Person Communication and Meetings

Paradise Lost and the Dream of Other Worlds

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Hrileena Ghosh, Jadavpur University

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Abstract

The doctrine of plural worlds is an ancient concept which received a new lease on life as a result of developments in astronomy in the sixteenth century. In his epic Paradise Lost, John Milton repeatedly references this idea. Milton uses the concept of plural worlds in two distinct forms: at the literal level, he invokes the possibility of plural worlds within the created universe of the poem, and on a more metaphorical level, he invokes the possibility of the existence of several distinct but overlapping worlds. This paper seeks to consider how and why Milton uses this idea in the ways he does. Keep Reading

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Charles Olson and the Quest for a Quantum Poetics

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Douglas Duhaime, University of Wisconsin-Milwaukee

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Abstract

This paper investigates the ways the American poet Charles Olson helped twentieth-century writers create a “quantum poetics” that could reflect the discoveries of modern relativity theories and particle physics. In the first third of my paper, I show how Olson’s seminal essay “Projective Verse” advances a method of reading poetry which draws from Einstein’s special theory of relativity. In the second third of my paper, I discuss the ways Olson drew from quantum mechanics in his poetry and prose. There I also show how Olson’s writing invites readers to construct a method of reading rooted in physicist Niels Bohr’s principle of “complementarity.” In the final third of my paper, I show how Olson used Einstein’s theory of a unified field model to theorize poetry as a unified field of action. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

Dark Side of the Moon: Dickens and the Supernatural

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Soumya Chakraborty, Jadavpur University

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Abstract

Quite overshadowed by Dickens the social reformer and Victorian England’s most popular and prolific author, lay Dickens a man fascinated with the occult and the supernatural, a practitioner of mesmerism, a believer in the pseudo-science of phrenology, a man so obsessed with the Gothic that time and again he registered a covert, symbolic re-emergence of it throughout his works. Dickens harboured a lifelong attraction towards the supernatural, evidenced in his childhood fondness for the weekly magazine The Terrific Register, dealing with themes of ghosts, murder, incest and cannibalism, and in the several ghost-stories interspersed throughout the corpus of his work. Deeply involved in the 19th Century debates over the existence of spirits and the veracity of ghost sightings, Dickens oscillated between faith in the existence of the other-worldly and scepticism. Always concerned with the psychological aspect of the supernatural, Dickens’ work shows a constant engagement with the eerie, the uncanny and the grotesque. This paper attempts to explore not only the evolution of the theme of the supernatural in Dickens’ works but also his changing attitudes towards it. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

Theatre(s) of Resistance: Those ‘Other’ Performances in Simulation

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Sambuddha Ghosh, Jadavpur University, Kolkata, India

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 Abstract

The word “performance”[i] is one laden with immense—if sometimes only theoretical or even metaphysical—possibilities which stretch the known boundaries of conventional representation. “Performances” can be mimetic, and in certain cases, ones based on simulation. Ideologically motivated theatre for activism is too common for our own times, but the ramifications of present global power relations demand ephemeral forms of protest, opposition and self-expression. This article attempts to present a relatively uncharted terrain of performance studies: the Virtual Theatre, its Siblings and undertakes an enquiry into the ethos of simulated performance and the implications thereof that challenge essentialist conceptions of the Self and Personality. In addition, it also tries to unearth the hidden possibilities of such types of performance which might prove to be influential forms of ‘affirmative action’ for the future,  in trying to arrest the unrestricted growth of forces that assist globalization and its resulting cultural legacy. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

The Sitala Saga: a Case of Cultural Integration in the Folk Tradition of West Bengal

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Proggya Ghatak, National Institute of Social Work and Social Science, Bhubaneswar

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Abstract

The paper discusses religious narratives about annual deity of Savara of South Bengal that can be conceptualized as myths, legends, and memories according to folklore of ‘Sitalamangal’. This goddess is primarily associated with smallpox, yet she is occasionally given other roles and powers, including those as the protector of children and the giver of good fortune. Her role also incorporated other elements of the period, viz. incorporation of deities from Brahmanical religion, incorporation of motifs and symbols from it, incorporating tribal, Tantric-goddess tradition to its fold as well as developed an elaborate ritual structure. The Sitala worship has attached the social fabric of Savara society and maintaining social solidarity. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

Performing “Fine Arts”: Dance as a Source of Inspiration in Impressionism

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Johannis Tsoumas,  Hellenic Open University, Athens

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The proposed article aims to highlight the importance of the most significant performing art which, according to the author’s opinion, is dance, in influencing one of the most magnificent movements in world art history: Impressionism. Through an diachronic and deep cut in time, namely, the last decades of the nineteenth century France, a period commonly known as fin de siècle, this article attempts to illuminate the unseen sides of this magical “physical ceremony” which was meant to affect dramatically not only art, but also the social status of the country. The process of human movements, especially female ones, through the interaction of body and music was ultimately the cornerstone of the configuration of not only the aesthetics, but the overall ideology of some of the most prominent representatives of Impressionism, but also Post-Impressionism, as in many cases it determined their own lives. The imposing and much debated waltz, the classical ballet as well as the charming can-can and, its ancestor, the playful quadrille, were harmonically blended with the enchanting tools and materials of the Impressionist artists and the result was some of the most astonishing works of art in the world art history. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

‘All the world’s a stage and I’m a genius in it’: Creative Benefits of Writers’ Identification with the Figure of Artistic Genius

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Claudia Chibici-Revneanu, ENES, UNAM León in Mexico

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Abstract

This paper focuses on the romantic notion of artistic genius and its operations as a kind of theatrical script functionally guiding many writers’ lives and approaches to their creations. In recent years, the concept has been justly deconstructed as heavily gendered and providing an inadequate representation of actual creative processes. Nevertheless, what these studies of genius have often overlooked are the manifold functions the genius ideology has traditionally fulfilled for artists and society at large. To illustrate this, the article focuses specifically on the complex and often beneficial interaction arising from authors’ self-identification with the genius role and their negotiation of the creative process. A plea will be made for taking seriously the limitations of the genius script while at the same time trying to save-guard its valuable influence on creative writers’ artistic performance. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

‘There is Nothing as Old as a Child’: Childhood and Language in Rabindranath Tagore’s The Crescent Moon

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Josephine A. McQuail, Tennessee Technological University, USA

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 Abstract

Rabindranath Tagore was influenced by the British Romantic poets as well as by the sights, sounds and tradition of his own Bengali culture.  Tagore’s attitude to childhood is certainly similar to the adulation of the child begun as a cultural movement by the British Romantic poets. Tagore praises both the purity of the child as well as the Platonic essence of childhood in his writing on nursery rhymes. The child’s perspective is delightfully captured in his volume The Crescent Moon (1913). In a sense, through his exploration of the unconscious components of the mind of the child, Tagore in essence becomes father to himself:  his language eludes the Order typically imposed on linguistic expression in the Oedipal stage of development. Tagore’s recourse to childhood freedom arguably translated in his poetry to his radical experiment with language, which unfortunately cannot be reproduced entirely in translation. Keep Reading

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Re-narrating Globalization: Hybridity and Resistance in Amores Perros, Santitos and El Jardín del Edén

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Brent Smith

University of New Mexico, USA

Volume 2, Number 3, 2010 I Download PDF Version

DOI: 10.21659/rupkatha.v2n3.05

Abstract

This paper explores the articulation of resistance to neoliberal globalization in Alejandro González Iñárritu’s Amores Perros, Alejandro Springall’s Santitos and Maria Novaro’s El Jardín del Edén.  I argue that this resistance is enunciated within what Homi Bhabha terms ‘Third Space’, the in-between space of cultural translation and negotiation where notions of an essential national identity are destroyed and a contingent and indeterminate hybrid identity is constructed. Speaking from this hybrid space, these films employ Western cinematic conventions to construct narratives of the disjunctive experience of postcolonial time and space that disrupt the dominant temporality and imaginative geography of Western grand narratives of historical progress and global economic development, while at the same time deterritorializing the space and time of national imagining. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

México de afuera in Northern Missouri: The Creation of Porfiriato Society in America’s Heartland

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Craig Dennison

Westminster College, USA

Volume 2, Number 3, 2010 I Download PDF Version

DOI: 10.21659/rupkatha.v2n3.04

Abstract

This essay examines the ideology of México de afuera in the novel La patria perdida by Teodoro Torres.  Torres, who fled Mexico after the onset of the Mexican Revolution, found a job as lead editor of La Prensa, the successful Spanish-language newspaper owned by Ignacio Lozano.  Living in San Antonio during the 1910s, Torres became familiar with the ideology of México de afuera before returning to Mexico.  His novel, which begins in northern Missouri, follows the return of Luis Alfaro to his homeland only to discover that he feels more at home, more in Mexico, on his farm north of Kansas City.  When studying the work and the life of Torres, the plot of this novel become problematic.  A man who lived in the United States for nine years before returning to Mexico, Torres certainly had the insight to provide psychological and emotional analyses of the immigrants and the understanding to write about the thoughts and feelings that many had experienced upon their return to the homeland.  Yet, why does Torres, who had returned to Mexico and done well for himself for over a decade before he penned this novel, invent an immigrant utopia on a farm in Missouri?  It is not a question that is easily answered, but after examining Torres’s life, the basic tenets of México de afuera and the novel itself, a conclusion can be reached.  Torres idolized Porfiriato society and Luis Alfaro’s farm is an idealized version of fin-de-siècle Mexico. Keep Reading

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