Nelson T. Obasi1, Dohoabasi Okon Uweh2, Christian Maduka3, Uche-Chinemere Nwaozuzu4 & Stella Okoye-Ugwu5
1Theatre & Film Studies, University of Nigeria, Nsukka, Nigeria
2English & Literary Studies, University of Nigeria, Nsukka, Nigeria
3Theatre & Film Studies, University of Nigeria, Nsukka, Nigeria
4 Theatre & Film Studies, University of Nigeria, Nsukka, Nigeria
5English & Literary Studies, University of Nigeria, Nsukka, Nigeria
Email: stellaokoyeugwu@gmail.com
Volume 13, Number 1, 2021 I Full Text PDF
DOI: 10.21659/rupkatha.v13n1.10
Abstract
This paper presents a critical comparative inquiry aimed at discussing patterns of Chinua Achebe’s A Man of the People and Emeka Nwabueze’s A Parliament of Vultures, portrayal, definition, situation as well as contextualization of political corruption and charlatanry in Nigeria. In addition, we are looking at how the texts’ application of the same literary device in projecting similar massages through biting satirical undertones, scathing rebukes and grim humour. Hence, we shall examine the effectiveness of this device in specific instances. To this end, this study seeks to interpret the embedded messages in the texts’ projections of corruption and charlatanry through two characters – Chief Nanga in A Man of the People and Mrs. Omeaku in A Parliament of Vultures. Furthermore, our aim is to explain what the texts view as the immediate and future consequences of the alluded negative vices to the society, espouse on the variables they adduce as the propelling forces, understand better their suppositions on why these vices fester, and adumbrate on suggestions from the texts on how these vices can be eradicated or contained. To carry out this discussion, we are applying theories espousing on reasons behind corruption in politics, and our discussion will be hinged on interpretive approach.
Keywords: charlatanry, buffoonery, satire, politics, corruption, criminality