The Mysteries of Food: Reading Select Detective Fiction by Kalpana Swaminathan and Madhumita Bhattacharyya

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Somjeeta Pandey1 & Somdatta Bhattacharya2

1Assistant Professor of English, Gobardanga Hindu College, E-mail: somjeeta072@gmail.com,https://orcid.org/0000-0001-8107-9686

2Assistant Professor, Department of Humanities and Social Sciences, IIT Kharagpur, E-mail: somdatta@hss.iitkgp.ac.in, https://orcid.org/0000-0001-8332-7989

 Volume 12, Number 5, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n5.rioc1s15n3

Abstract

Food studies, a new addition to the family of humanities, has experienced a rapid rise in the last twenty years and a number of scholars have devoted their time and energy in studying food culture as well as the patterns of eating (Albala, 2013). Food writing has slowly spread its branches into all literary genres including into crime fiction. In more recent crime mysteries, the main plot is supplemented by authentic recipes and descriptions of food and cooking and “gumshoes not only track killers” but also “grill sherry-flavoured tuna” or “bake” chocolate cookies (Carvajal, 1997). The sub-genre of crime fiction that brings together food and crime, has been termed as ‘culinary mystery’ and with the more recent academic interest in food in literature, it has received the critical attention it deserves. The present paper will analyze the role of food in the Reema Ray mysteries of Madhumita Bhattacharyya, The Masala Murder (2012) and Dead in a Mumbai Minute (2014) and the Lalli mysteries of Kalpana Swaminathan, The Secret Gardener (2013) and Page 3 Murders (2006). While for Lalli and her niece Sita, food becomes a luxury, an indulgenceafter a hard day’s grim investigative work; for Reema, baking is her sleuthing tool and stands for her intelligence and autonomy. This paper will thus argue how these novels, with female sleuths who use food/cooking as tools of detection, pose a challenge to the patriarchal roles assigned to women as caregivers and providers of nutrition, and attempt to show how “food mysteries are ultimately about female independence and sustaining the self” (Kalikoff, 2006, p. 75). In doing this, it will alsofocus on how women bridge the gap between the public and private spheres.

Keywords: detective fiction, food studies, crime fiction, Indian English women authors