Emeka Aniago1, Chukwuemeka V. Okpara2 & Uche-Chinemere Nwaozuzu3
1 Senior Lecturer in Department of Theatre & Film Studies, University of Nigeria, Nsukka, Nigeria. ORCID id 0000-0003-3194-1463. Email Id: emekaaniago@gmail.com
2 Senior Lecturer in Department of Fine & Applied Arts, University of Nigeria, Nsukkka, Nigeria
3Associate Professor in Department of Theatre & Film Studies, University of Nigeria, Nsukka, Nigeria
Volume 12, Number 1, January-March, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n1.43
Abstract
This study examines the aesthetics and shades of portrayals of ghosts as supernatural and metaphysical realities in two Nollywood films Heart of a Ghost and A Ghost Story as representations of Igbo worldviews on ghosts’ realities. Our aim is to present an analytical explanation of the filmic attributions in relation to historical as well as the subsisting socio-cultural worldviews of the Igbo people regarding ghosts. Therefore to extrapolate on the subsumed Igbo worldviews and philosophies about ghosts in the selected films, this study adopts theoretical purviews on magical realism and Charles Peirce’s inclination on interpretive community theory as the preferred conceptual praxis. Furthermore, this study applies critical interpretive analysis as the adopted analytical approach. Thus, the relevance of these portrayals to the subsisting socio-cultural worldviews about ghosts among the Igbo forms part of our thematic purview. Essentially this study sufficiently provides plausible answers to questions bothering on whether ghosts exist in the manner portrayed in the two films, as well as plausible analysis of the significations of ghosts’ appearances in clothing and whether ghosts do change their clothing like humans from time to time.
Keywords: actual, archetypal, ghost, Igbo, imaginative visual aesthetics, magical realism, worldview
