The Nature and Concept of Meta-artistic Objects

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Benjamín Valdivia

Professor, Art, Architecture and Design, University of Guanjuato. E-mail: valdivia@ugto.mx

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.03

Abstract

This paper introduces two concepts useful for the understanding of current trends in art. One of them is the concept of meta-art, which is proposed here because of the perception that contemporary art goes beyond the traditional borders of art, transforming the aesthetic question (is it beauty?) to a more ontological question (what is it?). Diverse elements are identified at the borders of artistic expression, as the question starts to implicate the changes caused by the notion of the meta-artistic. The second concept deals with the other main category of judgement of art, which was formerly defined by beauty, and yet now gets displaced in the limits of the meta-artistic by another process that we call aesthetic impact. This given pair of theoretical instruments help in a better understanding the astonishing objects developed by the artists of our time.

Keywords: aesthetic impact, beauty, contemporary art, fragmentation, Meta-artistic, end of art.