Defining Hindustani Raga Musicians and Their Relative Intra-Statuses: An Analytical Study

Pragya Pyasi¹ and Sanjoy Bandopadhyay²

¹Assistant Professor, Department of Music, University of Hyderabad. Email: pragya@uohyd.ac.in

²Professor, Department of Music, Sikkim University. Email: sitardivine@gmail.com

 Volume 13, Number 2, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n2.24

Abstract

Two very widely used terms, ‘musicians’ and the ‘musicians’ statuses’, are commonly applied labels across the music fraternity, where Hindustani Raga Music [HRM] is no exception. In HRM, there are no objectively laid definitions of these two expressions. In different music cultures, musicians’ statuses were seen from the societal, economic, and based on the roles played in music production and rendering. The intra-status, a musicians’ relative position within the same group, is not clearly defined. The formal texts of HRM also do not categorically define a musician. In India, Afghanistan, and Pakistan, people use the words vAggeyakAr, kalAvant, mirAsI, kasbi, AtAi, zauqI, and others, but these terms do not categorize musicians within the periphery of a specific musician’s close circuit; these words do not point to intra-status. The current investigation used the DELPHI method to find some objective answers to defining musicians and their intra-status. The HRM Experts from different parts of the world with an average HRM association of 39.11 years joined this investigation. The research exercise systematically generated an objective definition of HRM musician and suggested methods for defining HRM musicians’ statuses.

Keywords: Musician, definition, status, Hindustani Raga Music