Presidency University, Kolkata, India
The idea that has been explored in the article is what makes a film postmodern and if there is an inevitable gap between form and content, between postmodern techniques and the narrative structure in the same. The article addresses how Woody Allen’s Midnight in Paris, which has been touted by certain critics as postmodern, adopts postmodern multiplicity of time and spaces and Allen almost plays with theses ideas but does not entirely succumb to them. Michel Foucault’s idea of heterotopia has been employed in studying the other space depicted in the film . The other space showcases Paris in the 1920s and Allen through his protagonist Gil highlights this as a celebratory digression and a moment’s liberation. The narrative is plugged into modernist attitudes, including a narrative closure, which does not allow it to be regarded as a postmodern film in its entirety.
Keywords : Allen, Midnight in Paris, Space, Nostalgia, Postmodern, Belle Epoque, Golden Age, theoretical, cultural, heterotopia, Gil