tool for conscientization, for critiquing social disparities and for self exploration and expression. Feminist theatre is a source of empowerment; it enables women to speak out. It is at the intersection of art, activism and social relevance and sees theatre as an instrument of real change in women’s lives.  It is an exploration of women’s own unique idiom, their own form, their language and ways of communication. It is a challenge to the established notions of theatre. Keep Reading

Perspective: Exile Literature and the Diasporic Indian Writer

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Amit Shankar Saha, Calcutta University, West Bengal, India

Abstract
The essay takes a holistic view of the word “exile” to encompass a range of displaced existence. It illustrates through John Simpson’s The Oxford Book of Exile the various forms of exiles. The essay then goes on to show that diasporic Indian writing is in some sense also a part of exile literature. By exemplifying writers both from the old Indian diaspora of indentured labourers and the modern Indian diaspora of IT technocrats, it shows that despite peculiarities there is an inherent exilic state in all dislocated lives whether it be voluntary or involuntary migration. More importantly, a broad survey of the contributions of the second generation of the modern Indian diaspora in the field of Indian writing in English depict certain shift in concerns in comparison to the previous generation and thereby it widens the field of exile literature. Keep Reading

Modernist Arabic Literature and the Clash of Civilizations Discourse

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Saddik M. Gouhar, United Arab Emirates University

Abstract

The paper explores the incorporation of western and Christian traditions, assimilated from western culture and literature in contemporary texts, written by Muslim/Arab poets and addressed to predominantly Muslim communities, in order to disrupt the clash of civilizations narrative and underline the attempt of post WWII Arab poets, led by Badr Shaker Al-Sayyab, to be engaged into trans-cultural dialogues with western masters particularly T.S Eliot.  The paper argues that Arab poets, from ex-colonized countries, attempted to build bridges with the West   by construction of a poetics that takes as its core the cultural/religious traditions of the European colonizers.  Unlike writers from the ex-colonies, in Asia, Africa, Latin America, the Caribbean and the West Indies who reconstruct western texts in order to subvert them, post WWII Arab poets integrated the religious heritage of what is traditionally categorized as an alien/hostile civilization into the Arab-Islamic literary canon. Keep Reading

Teaching Literature in the Age of E-Literacy

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Anne Mabry, New Jersey City University Abstract

In this piece of writing the writer deals with the issue of teaching literature and with the use of technology for the purpose of human resource development in the age of internet.

Students in urban high schools across the United States have been struggling to accomplish one milestone that most other students in suburban U.S. high schools take as a rite of passage—graduating from high school.  In the recent report titled “Closing the Graduation Gap,” commissioned by the American’s Promise Alliance, a non-profit group that works to reduce America’s high school dropout rates, the average high school graduation rate in the U.S.’s 50 largest cities was 53 percent, compared with 71 percent in the suburbs.  And the magnitude of the problem doesn’t stop there.  As reported by Sara Rimer of the New York Times just a few months ago, of the 68 percent of high school students nationwide who go to college each year, about one-third begin their freshmen year with skills deficient in writing, reading, and basic computational skills. Keep Reading

Contemporary Gujarati Poetry: For Whom Are They Writing?

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Mukesh Modi, D. M. Patel Arts and S. S. Patel Commerce College


Abstract:

The writer here describes the various ages and traditions of Gujarati Poetry, looks into the present condition and questions the practice of writing poetry for the pundits’ sake.

 Middle Age Gujarati Poetry

Gujarati poetry has basically evolved from Bhakti Literature of the 15th and 16th centuries. Oral tradition of Gujarati folklore dates back to the 12th century. So many seekers/devotees contributed immensely to the development of Gujarati poetry. Gujarati literature is divided broadly into two periods. The period from 12th century to the early 19th century is known as Middle Age, and the second period from 19th century to the beginning of the 20th century is known as Modern age. Looking at the Middle Age Gujarati literature, we find that the period was, as is the case with other Indian literature, dominated by poetry. In Gujarati, we have Narsinh Mehta Mirabai, Akho, Premanand, Shamal, Dayaram, Bhalan, Nakar, Bhim, Raje, Pritam, Dhiro, Bhojo and many others. With few exceptions, most of these poets liked to be known as devotees more and poets less. As Dr. Ramesh Trivedi mentions: “There was neither a consciousness of being poets nor attachment to being poets.” The central theme of Middle Age Gujarati Literature was religion. Since the society of the time was dependent heavily on religion, the hymns to devotions, wisdom and detachments were the major themes of the poetry of the age. Keep Reading

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