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In Search of Englishness: A Study of the Historical Novel during the Victorian Era

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Masoud Farahmandfar1 & Sarah Catherine Household-Ilkhani2

1PhD candidate in English literature at Shahid Beheshti University (Iran). Email: masoudfarahmandfar@gmail.com

2Professor of English literature at Shahid Beheshti University (Iran).

Volume 9, Number 1, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n1.06

Received January 21, 2017; Revised March 1, 2017; Accepted April 5, 2017; Published May 7, 2017.

Abstract

Historical novels are not only the legitimate progeny of a nation’s becoming conscious of its own identity, they also contribute to fortify that nationalist discourse. In a sense, the very beginning of the historical novel is entwined with the emergence of a widespread consciousness about the idea of nation(-hood); nevertheless, studies of the historical novel (and its relation and contribution to national identity) have remained under-investigated. The abiding aim of the present study is thus to examine this relationship, to draw ?attention to historical and cultural dimensions of Englishness. The present paper examines the influence of national ideology on fictional historiography, and focuses on the ways some English novelists, during the Victorian era, have reflected upon their Englishness.

Keywords: Englishness, nation, history, historical novel, Victorian era.

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Achieving Communicative Equivalence: Space-time Text Organization Peculiarities in Stream of Consciousness Novels of James Joyce in German and Russian Translations

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Alexandra Milostivaya1 & Irina Makhova2

1Associate Professor at the North-Caucasus Federal University (Russia). ORCID: 0000-0001-5052-2622. Email: xyscha@mail.ru

2Associate Professor at the Stavropol State Agrarian University (Russia). Email: zheltova.ira71@mail.ru

Volume 9, Number 1, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n1.05

Received February 13, 2017; Revised April 3, 2017; Accepted April 8, 2017; Published May 7, 2017.

Abstract

The article analyzes different types of space-time organization patterns in the Stream of Consciousness texts (SCT) to determine communicative equivalence in translation. The study focuses on two novels by J. Joyce – Ulysses and Finnegans Wake, and their German and Russian translations. The conclusion can be made that there are two types of patterns realizing stream of consciousness technique in J. Joyce’s works: SCT with space-time hyperlinearity and SCT with chaotic-cyclic dominant, which can be conveyed in a communicatively equivalent way in target languages (TLs) with the reference to different translation strategies. Literal hyperlinear equivalents prevail in translation of first type SCT (equivalents or transcribed source language (SL) lexemes), while the translation of second type SCT features hermeneutic reflection of a translator actualized in the search of the most adequate way of form generation which conveys multidimensional sense of the author’s intentions to maximum extent.

Keywords: communicative equivalence of translation, stream of consciousness text, J. Joyce’s novel Ulysses, J. Joyce’s novel Finnegans Wake, space-time literary text organization

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Technical Terms of the Category Locus and their Semantic Relations within a Terminology

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Maxim Latu1 & Alina Levit2

1Ph.D. in Philology, Associate Professor of the Western European Languages and Cultures Department, Head of the Research and Educational Center “Applied Linguistics, Terminology Studies and Linguocognitive Technologies”, Pyatigorsk State University, Pyatigorsk, Russia. E-mail: laatuu@yandex.ru

2Researcher at the Research and Educational Center “Applied Linguistics, Terminology Studies and Linguocognitive Technologies”, Pyatigorsk State University, Pyatigorsk, Russia. E-mail: indfund@mail.ru.

Volume 9, Number 1, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n1.04

Received November 10, 2016; Revised February 15, 2017; Accepted March 17, 2017; Published May 7, 2017.

Abstract

The article focuses on the technical terms of the category Locus and sets of adjacent technical terms in fragments of the terminological network. The examples are drawn from the field of space research that encompasses concepts of space science (astronomy, astrophysics, aerospace engineering) and exploration. We argue that the technical terms of the category Locus have the potential to establish semantic relations of certain types with the technical terms of certain categories only, thus forming prototypic semantic schemes that reflect academic concepts organization. As we differentiate the adjacent technical terms extracted from definitions from those found in specialized texts only, we analyze the categories they belong to and the types of semantic relations between them. We also discuss the types of semantic relations that turned to be frequent and productive for the technical terms of the considered category Locus, as well as non-productive ones.

Keywords: technical term, concept, referent, category, semantic network, semantic relation, knowledge representation, definition

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The Poetic Interpretation of Binary Opposition in the Structure of Myth

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Z. A. Aimukhambet1, A. Abdilmanatkyzy2, K. Baitanasova3, A. Seiputanova4, K. Kurmambayeva5

1, 2, 3 L.N. Gumilyov Eurasian National University, Kazakhstan, Astana, Almaty district, K.Munaytpasov street 5.

4Sarsen Amanzholov East State University, Kazakhstan, East Kazakhstan region, Ust-Kamenogorsk, 34 Tridtsatoy Gvardeiskoy Divizii street.

5Semey State University named after Shakarim, Kazakhstan, Semey, 20a Glinka street.

Email:asemgul_abdilmanatkyzy@mail.ru

Volume 9, Number 1, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n1.03

Received February 23, 2017; Revised April 24, 2017; Accepted April 30, 2017; Published May 7, 2017.

Abstract

The article deals with the poetic nature of binary opposition in the mythology of literature. The structural method played an important role in revealing the nature of binary opposition in the structure of myth. The introduction of the article includes the theoretical significance of this method and the fact that the oppositional character of mythical worldview was the basis of dialectical development. The mythological motives and personages characterize the development of life, forming an opposition pair. The examples on the fact that oppositional pairs of mythical motives and characters constitute binary-dyadic integrity by complementing each other are represented. The controversial double forms of the dyad in mythical knowledge towards the paired phenomena and concepts is analyzed with mythical narration and concluded on the basis of scientists-mythologists’ conclusions. The nature of phenomena and concepts between the dyad Chaos-Space and the opposition life-death are regarded in literary aspect and in the framework of the cultural-historical analysis. The idea about the important role of the mythical “binary-dyadic” structure in presenting the conflictive nature of a man in the world and national literature has been formulated. Interpretation of mythological thinking in poetics is given through motive, struggle and artistic images. Interpretation of binary opposition in poetic knowledge in the structure of myth is analyzed with references to some literary works.

Keywords: myth, binary opposition, structuralism, dyadic structure, chaos, space, good, evil, antithesis, Anima, Animus, oxymoron, antonym, protagonist, antagonist, historical consciousness, artistic knowledge, poetics.

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Negotiating Biological and Cultural Features of Music: Towards the Field of Biomusicology

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Ugur Aslan
Center for Advanced Studies in Music, Istanbul Technical University, Istanbul, Turkey. Email: uguraslan90@hotmail.com

Volume 9, Number 1, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n1.02

Received February 5, 2017; Revised April 11, 2017; Accepted April 15, 2017; Published May 7, 2017.

Abstract

The aim of this article is to observe the domain of Biomusicology, sub-branches, its methods, theories and approaches. Thus, this article also tries to understand two different sides of Biomusicology, which are biological and cultural components of music, in general the difference between Humanities/Social Sciences and Natural Sciences. Biomusicology, as an interdisciplinary field, is derived from many different disciplines such as Biology, Ethnomusicology, Musicology, Cognitive Science, and Psychology. By the different approaches, the field of Biomusicology investigates the origins of music, musical universals and neurological human music-making process in all biological and cultural dimensions. In this way, Biomusicology attempts to negotiate biological and cultural approaches of music and find a solution for cultural/biological dichotomy in music studies (Cross 2001: 514). By doing this, Biomusicology also tries to fill the gap between Humanities/Social Sciences and Natural Sciences as an interdisciplinary field, which coins new paradigm for a future research.

Keywords: Biomusicology, Biology, Ethnomusicology, Evolutionary Musicology, Neuromusicology, Comparative Musicology

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Call for Papers for the Vol. IX, No. 1, 2017

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We are inviting articles on the Focus Area and the General Areas for the Vol. IX, No. 1, 2017.

Focus Area: “Technocracy, War and Walls in Art and Literature

General Areas:

Papers can be submitted on any topic on,

  • Interdisciplinary Approaches to Literature and Arts
  • Digital Humanities: Arts, Literature and the Digital Media
  • Cultural Studies
  • Emerging Critical Theories involving Interdisciplinary Studies
  • Performance Studies
  • Gender Studies: critical discussion, case study, survey
  • Aesthetic Studies: critical discussion, casestudy, computational analysis
  • Astro-aesthetics, Architecture and Astronomy, Archaeoastronomy
  • Environmental Studies and the theories of Evolution
  • Animal Studies: Ethics, Aesthetics, Sports, Civilization and Biodiversity
  • Visual Arts (including photograhy)
  • Interdisciplinary Approaches to Teaching and Education
  • Megalith & Rock Art Studies
  • Molecular Aesthetics

Word-limit:

Papers should be between ideally 3000-5000 words.
Book reviews should be between 1000-1200 words for single and/or double book reviews. Review articles should be above 2000 words with proper citations.

Style Sheet: APA [Read the Submission Guidelines]

Submission Deadline: May 15, 2017.

Article Status Update: by May 30, 2017. [Please do not send any query about acceptance or rejection before this date.]

Publication: June, 2017.

B&W Photography

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Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

My entrance exam was on a book of matches

48 views

Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

Tonight what heights we’ll hit, on with the show this is it

46 views

Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

Girish Karnad’s Naga-Mandala and Varsha Adalja’s Mandodari: Rethinking the ‘woman’ and devising strategies of resistance

276 views

Joydeep Bhattacharyya

Assistant Professor of English, Kurseong College, Kurseong, Darjeeling, India. orcid.org/0000-0002-0329-3756. Email: b_joydeep31@rediffmail.com

  Volume 8, Number 4, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n4.23

Received October  10, 2016; Revised December 27, 2016; Accepted December 30, 2016; Published January 14, 2017

Abstract

Indian notion of sexuality and gender certainly has an ancient lineage, but the entire notion, specially the idea of ‘woman’, undergoes an unprecedented reconfiguration and strategic systematization only during the colonial period. Sexuality, thus recast both in the hands of the colonial and the anticolonial forces, continues to sustain patriarchy even in the post-Independence socio-political narrative of the nation. Importantly, alongside the patriarchal hegemony, a growing sign of sexual counteraction becomes visible. And Indian drama, after Independence, has lent a strong voice to the forces of sexual dissension, while exposing the social sexism at large. The present study seeks to read Girish Karnad’s Naga-Mandala and Varsha Adalja’s Mandodari where patriarchy is not only exposed but challenged through ingenious ways. It remains to be seen how the plays in question explore the survival strategies in a male dominated social regime and redefine the docile image of female subjectivity as self-conscious and resourceful.

 Keywords: Indian woman, gender, Girish Karnad, Varsha Adalja, theatre.

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