Shikha Singh
PhD Scholar, Centre for English Studies, School of Language, Literature and Cultural Studies, Jawaharlal Nehru University, shikha52_llg@jnu.ac.in, ORCID: 0000-0003-0255-8289
Volume 13, Number 2, 2021 I Full-Text PDF
DOI: 10.21659/rupkatha.v13n2.27
Abstract
The paper explores the multiple transgressions and border-crossings elaborated in the visual travelogue The London Jungle Book (2004), by Bhajju Shyam, a Pardhan-Gond artist and produced by Tara Books, an independent artists’ collective specialising in experimental visual literature. The paper discusses the cultural history of “Pardhan-Gond art” and the dislocations and relocations of the art form in the contemporary art world. The paper argues that the personal experience of the artist appears to reflect these shifting categorizations, movements and locations of performance of the art form. The images and metaphors of displacement and transgression have varied connotations in the visual travelogue as they reveal the complex mechanisms of travel and mobility in the contemporary world. The text also articulates the response of the artist to the social, political and economic conditions surrounding the production and circulation of his art, through reimagining his homeland, his cultural ties and his own identity. In a paradoxical sense, the experience of travel and mobility does not symbolise the uprootedness or detachment of the artist, but it brings into effect, with more immediacy, the cultural identity and ties of the artist, as a Pardhan-Gond artist, in the contemporary art world. Furthermore, the materiality of the crossover text challenges the notions of media, genre and readership, associated with the picturebook format, destabilising the categories and assumptions associated with the literary genre.
Keywords: Pardhan-Gond art, Bhajju Shyam, Tara Books, tribal art, book illustration.