Literary Criticism

Octavio Paz Meets Malay Roychoudhury: The History of El Corno Emplumado and the Evolution of a Poetics

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Tirtha Prasad Mukhopadhyay1 & Alfredo Zárate-Flores2

1&2 Universidad de Guanajuato

Rupkatha Journal, Vol. 14, Issue 3, September 2022, Pages 1–10. https://doi.org/10.21659/rupkatha.v14n3.02

First published: September 20, 2022 | Area: Latin America | License: CC BY-NC 4.0

(This article is published under the themed issue Across Cultures: Ibero-America and India”)
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Octavio Paz Meets Malay Roychoudhury: The History of El Corno Emplumado and the Evolution of a Poetics

Abstract

In this article, we explore how the destinies of some poets were intertwined in the history of publications of El Corno emplumado, a Spanish-English bilingual literary journal that was edited by Octavio Paz among others and published in Mexico from 1962 to 1969. The epistolary relationships that El Corno emplumado engendered contributed to the writing ethic of an entire generation. The poets developed the flipped metaphor as a descriptive fall for differential semantics, as a rhetorical figure or strategy which endows words with sensations that differ from the immediately embodied or corporeal moments they represent. El Corno thus unites Allen Ginsberg, Octavio Paz, Ernesto Cardenal, Malay Roychoudhury, Shakti Chattopadhyay, and others in the recognition of a global style or poetics. We discuss epistolary contents from within the orbit of El Corno Emplumado to understand how the dialogue between Paz and Malay offers hermeneutical insights into the surreal, Hungry poetics born in the middle of the last century. Above all the history of Malay Roychoudhury’s poetic rebellion, his incarceration, and the bitter protest against this incident in USA and Latin America strikes a chord of union in the dialogic narrative of the two vast continents of America and India.

Keywords: El Corno Emplumado, Eroticism, Interior experience, Hungryalist, Surrealism

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Summarizing Epic

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Frederick Turner

Founders Chair Professor (Former), School of Arts and Humanities, University of Texas at Dallas. Email: frederick.turner@gmail.com

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.02

Abstract

It is claimed that the literary humanities are profoundly compromised and may even be irrelevant, that the appeal of literature is quixotic and anachronistic at best. I argue that there is life in the old dog yet.  In the genre we set aside and dismissed, i.e., epic, the oldest one of all, may be found the revival of literary studies; and close by is the whole burgeoning, vital, and chaotic world of current popular epic, of big-screen action and fantastic cybernetic games, that sorely needs a rooting and a clarifying guide.

 Keywords: Epic, Gaming, Storyteller, Theory

The Ideological Limits of Digital Poetics

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Tirtha Prasad Mukhopadhyay

Professor and Research Fellow, University of Guanajuato, Mexico. Email: chiefeditor@rupkatha.com

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.01

 Abstract

Digital poetics has emerged as a genre following the development of machine augmented literatures. An algorithm could generate transient but successful emotive appraisals that characterize human poetry. Production of cybertext is enabled by the presence of advanced Anglophone Synset compilations, text summarization and development-constrained specifics of the corpora. Digital poetics in regional non-Anglophone languages thus remain marginalized owing to language dependency across the world’s media divide. Whereas such hierarchies are inevitable in a technologically divided world the recognition of these problems and logical solutions may help foment innovation, entrepreneurship and affirmative opportunities for underdeveloped economies.

Keywords: Digital Poetics, Cybertext, Hypertext,  Indowordnet