Khushboo Sharma1 and Arun Dev Pareek2
1Research Scholar, Department of Languages, Manipal University Jaipur, Jaipur-303007, Rajasthan, India.
2Assistant Professor, Department of Languages, Manipal University Jaipur, Jaipur-303007, Rajasthan, India. ORCID: 0000-0001-5427-9906. Email: arundevpareek@gmail.com
Volume 13, Number 2, 2021 I Full-Text PDF
DOI: 10.21659/rupkatha.v13n2.44
Abstract
In 2018, when Nandini Krishnan decided to write a book on trans men of India titled ‘Invisible Men’, perhaps she expected great accolades. After all, she was raising a topic that was relegated to the periphery of peripheries, an identity that often went astray in translation. But was the intent enough to write something impactful and honest? At the same time in Indian Cinema, Akshay Kumar geared up for a stereotyped role as a trans woman. What’s the connecting dot between these two? They ended up being nothing but highly skewed queer representations by cis-folks. Meanwhile, an alternative movement was brewing on social media as Alok Menon narrated poems of subversion, dressed as a challenge to everything heteronormative. The current paper aims to examine these voices of subversion, of trans narratives, as formed and catalyzed on social media and across various mediums of general discourses. The paper would also explore the rise of trans narratives in literature with special reference to ‘Me Hijra, Me Laxmi’ by Laxminarayan Tripathi and ‘A Life in Trans Activism’ by A. Revathi. Both exploratory and descriptive research methods are used for deriving the theoretical analysis from primary and secondary sources.
Keywords: trans narratives, literature, voices, subversion, challenge