Rasleena Thakur1 and Vani Khurana2
1Ph.D. Research Scholar, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: rasleena1103@gmail.com, ORCID ID: 0000-0002-3032-2831
2Assistant Professor, Centre of Professional Enhancement, School of Social Sciences and Languages, Lovely Professional University, Punjab, India.Email: vani.khurana@lpu.co.in
Volume 12, Number 5, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n5.rioc1s6n2
Abstract
The concept of otherness in literature usually comes under the broad purview of postcolonial studies, relating to the subaltern and the displaced. This paper, however, focuses on the concept of the ‘other’ and the ‘odd’ in the light of magical realism and how the characters which are generally side-lined by society on the basis of their sexual preference, mental capability, physical deformity, gender fluidity and age find a clear and distinct voice in these fictions. Haruki Murakami’s novel Kafka on the Shore is taken up for this study. The unique blend of surrealism (the progenitor genre) with magical realism (the offspring mode) in the novel creates an oneiric landscape which is still very much rooted in reality, in present day Japan. The paper concentrates on the trauma of certain characters and how their exclusion from society leads to their subsequent recovery. The paper through a detailed and critical study of the novel’s unusual characters and their non-deterministic status of being typified in traditional categories posits magical realism as an apt literary mode for those who lack a voice and are underrepresented in conventional texts. Here ostracism is not portrayed as pessimistic but as a locus for growth and self-discovery.
Keywords: Magical Realism, Murakami, Gender fluidity, Disability, Otherness, Trauma.