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Volume 9, Number 4, 2017

[The issue is under construction. However, the published articles are complete and fully citable.]

Sathyaraj Venkatesan & Anu Mary Peter
The Cult of Victorianism: Eating Disorders and Graphic Medicine
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Adam Lovasz
The Spirituality of Beheading: Numinous Experience in Headless
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Fella Benabed
Celebration/Subversion of French Assimilation: A Contrapuntal Analysis of Zebda’s Art
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Emeka Aniago
Polemics of Nigeria’s Socio-Political Realities and Chinua Achebe’s The Trouble with Nigeria
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Niyi Akingbe & Emmanuel Adeniyi
‘Reconfiguring Others’: Negotiating Identity in Chimamanda Ngozi Adichie’s Americanah
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Shalini Deepa Srinivasan
Things and Trauma in Joe Sacco’s Safe Area Goražde
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Ghiasuddin Alizadeh & Shideh Ahmadzadeh
Beyond the Veil of Fantasy: “The Book of Thel” and the Critique of Romantic Ideology
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Rajni Singh & Reema Chakrabarti
From the Inferior Other to the Becoming Being: A Reading of Dracula from Haddon’s Frame
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N. M. Nesterova & Y. K. Popova
“Eugene Onegin” in the English-speaking Linguacultural Space
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V. Meskin & K. Galay
Ivan Bunin and Guy de Maupassant: Ties Across Creative Writing
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Joydeep Bhattacharyya
Asghar Wajahat’s Unborn in Lahore and Salman Khurshid’s Sons of Babur: Rehistoricising the Hindu-Muslim Rivalry
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Sagrolikar Kapil Irwantrao
Women under Erasure and Reassertion of the Hindu Patriarchal Gender Polarity: a Study of the Late 19th and the Early 20th Century Social Reform Movements
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L.R. Duskaeva & Yu.M. Konyaeva
Types of Information Portraits in a Journalistic Discourse
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M. Taufiqurrohman, A. Chusna & L. Suzanna
The Genealogy of Banyumas Film: From Street to Screen
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Review Articles
Chunmei Shao
Border Crossings. Translation Studies and other disciplines by Yves Gambier & Luc van Doorslaer
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About the Journal

The Rupkatha Journal on Interdisciplinary Studies in Humanities derives its name from ‘rup’ (form) and ‘katha’ (words), which, when combined, mean ‘myth’ in Bengali. The journal gets its inspiration from the etymology and goes by the principle that anything which has a form, visual or mental, can come under focus. Rupkatha was founded as a non-profit non-commercial open access initiative in India in 2008 by Tirtha Prasad Mukhopadhyay and Tarun Tapas Mukherjee and the journal continues to support and spread awareness about OA in India and abroad. More

Open Access Statement

The journal allows readers to freely read, download, copy, distribute, print, search, or link to the full texts of its articles and to use them for any other lawful purpose. The articles and book reviews and other published items are licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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The Rupkatha Journal is a widely recognized scholarly journal from India which maintains international standards of publication following strict editorial and review policies. It has been included into the following prestigious directories, databases and lists:
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All submitted articles are checked for potential unethical practices. In case any article is found to be plagiarized before publication, we will reject the submission and blacklist the author. If any article is found to be plagiarized or reported by anybody to have been plagiarized even after publication, we will REMOVE the article with a notice for the misdeed of the author. Please report plagiarism at editor@rupkatha.com.