Volume 13 No 4 2021 - Page 6

History Contra Collective Memory: Collective Memory’s Finite Province

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283 views

Premjit Singh Laikhuram

Ph.D. candidate, Department of Cultural Studies, Tezpur University.

Email: premjit.laikh@gmail.com, ORCID iD: 0000-0001-9040-9288

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.10

Abstract

In the humanities and social sciences, with the rise of memory studies, there has been an important theoretical shift in how we engage the past. What used to be studied with the methodically elaborate field of history no longer seems adequate. With memory becoming an ever-present framework with which to look at culture, literature, social phenomena, politics, and the arts, a theoretical conviction has come to prevail that says collective memory is a larger framework within which history and other approaches to the past must be situated. This paper tries to address this theoretical conviction of conflating history with collective memory by arguing that collective memory cannot be a be-all umbrella term encapsulating historical representation or other approaches to the past such as tradition. It does so by uncovering the ground for such a conviction, during which a clearer view of the role of history and the limits of collective memory emerge. The investigation shows that indiscriminate application of the concept of collective memory in every approach dealing with the past makes the concept almost meaningless and betrays its two crucial characters, or limits: that of i) temporal finiteness and ii) fragmentariness. In so doing, it restores the vital role history plays in trying to get at the truth of the past. The article concludes by calling for deeper engagement with foundational conceptual and theoretical issues in collective memory research if it is to establish itself as a longstanding field of inquiry.

Keywords: Theory, cultural memory, interdisciplinarity, historical epistemology, cultural studies

Problematising Tribality: A Critical Engagement with Hansda Sowvendra Shekhar’s The Adivasi Will Not Dance: Stories

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Francis Ekka1 & Dr. Rosy Chamling2

1Research Scholar, Department of English, Sikkim University.

Email id: fekka.20mpen01@sikkimuniversity.ac.in, ekkafran@gmail.com. ORCID id: 0000-0002-2777-3121.

2Associate Professor, Department of English, Sikkim University.

Email id: rchamling@cus.ac.in. ORCID id: 0000-0002-4936-4767.

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.09

Abstract

Tribality simply means the characteristic features of various tribal communities and the qualities of being tribal. In the 1940s leading anthropologists like Verrier Elwin and G.S.Ghurye tried to theorize and categorize tribal identities. However, they were often accused of representing either a ‘protective’ or ‘romantic’ notions of tribality. One cannot determine the tribality of a person based on their features, dialects, food habits or geographical location. Tribality is said to bind the pan-Indian Tribal literature which is again problematic considering language which is considered as the useful indicator of any identity. Tribal Literature is a distinct form of writing to represent people, things and ideas in their cultural authenticities. The tribals essentially have an oral culture and thus when a tribal writer like Hansda Sowvendra Shekhar, a Government Doctor by profession, writes in the canonical English language, we will be tempted to probe if he seeks to ‘write in’ or ‘write back’ to the mainstream literary culture; or if his works can fit into the mould of minor literature, thereby making the seemingly personal an intensely political statement. This paper also aims to interrogate issues of tribal identity and their representation through a critical engagement with Hansda Sowvendra Shekhar’s The Adivasi Will Not Dance: Stories (2017).

Keywords: Adivasi, Tribality, Identity, Representation, Minor Literature

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