Shweta Basu
Ph. D Research Scholar, Department of English, Jadavpur University. E-mail: bluezy08@gmail.com
Volume 12, Number 5, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n5.rioc1s1n3
Abstract
This essay will try to trace the phenomena of rape, dub-con (dubious consent), and non-con (non consent) as literary expressions of sexual violence which find their graphic and image-laden expression in anglophoneyaoi (fiction centred upon male homoerotic relationship (s) in the Japanese anime/manga context) fanfictions (fiction written by fans based on an extant work). Through my work, I try to delve into the question of consent and the rationale of such literary acts through fan ethnography. Also there is the fiction-based otherization of the authorial self as fanfiction is written purely for the pleasure (often masturbatory) of the author and the intended and implied audience (the yaoifanbase) who, while harboring and finding pleasure in such fantasies, do not subscribe to such notions in real life nor would they enjoy to be in such situations. The essay also deals with the question of how gay men are represented in such texts and their discomfort in such representations, where their bodies and sexuality are produced and consumed as tools of entertainment for women. These erotic texts exclusively cater to the female psychosexuality, as they are produced by and for women. Since in yaoi texts no involvement of the female body per se hence the pleasure is derived from a mental correlation. The fanbase of such work is also huge, centered around the rotten girls/fujoshi culture.
Keywords: rape, dub-con, non-con, yaoi, fanfiction, fan ethnography, pornography, aesthetic beauty, male homoerotic, derivative artworks.