Bikas Karmakar1 & Ila Gupta2
1Assistant Professor, Government College of Art & Craft Calcutta. bikaskarmakar@gmail.com
2Former Professor, Department of Architecture & Planning, IIT Roorkee. ilafap@gmail.com
Volume 12, Number 5, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n5.rioc1s16n2
Abstract
The genesis of the present study can be traced to an aspiration to work on the narratives of religious architecture. The Terracotta Temples of Baranagar in Murshidabad, West Bengal offer a very insightful vantage point in this regard. The elaborate works of terracotta on the facades of these temples patronized by Rani Bhabani during the mid-eighteenth century possess immense narrative potential to reconstruct the history of the area in the given time period. The portrayals on various facets of society, environment, culture, religion, mythology, and space and communication systems make these temples exemplary representatives for studying narrative art. While a significant portion of the temple facades depicts gods, goddesses, and mythological stories, the on-spot study also found a substantial number of plaques observed mainly on the base friezes representing the engagement of women in various mundane activities. This study explores the narrative intentions of such portrayals. The depictions incorporated are validated with various types of archival evidence facilitating cross-corroboration of the sources. The study sheds light on the crucial role played by women in domestic spheres and their engagement in social activities. The portrayals act as indispensable visual evidence for a holistic understanding of the life of women in Late Medieval Bengal. However, with the passage of time, the temples have been susceptible to the processes of decay necessitating the need for conservation and urgent restoration of this invaluable heritage site.
Keywords: Terracotta temples, Baranagar temple facades, women of Late Medieval Bengal, narrative art, Murshidabad temple architecture.