Sathyaraj Venkatesan1 and Anu Mary Peter2
1Associate Professor, Department of Humanities and Social Sciences, National Institute of Technology (NIT), Tiruchirappalli, India-620015. ORCID: 0000-0003-2138-1263. Email: sathya@nitt.edu
2Assistant Professor, School of Social Sciences and Languages, Vellore Institute of Technology (VIT), Chennai, Tamil Nadu, India. Email: 0000-0001-6740-8252. Email: anumary.peter@vit.ac.in
Volume 12, Number 6, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n6.08
Abstract
Beyond its medical definition as a natural phenomenon concerning the female body, menstruation is a term that is overburdened with a plethora of distorted cultural and religious meanings. Through the centuries, the biological process of the monthly expulsion of non-pregnant women’s uterus lining is popularly misunderstood as a profane activity. Despite the surplus of awareness measurements to educate masses about menstruation’s biological underpinnings, societal negligence towards women’s incapacitating experiential realities associated with menstruation continues even in the twenty-first century. Accordingly, Paula Knight’s graphic medical memoir on infertility, titled The Facts of Life (2017), offers a distinctive perspective about menstruation through the creative deployment of the lycanthrope metaphor. By depicting her menstruating self as a lone werewolf, Knight offers a compelling representation of menstruating women’s abysmal corporeal and cultural anxieties. By close reading relevant images from Knight’s memoir and drawing theoretical insights from Victoria Louise Newton and Elizabeth El Refaie, this article analyses how graphic medicine necessitates a humane and non-stigmatizing approach to menstruation.
Keywords: Menstruation, Metaphor, Lycanthropy, Graphic medicine, Comics, Stigma.