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I’m a high school graduate

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Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

When you tell them the truth

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Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

Last Trip to Pakistan

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Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

Editorial, Vol. 8, No. 2, 2016

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Special Issue, Volume 8, Number 2, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n2.00


Teacher Education over the years has undergone numerous changes and teaching in 21st century specifically is a different phenomenon. The classrooms have become global with diverse students population having cultural and language variations. The expansion in information and technology has given a new direction to the teaching learning process. Students do not want to be spoon-fed. Educators argue that with so much new knowledge being created, content no longer matters. However, the ways of knowing information are now much more important than information itself.

 We live in fast changing world that demands new and different adaptive abilities. To meet the challenges we need to ensure that students in today’s classroom learn the 21st century adaptive skills. It is felt that the present system of education does not fully support to prepare students with the essential 21st century knowledge and learning skills necessary to succeed in life. Students in today’s classroom need to develop core learning skills that include Creativity and Innovation, Problem Solving and Critical Thinking, Communication and Collaboration. In order to achieve the same it is quite obvious to note that it is a joint task the educationists and the policy makers to facilitate the teaching learning process so that the instructional program is complete and that is directed to make the learners self sufficient. To meet out students choices, having one’s own hands-on experience and expertise will be a bare necessary for a teacher in 21st century. The concern is obvious that how to meet the challenges of delivering content and skills in an enriched way that creates a thinking classroom and as a whole leads towards productive output. For this, we need to ensure that all students have access to quality education that supports an integrated development of the learner.  It is argued that we need better curriculum, better teaching and better testing of learner’s performance. Almost all teacher-educators acknowledge that the field has deep problems and there is a need to look into all these aspects. The special issue in this direction would provide guidelines to the academicians for enabling them to explore the new possibilities which could be used to make teaching meaningful, purposeful and enjoyable.

 Mihir Kumar Mallick
Prof and Head, School of Education
Lovely Professional University, Phagwara- Punjab.

 

Overture, curtains, lights

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Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

Book Review: The Alchemy of Empire: Abject Materials and the Technologies of Colonialism

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Reviewed by Pramod K Nayar, University of Hyderabad

Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.31

Rajani Sudan, The Alchemy of Empire: Abject Materials and the Technologies of Colonialism. Orient BlackSwan, 2016. Pp. 223. ISBN 978-81-250-6290-5.

Received August 21, 2016; Published August 25, 2016


Alchemy Empire-F.cdr

The transnational turn to English history has resulted in sustained attention to the non-European factors that shaped British identity from the 17th century. Rajani Sudan’s work is situated within this turn, so to speak.

Sudan’s interest lies in material culture and commodities, from muds to nutmegs and inoculation, and their role in imperial discourses, the fashioning of English identity and as instruments of interracial relations. She reads travel narratives, letters from and to the East India Company offices, commentaries and tracts, alongside literary texts to demonstrate how ‘India’s technology scientific practice, and epistemology informed European Enlightenment values and socio-political norms’ (1). It is her contention that ‘some of the “classical” Enlightenment scientific knowledge is not European in origin but emerges from a far wider circulation’ (5). Initial encounters with Indian techne and commodities produced anxieties, which then the British transmuted into ‘knowledge’ that then became Western/European science.

Thus, Sudan demonstrates how Indian mortar becomes a means of building British buildings in Madras’ Fort St George. Mortar is appropriated within discourses of science as well as in actual construction of walls and houses that then enable the English to separate White Town from Black Town, and to transform the city into an icon of British imperialism. Mortar was the key to establishing Englishness, in other words. Sudan also notes how the commonplace nutmeg, once the key to Linnaean taxonomy, and a key commodity of England’s global spice trade get relegated to the back shelf. It was appropriated into scientific discourse and became an ‘abstraction’ (64), as a result.

In the case of ice, Sudan argues via Orwell’s Burmese Days and select non-fictional texts, the substance marked the difference between the tropics and Europe, but also between different locations within the tropics. Ice, she writes, ‘has a metonymic relation to the metropole, functioning as the material that divides the “jungle life” of teak extraction from the urban pleasures of Rangoon’ (77). Robert Barker discovering ice-making in Allahabad, attributed the technology, notes Sudan, to witchery (83). Then, embarking on greater research he discovers the modes by which temperature control was achieved by Indian ice-makers. This radically altered the English experience of India itself for, as Sudan writes, it seemed possible to ‘us[e] the inventions and techne of Indian science [to] circumvent the actual situation of these East India Company officers, stuck in an inhospitable landscape, and lured with the promise of fabulous profit’ (90).

Turning to inoculation, Sudan traces the discourse and practice that is documented in Mary Montagu’s Turkish letters and the discovery, in India, of a native system of healing that is then merged with the European system. JZ Holwell and others documented a native medical practice that predated Turkish and European innovations and inventions. Using foreign bodies, long deemed inferior, into English bodies was unacceptable, given fears of contamination. British scientific epistemology may have been informed by xenophobia and hence these sources of possible prophylactics for smallpox were ignored. India, defined in imperial discourse as primitive, could not be offering a solution, argues Sudan. Necessity, however, altered epistemology and ‘methods of inoculation forced Britons to suspend, however theoretically, the xenophobia that structured cultural, metropolitan, and civic British identity’ (113). Sudan shifts attention to literary texts such as Memoirs of a Woman of Pleasure and Dracula to demonstrate the widespread fears over contamination and foreign bodies that she had tracked in the scientific and medical discourse from the 18th century.

In her chapter on plasters and paper, Sudan explores the European discovery of Indian paper-making processes.  Via Jane Austen’s Emma, Sudan looks at the mix or alchemic transformation of commercial materials into discourse and abstractions, including social values such as the woman’s reading habits or intellectual labour. ‘The labor entrenched in correspondence from rope to paper, from hand to pen, from letter to recipient’ for Sudan is an allegory of such an alchemic transformation. Sudan also notes how ‘Indian physical and intellectual labor that extracts, refines, and disseminates the properties of the substances … the technique and techne that constituted the Indian intellectual property’ was part of the ‘traffic’ by the British in India and later by scientific societies responsible for the circulation of those ideas (147). This traffic is, Sudan demonstrates, is one through which the appropriation of Indian techne into European Enlightenment occurs.

The Alchemy of Empire, which partially recalled for me Kavita Philip’s Civilizing Natures, is characterized by intellectual rigour and breadth of coverage, of discourses, texts and geographies. While in some cases the connections Sudan forges emerges from imaginative leaps not easy to decipher (for instance between Robert Barker in Calcutta/India, and Benigne Poissenot’s in France/Europe), they provide a way into both material culture and intellectual history of the Empire, European Enlightenment and English identity.  An excellent instance of the transnational turn in studies of imperial histories, as stated at the outset of this review (and part of a pantheon major works as The Postcolonial Enlightenment, The Global Renaissance, Global Romanticism, among others), Sudan demonstrates how English and European identity and the grand European Enlightenment could not have emerged, or perhaps even thought of, without the inputs, legitimately or illegitimately ‘borrowed’, from Indian science and techne. We sail perilously close, of course, to the nativist stance (‘we always had these well before the Europeans’) when we seek native roots and antecedents to everything European, but Sudan makes sure this does not happen by emphasizing cultural transactions (albeit underwritten by imperial ideologies and race) rather than cultural isolates. Work like Sudan’s also recalls Seema Alavi’s Muslim Cosmopolitanism in the Age of Empire, Ulrike Starke’s The Empire of Books and others with their analysis of mutually supportive local (as in native, colonized) networks, scientific, political and theological discourse that competed, contested and sometimes collaborated with European knowledge-making practices and engaged in debates with the latter. The Alchemy of Empire is a useful work to consult for imperial discourse studies, European intellectual history and colonial politics.

Editorial

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214 views

  Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.01


Animal studies have advanced in recent years with respect to a more non-anthropocentric approach toward animal rights. Arguments in favor of survival of species and non-intervention have been assiduously made and legitimized. Both animal survival and sustenance are key issues in the current debate on this very special branch of environmentalism. There is a call for preserving the ecosystem. There is a call for maintaining biodiversity for a planet threatened with human activity and the associated climate change that endangers several marine and terrestrial species. Pro-animal sentiments are inspired by environmental awareness and a direct engagement with accumulating data on the changes within our complex ecosystem.

On the other hand there is polemical animal rights activism that has contributed to our awareness of human intervention and cruelty, and the rampant exploitation of animals for human benefit. The historical and culturally entrenched neglect of the moral nature of animals, and their morally tangible behaviors and tendencies has left us ignorant about a whole world of possibilities. A proto-humanist animal care movement was discerned as early as in the anecdotal precepts of Siddhartha in early India, just as Christianity also at times levied this concern for human beings. St. Francis advocated that animals in our care would be led through the gates of heaven after their death.  Of course it is interesting to see how contemporary animal activism has shifted from this old world theological animal care perspective to a radical sense of justice for animals. The reflections on justice in response to the rational perception of the animal body, and the animal entity as a center of feelings, actions and as an entity capable of  socially involved, collective  behavior show that all our existing laws and legends on animals stand in need of revision. Animal slavery has to be recognized as a historical reality. The claims for ecological rights of animals are not enough. We would appreciate a stronger concern for the moral valence of animal behavior, and promote what Thomas Taylor, as early as in 1792, called A Vindication of the Rights of Brutes, in a text published almost contemporaneously with Mary Wollstonecraft’s revolutionary book on women’s equality. Taylor dedicated his book to Thomas Paine, the forerunner of liberty in the new world. Taylor sets the discourse for contemporary animal rights activism at least in so far as he advocates the need to reconsider the true dignity and  moral capacities of other species.

In a sense Taylor’s book anticipates the modern politically engaging discourse on animal rights. It is one of those pioneering studies for today’s  discussions on interspecies engagement. The current issue of Rupkatha deals with several aspects of the animal-human relationship in conventional literature and in related contexts of ecology, biodiversity and animal heritage preservation. Animal studies is placed at the intersection of Science and Arts, like many other interdisciplinary endeavors which now shed light on unknown aspects of nature and existence, and the measures which define our evolving ecosystem.

Perhaps an ambivalence about animal activism still persists with some sections of the academic elite who believe that several questions about the state of things are unresolved and that we do not know how things outside of us are disposed and whether a ‘moral’ animal question were feasible. Every aspect of animal rights issues would have to be raised in any forum dedicated to the question.

~Tirtha Prasad Mukhopadhyay

Art and Science in Franz Marc’s Animal Iconography

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444 views

Eleni Gemtou

Professor, Dept. of Philosophy and History of Science, University of Athens, Panepistemioupolis 157 71, Athens, Greece. Email: egemtos@phs.uoa.gr

  Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.02

Received May 24, 2016; Revised July 10, 2016; Accepted July 15, 2016; Published August 18, 2016


Abstract

There has been a theory claiming that innovative artists have always created the appropriate atmosphere for forthcoming scientists to develop important hypotheses about the world. In this paper, the animal iconography of Franz Marc is discussed under the perspective of the achievements of modern ethology and its modified anthropomorphic approaches to animals that seem to have much in common with the empathetic attitudes of Marc, as shown both in his written texts and artworks. The basic argument presented is, however, that despite the interactions between art and science during history, it is of great importance to understand them as discrete rational fields with their own methods and expressive tools.

Keywords: Ethology, Franz Marc, Animal-Iconography, Art and Science

Acknowledgement: Franz Marc, Public domain, via Wikimedia Commons

Full Text PDF>>

Ethno-Cultural Concept ‘Reindeer Breeding’ in the Even Language

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Ekaterina Afanas’evna Krivoshapkina1 & Svetlana Mitrophanovna Prokopieva2

1Senior lecturer, Department of Northern Philology, North-Eastern Federal University, 677000 Yakutsk, Belinskijstr, 58. Email: e_keimeti@mail.ru. 2Head of the Research-Educational Center Typology of Languages and Cross-Cultural Communication, North-Eastern Federal University, 677000 Yakutsk, Belinskijstr, 58. Email: dsmplana@mail.ru

  Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.03

Received May 16, 2016; August 08, 2016; Accepted August 12, 2016; Published August 18, 2016


Abstract

The paper reveals ethno-cultural value of the concept ‘reindeer breeding’ in denotation formation of the Even language. The work is aimed at an analysis of the ethno-cultural concept of ‘reindeer breeding’ in Even. The investigation is based on lexical units reflecting reindeer characteristics, traditional ways of locational orientation, calendar selected from lexicographic sources of the Even language. The concept ‘reindeer breeding’ has not been subject of special investigation although this very layer of lexical and phraseological units reflects ethno-cultural specifics of the Even language. The analyzed lexical units are subdivided into three groups: 1) vocational vocabulary reflecting general denotations of reindeer, gender-age related reindeer denotations, reindeer color, viscera, reindeer diseases, movements and actions of reindeer, grazing and feeding land, reindeer character and habits; 2) spatial vocabulary (oikonyms, hydronyms, oronyms, toponyms); 3) temporal vocabulary. The study is of complex character; to reveal specific ethnic-cultural features of the linguistic picture of the world we used the inductive-deductive method. The semantic analysis of lexical units involved dictionary definitions of the concept‘reindeer breeding’. Using the component analysis, lexical units were separated into smallest meaningful parts. The research results are of interest for further investigation of other layers of the Even language.

Keywords: concept, the Even, reindeer breeding, toponymy, space, locational orientation.

The “Semiotic Animal” in Roland Barthes: A Reflection on Calculating the Self as “Difference in Man”

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Seema K Ladsaria1 & Rajni Singh2

 1Senior Research Fellow in the Department of Humanities and Social Sciences, IIT (ISM) Dhanbad. ORCID: http://orcid.org/0000-0003-3845-7391Email: ism.sima@gmail.com. 2Associate Professor of English, Deptt. of Humanities and Social Sciences, Indian School of Mines, Dhanbad, India. ORCID: http://orchid.org/0000-0002-1569-8339. Email: rajnisingh18@gmail.com.

 Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.04

Received May 30, 2016; Revised June 27, 2016; Accepted July 15, 2016; Published August 18, 2016


 Abstract

The animal metaphor in poststructuralists thinkers like Roland Barthes and Jacques Derrida, offers an understanding into the human self through the relational modes of being and co-being. The present study focuses on the concept of “semiotic animal” proposed by John Deely with reference to Roland Barthes. Human beings are often considered as “rational animal” (Descartes) capable of reason and thinking. By analyzing the “semiotic animal” in Roland Barthes, the intention is to study him as a “mind-dependent” being who discovers the contrast between ens reale and ens rationis through his writing. For Barthes “it is the intimate which seeks utterance” in one and makes “it cry, heard, confronting generality, confronting science.” Roland Barthes attempts to read “his body” from the “tissues of signs” that is driven by the unconscious desires. The study is an attempt to explore the semiological underpinnings in Barthes which are found in the form of rhetorical tropes of cats and dogs and the way he relates it with the ‘self’.

Keywords: Semiotic animal, Roland Barthes, rational animal.

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