Re-gendering Art: A Study of Ravi Varma’s Shakuntala Writing a Love Letter on a Lotus Leaf

I. Vinitha Chandra
Mount Carmel College, Autonomous, Bengaluru.

^{Rupkatha Journal, Vol. 16, Issue 2, 2024. https://doi.org/10.21659/rupkatha.v16n2.05g
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Abstract:

As a reflection of social patterns, culture is bound to change and the representations from the past distorted in the present need to be decoded to remove the staleness and fixation on various notions passed as absolute truths. This dichotomy inspires an investigation into an iconic representation of womanhood from the stature of an episode from mythological epic Mahabharata and the paintings of Shakuntala by the painter Prince Ravi Varma of erstwhile Travancore in the state of Kerala in colonial India to unravel the stories that characterized popular imagination of women in history. The theoretical framework of aesthetics in the depiction of human forms that define perceptions of gender directs this study to avail a close reading to evaluate the growth of empowerment of women within the dialectics of history and culture. ‘Ekphrasis’ studies mainly how visual arts are represented in literature and here interestingly visual art becomes the ekphrasis of the written text. A proposal of the theory of ‘elimination’, the study intends to debunk the societal gaze of the feminine form as fragile hindering the strength of character by analyzing the hidden details in art. The relevance becomes manifold in the twenty-first century as the new generation is ardently trying to break stereotypes. The limitations of binary ideas of masculine and feminine are interwoven mainly with physical characteristics. The pressure to mimic these attributes leads to the exclusion of anything beyond that idea which disturbs the balance of gender equality and justice.

Keywords:  Aura, Autonomy, Apotheosis, Aesthetics, Impression.