by Admin | Aug 24, 2015 | Vol 7 No 2
Baijayanti Mukhopadhyay, Banwarilal Bhalotia College, Asansol Modhurai Gangopadhyay, Bidhan Chandra College Asansol Abstract Our paper discusses the [mis]representation and the imaginary notions of India constructed through the European gaze in Tasleema Nasreen’s...
by Admin | Aug 24, 2015 | Vol 7 No 2
Bidhan Mondal, Kalyani University in West Bengal, India Abstract William Jones’ hymns to Hindu deities of India use ideas of translation and originality in order to provide a poetic and cultural space where the hymn syncretically demonstrates both a British and Hindu...
by Admin | Aug 24, 2015 | Vol 7 No 2
Sayantika Chakraborty, Independent Researcher, Kolkata, India Abstract This paper is an attempt to critique John Master’s representation of India by analyzing three of his novels and his autobiography. As a member of the Indian army, Masters lived in India for a long...
by Admin | Aug 24, 2015 | Vol 7 No 2
Thirthankar Chakraborty, University of Kent Abstract This paper discusses references made to Indian culture and philosophy in Samuel Beckett’s Murphy, tracing them back to their sources via Arthur Schopenhauer. The allusions induce a rethinking of the conventional...
by Admin | Aug 24, 2015 | Vol 7 No 2
Cassandra Galentine, Northern Arizona University, USA Abstract The British Raj was established in India by Queen Victoria in 1858, and Britain remained the dominant power structure until Indian Independence in 1947. Though many novels as well as works of critical...
by Admin | Aug 24, 2015 | Vol 7 No 2
Iti Roychowdhury, Amity University, Madhya Pradesh, India Amanpreet Randhawa, Amity University, Madhya Pradesh, India Abstract The Orient has always conjured up images of an exotic land, mystic practices, of snake charmers and tight rope walkers. Contemporary fiction...
