Amit Chaudhuri

Eating Well in Uncle’s House: Bengali Culinary practices in a bucolic Calcutta/Kolkata in Amit Chaudhuri’s A Strange and Sublime Address

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Rajarshi Mitra
Indian Institute of Information Technology Guwahati, Ambari, Assam. mitrarajarshi24@gmail.com

Volume 11, Number 2, July-September, 2019 I Full Text PDF

DOI: 10.21659/rupkatha.v11n2.12

First published September 30, 2019

Abstract:

Kolkata has had a long and troubled relationship with food and hunger, which has shaped Bengali food-practices in the city. From famine in the 1940’s to food-movement of the 1960’s, as food production dwindled, Kolkata saw a gradual decline of its economic fortune. In the 1970’s and 80’s, it was common to portray Kolkata as a failed postcolonial metropolis filled with starving millions. With this troubled history in the backdrop, this paper focuses on culinary experiences in Kolkata as reflected in Amit Chaudhuri’s novella A Strange and Sublime Address. The novella, in its bid to highlight the trivial and the mundane in Bengali life in Kolkata in the early 1990’s, portrays culinary experiences as epiphanic expressions of an introverted, inner existence. Chaudhuri describes food-practices in an attempt to preserve an esoteric food-system – a system that connects inner life with cooking, serving and eating of food. Bengali food-practices, I argue, appear in this novella as “edible chronotopes” (Krishenblatt-Gimblett) revealing a culture’s fascination with time and food. Through Bengali food practices the novella’s protagonist Sandeep mourns a deep loss he feels about his lack of connection to Kolkata and learns to cultivate a sense of reticence, which allows him to absorb the joy of merging with the life in the city in its banal and quotidian form.  I further connect Chaudhuri’s search for the inner self in culinary practices with his journey to what he terms “bucolic” Kolkata – a journey Ashish Nandy had termed “an ambiguous journey to the city”.

Keywords: city, food and hunger, culinary experience, post-colonialism, Amit Chaudhuri

‘Seeing Double’: Exploring the Flâneur’s Gaze in Amit Chaudhuri’s A New World

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Sovan Chakraborty1 & Nagendra Kumar2

1Research Scholar in English in the Department of Humanities and Social Sciences of Indian Institute of Technology Roorkee. Email: sovantamluk08@gmail.com. 2Professor of English in the Department of Humanities and Social Sciences of Indian Institute of Technology Roorkee. Email: naguk20@gmail.com

Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.15

Received May 30, 2016; Revised July 15, 2016; Accepted July 30, 2016; Published August 18, 2016


Abstract

The present paper explores the ambivalent existence of a modern urban figure, a flâneur, who is caught between the processes of grand and spectacular modernization and the gradual but uncertain withdrawal of the self from the external ‘reality’ through Amit Chaudhuri’s celebrated fiction A New World. The continuous ‘shocks of the new’ that the urban ‘advancement’ bombards upon the senses of a flâneur, develops a highly personal psychopathology in him/her. Georg Simmel calls this symptom a blasé outlook – a psychic structure characterized by sheer impersonality, which gives birth to an attitude of almost complete indifference towards the socio-political processes outside. The flâneur’s observation of a city remains always informed by a double vision – seeing yet disbelieving. Both the identity and the gaze of a flâneur keep on swinging incessantly between a modernity that creates a desire to become a developed subject and a subjectivity that is dismantled by an array of unfulfilled dreams beyond the scope of any premeditated determinism.

 Keywords: blasé, flâneur, Georg Simmel, semiotic difference, urban modernity, Amit Chaudhuri

Perspective: Exile Literature and the Diasporic Indian Writer

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Amit Shankar Saha, Calcutta University, West Bengal, India

Abstract
The essay takes a holistic view of the word “exile” to encompass a range of displaced existence. It illustrates through John Simpson’s The Oxford Book of Exile the various forms of exiles. The essay then goes on to show that diasporic Indian writing is in some sense also a part of exile literature. By exemplifying writers both from the old Indian diaspora of indentured labourers and the modern Indian diaspora of IT technocrats, it shows that despite peculiarities there is an inherent exilic state in all dislocated lives whether it be voluntary or involuntary migration. More importantly, a broad survey of the contributions of the second generation of the modern Indian diaspora in the field of Indian writing in English depict certain shift in concerns in comparison to the previous generation and thereby it widens the field of exile literature. Keep Reading