post-colonial

Subverting Narratives of Nationalism: A Cross-National Study of Borges and Muktibodh

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Akansha Singh

Assistant Professor, NALSAR University of Law. Email: akansha.s@outlook.com

Rupkatha Journal, Vol. 14, Issue 3, September-October 2022, Pages 1–15. https://doi.org/10.21659/rupkatha.v14n3.11

First published: October 8, 2022 | Area: Latin America | License: CC BY-NC 4.0

(This article is published under the themed issue Across Cultures: Ibero-America and India”)
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Subverting Narratives of Nationalism: A Cross-National Study of Borges and Muktibodh

Abstract

The mid-twentieth century Argentina and India witnessed a discursive construction and circulation of national identity closely entwined with literary production. This caused a surge in nationalistic sentiments, often culminating in socially discriminatory consequences. This paper shall analyse the role Jorge Luis Borges and Gajanan Madhav Muktibodh played in subverting nationalism, as members on the ideological margins of their respective countries. The study involves two interconnected inquiries in the authors’ works. First, a study of reasons behind their rejection of nationalistic writing— their personal lives as affected by it, their discontent with literary movements they were part of, literary censorships, and loss of jobs on account of their ideological differences. Second, a study of the alternatives the two writers offered against nationalism— literary forms, styles, and techniques. Placing the two inquiries together, the paper will study their works as writings of resistance that surface through a fusion of political opinion and social critique. It will further argue how resistance through writing conditions guides their existence.

Keywords: Nationalism, Borges, Muktibodh, Modernism, Post- Colonial

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Mary Magdalene or Virgin Mary: Nationalism and the Concept of Woman in Bessie Head’s A Question of Power

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Sayyed Rahim Moosavinia, Seyyede Maryam Hosseini & Shahid Chamran

University of Ahvaz, Iran

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Abstract

Foucault believes that people live in systems of power different from one era to another. He applies the term “power archives” to demonstrate that those inside an institute cannot be aware of the subtle ways of power imposed on them. Likewise, it would be oversimplification to think that with the apparent end of colonialism, the colonized subjects will be free from subjugating contexts. In the case of women, the situation is even worse since they are repressed by both the colonialist and the post-colonial nationalist. “Under the anxiety of the influence” of the former colonial father, the once-belittled colonial men turn to support their females in terms of their body and soul, and in this way define them inside a strictly demarcated roles of good wives, mothers, and households or vicious prostitutes. Bessie Head in her semi-autobiographical masterpiece subtly examines this idea and through her coloured protagonist, Elizabeth, attempts to re-deconstruct this notion. Keep Reading