mysticism

The Praxis of the Wedded Mystic: a Divergent Reading of Easterine Kire’s novel When the River Sleeps

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Dhanya A.P1 & Sudakshina Bhattacharya2

1Dept of English and Humanities, Amrita School of Arts and Science, Amrita Vishwa Vidyapeetham, India. ORCID: 0000-0001-5979-0260. Email: dhanya25ajith@gmail.com

2Dept of English and Humanities, Amrita School of Engineering,Coimbatore. Amrita Vishwa Vidyapeetham, India. ORCID: 0000-0001-7032-0737. Email: s_bhattacharya@cb.amrita.edu

Volume 11, Number 3, October-December, 2019 I Full Text PDF

DOI: 10.21659/rupkatha.v11n3.05

Abstract

The usual prognosis about literature from the North Eastern regions of India invokes a set of linear, preconceived notions about identity questions, cultural and political conflicts, myths, oral traditions and magic realism. This standpoint has been strongly contested by writer, Easterine Kire, who has revealed a veritable and profound consciousness, embedded deeply in  the Angami Naga tradition. That there is an intense and significant version of ‘mysticism’, hitherto unrealized, has been clearly illustrated in her novel When the River Sleeps. The novelist is successful in searing up this notion and illustrating a wonderful vignette of Naga mysticism. Based on Carl Jung’s concept of individuation and making of the ‘self’,  the focus of this paper is mainly on the praxis of Kire’s protagonist, Vilie, who delves deeper into the realm of the unseen, intuited by centuries of collective unconscious that helps him to savor mystical experiences. The paper seeks to trace the process of Vilie’s individuation, from a hunter, to a self wedded man of the forest, a conservationist, redeemer and finally to a mystic. The principles of Jung can be aptly applied to  the  various stages of his transcendence. Such a study can also help  to vindicate the stipulated notions about the Naga people as overtly aggressive, belligerent head hunters and insurgents.

Keywords: North Eastern regions, mysticism, Angami Naga, individuation, collective unconscious

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The Folk Mysticism of Rabindranath Tagore: ManerManus and JivanDevata

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JoannaTuczy?ska, University of Gda?sk, Poland

Abstract
The lyrical mysticism of Rabindranath Tagorein its musical dimensionwas outstandingly inspired by the B?ul devotional vocal tradition.Theprimeval aboriginal spirit permeated the unboundgenius of the poetwith the idea of M?n?r M?nuswhich he imaginatively transformedinto the deeply symbolic concept of J?van D?vat?. Thus, the indigenous musical folkloreof Bengal becomes the poetic medium of the reunion between man and the Creator as the way to the realization of J?van y?tr?. Music in its devine form of g?t? guides man on his path to the Lord through the Heart understood as the symbolic dwelling ofthe Ultimate Truth where the Cycle of Love is completed.

[Keywords: folk mysticism, M?n?rM?nus, J?vanD?vat?, B?uls]

The mysticism of Rabindranath Tagore blossomed on the soil of rich and complex religious influences, which became the fusion of his poetic interest. The spirit ofUpani?ad, the voice of theBr?hmas?majmovement, the light of the Bible, the ??f?esotericism and the B?ulfolk tradition of Medieval Indiacreate together the realm of Tagore’s artistic genius. However, the imaginative musical tone of his poetic expressionfinds its special inspiration in the vocal heritage of the devotional mysticsongs of the B?uls. It is their unsophisticated authenticity that touched Tagore’s spirit with its overwhelming force. The light and the magical charm of the aboriginal songs of Bengal reached the innermost depths of Rabindranath’s heart to blossom in his imagination into lyrical song offerings.Music filled the creative spirit of the poet, building a divine path to the Creator and shaping the universe of his creations, midst of whichG?t?ñjali, G?t?liand Gitim?lya arose with their outstanding artistic quality. Rabindranath’s devotional songs resounded in the mystic flute of K???a with the message of the Truth inherently rooted in the Infinite Divine Consciousness and ultimately realized within the human heart…Access Full Text of the Article


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Love of Creation and Mysticism in Tagore’s Gitanjali and Stray Birds

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Paula Hayes, Strayer University, USA

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Abstract

This paper is concerned with examining two of Tagore’s collections of poems, Gitanjali and Stray Birds, from the perspective of the poet’s love of nature and of God. The paper seeks to find a religious explanation for Tagore’s perpetual praise of the natural world, a praise that he was able to connect dynamically to his love of God. The explanation given is that Tagore’s repetition of nature motifs and his ability to link these motifs to a harmonious pursuit of the divine is rooted in an appreciation for cosmogony of the Rig Veda. The paper ends by addressing briefly how Tagore’s naturalism, rooted in a tradition extending back to sacred text, leads the poet to a mystical expression of personality through his poems. Keep Reading

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The Sexologist and the Poet: On Magnus Hirschfeld, Rabindranath Tagore, and the Critique of Sexual Binarity

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J. Edgar Bauer, Researcher and Author                 

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Abstract

Between 1930 and 1932, German-Jewish sexologist Magnus Hirschfeld (1868-1935) undertook a world journey that he eventually reported in Die Weltreise eines Sexualforschers (1933), arguably the first non-Eurocentric, anti-colonialist critique of Asian cultures from a sexological perspective.  Saluted as “the modern Vatsyayana of the West,” Hirschfeld met during his stay in India personalities such as Jawaharlal Nehru, Jagadish Chandra Bose, and Radindranath Tagore, whom he visited at his family residence in Calcutta.  Against the backdrop of Hirschfeld’s “doctrine of sexual intermediaries” and his general postulate that truly creative artists have mostly “united in themselves both sexes in especially pronounced form,” the study analyzes and assesses his reference to Tagore’s femininity. While acknowledging the correspondences between the sexologist’s universalization of sexual intermediariness and the poet’s premise that “[t]he Creator must be conscious of both the male and female principles without which there can be no Creation,” the elaborations focus on their divergent conceptualizations of sexual difference, womanhood, and the erotic life. Keep Reading

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