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Aesthetics of Indian Feminist Theatre

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Anita Singh, Banaras Hindu University, Uttar Pradesh, India

Abstract

This study addresses a number of Indian feminist plays (both by men and women) that were written and performed in the last century and early years in this century. The paper focus specifically on Indian theatre because of its long established theatre tradition that goes back to 1st century B.C. Ironically in such a country there were hardly any women dramatist to speak of before 19th century. At the core, the belief of a Feminist theatre is in the efficacy of theatre as a tool for conscientization, for critiquing social disparities and for self exploration and expression. Feminist theatre is a source of empowerment; it enables women to speak out. It is at the intersection of art, activism and social relevance and sees theatre as an instrument of real change in women’s lives.  It is an exploration of women’s own unique idiom, their own form, their language and ways of communication. It is a challenge to the established notions of theatre. Keep Reading

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What is Performance Studies?

Richard Schechner Tisch School of the Arts, New York University  Download PDF Version Because performance studies is so broad-ranging and

Giving the Lie: Ingenuity in Subaltern Resistance in Premchand’s short story ‘The Shroud’

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Somdev Banik, Government Degree College, Tripura, India

Abstract

It is not always that the subaltern cannot speak, though their authentic representation is often more pronounced in the regional literatures, rather than in Indian Writings in English. The subaltern in Premchand’s story ‘The Shroud’ not only resists the forces of exploitation, but subverts dominant social mores and traditions to gain an advantage over the master class, forcing them to shell out money which they wouldn’t have otherwise in ordinary circumstances. This glory of victory is attenuated by the realization that the subaltern in turn is also an exploiter of the woman in the family, who in life and death is used for sustaining self-interests of the males of the family.  Keep Reading

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The Essentials of Indianness: Tolerance and Sacrifice in Indian Partition Fiction in English and in English Translation

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Basudeb Chakraborti, University of Kalyani

Abstract

Indian Partition fiction, on the one hand, records man’s bestiality and savagery and on the other, attests to the fact that man is essentially sincere, committed to upholding humanity to survive and sustain itself.  The paper contends to examine the fundamental goodness of some characters, which the Indian tradition underlines. By analyzing certain characters from Chaman Nahal’s Azadi, Khuswant Singh’s Train to Pakistan, Bapsi Sidhwa’s Ice-Candy-Man, Bhisham Sahni’s Tamas, Saadat Hasan Manto’s short stories and two Indian films, Mr. and Mrs. Iyar, directed by Aparna Sen and Meghe Dhaka Tara by Ritwik Ghatak, the writer tries to bring home the truth that frenzy of insanity is not final and amidst the pall of darkness and threats of insanity, there is a ray of hope. Keep Reading

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Shashi Tharoor’s Riot: Perspectives on History, Politics and Culture

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Paras Dhir, Lovely Professional University

Abstract

History, politics and culture have always been a dominant preoccupation of the Indian-English novelists. This compulsive obsession was perhaps inevitable since the genre originated and developed from concurrently with the climactic phase of colonial rules, the stirrings of nationalist sentiment and its full flowering in the final stages of the freedom movement. In this paper an attempt is made to examine Shashi Tharoor’s Riot as a multilayered narrative that sheds light on many contemporary issues on history, politics and culture of India. Keep Reading

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