Filming Folktales: The ‘Uncanny’ in Bhaskar Hazarika’s Kothanodi (“The River of Fables”)
Farddina Hussain Department of English, Gauhati University, Guwahati, Assam, India. ORCID: 0000-00025232-6358. Email: fardina1ster@gmail.com Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022, Pages 1–10. https://doi.org/10.21659/rupkatha.v14n2.ne12 First published:...
An Identity Born Out of Shared Grief: The Account of Rambuai in the Contemporary Mizo Literary Texts
Zothanchhingi Khiangte Department of English, Bodoland University, Kokrajhar, Assam, India. ORCID: 0000-0001-8225-0326. Email: zothanikhiangte@yahoo.com Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022, Pages 1–15. https://doi.org/10.21659/rupkatha.v14n2.ne11...
Kanhailal’s ‘Theatre of the Earth’ as Political Allegory
Pranjal Sharma Bashishtha1 & Goutam Sarmah2 1Department of Assamese, Gauhati University, Guwahati, Assam, India. ORCID: 0000-0001-8408-7008. Email: psb@gauhati.ac.in 2Dr. Bhupen Hazarika Centre for Performing Arts, Dibrugarh University, Dibrugarh, Assam, India....
Under the Canopy of Sal Trees: A New Vocabulary of Performance in Sukracharya Rabha’s Minimal Theatre
Namrata Pathak North-Eastern Hill University, Tura Campus, Meghalaya, India. ORCID id: 0000-0002-1193-6221. Email: Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022, Pages 1–12. https://doi.org/10.21659/rupkatha.v14n2.ne09 First published: June 09, 2022 | Area:...Member of United Nation’s SDG Publishers Compact
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