Switzerland

The Aesthetics of Race and Relativity in A. Van Jordan’s Quantum Lyrics

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Paula Hayes, Strayer University, Tennessee, USA

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Abstract

Van Jordan uses physics in his poetry to explore many sub-texts—such as, race in American society, gender, autobiographical memories of youth,as well as the story of Albert Einstein’s marriage to his first wife.  Van Jordan examines the possibility that Einstein’s wife may have helped in discovering the theory of relativity despite the fact that Einstein failed to give her any credit for doing so. The poet’s stories of his personal memories of experiencing youthful love and disillusionment, along with the poet’s unfortunate encounters with racism in America, are juxtaposed in the Quantum Lyrics beside the story of Albert Einstein’s personal life.  The poet moves back and forth in the volume between the language of music and the language of science as a means of exploring how far either one can penetrate to the core of the human experience.  Keep Reading

The Sexologist and the Poet: On Magnus Hirschfeld, Rabindranath Tagore, and the Critique of Sexual Binarity

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J. Edgar Bauer, Researcher and Author                 

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Abstract

Between 1930 and 1932, German-Jewish sexologist Magnus Hirschfeld (1868-1935) undertook a world journey that he eventually reported in Die Weltreise eines Sexualforschers (1933), arguably the first non-Eurocentric, anti-colonialist critique of Asian cultures from a sexological perspective.  Saluted as “the modern Vatsyayana of the West,” Hirschfeld met during his stay in India personalities such as Jawaharlal Nehru, Jagadish Chandra Bose, and Radindranath Tagore, whom he visited at his family residence in Calcutta.  Against the backdrop of Hirschfeld’s “doctrine of sexual intermediaries” and his general postulate that truly creative artists have mostly “united in themselves both sexes in especially pronounced form,” the study analyzes and assesses his reference to Tagore’s femininity. While acknowledging the correspondences between the sexologist’s universalization of sexual intermediariness and the poet’s premise that “[t]he Creator must be conscious of both the male and female principles without which there can be no Creation,” the elaborations focus on their divergent conceptualizations of sexual difference, womanhood, and the erotic life. Keep Reading