Bridging Black Male and Female Standpoints through Autoethnographic Cultural Symbiosis in Gloria Naylor’s The Men of Brewster Place

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Adishree Vats

PhD Research Scholar, School of Languages and Literature, SMVD University, Kakryal, Jammu, India; Assistant Professor, Department of English Studies, Akal University, Talwandi Sabo, Bathinda, Punjab, India. Email: vatsadishree8@gmail.com

  Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.11

ABSTRACT:

The present paper argues that Gloria Naylor in The Men of Brewster Place (1998) spectacularly recreates, from a black female’s viewpoint, a solemn literary leeway for African American men’s narratives, and recommends an obligatory shufti to their hidden lives as to how the apparatuses of dominion objectify, suppress and marginalize African American men as well. These men have also been victimized, marginalized and objectified on the basis of their race, class and sexuality by the stereotypical mainstream power structure just like their female counterparts. Furthermore, the paper endeavours to scrutinize how it is unworkable to accomplish a genuine Black Feminist Standpoint without essentially appreciating Black Men’s Standpoint. Black men, who although are suppressors when it comes to their relationship with black females, simultaneously are also being suppressed beneath the tutelage of the mainstream hegemonistic-cum-stereotypical power system. As a sequel to Naylor’s first novel, The Women of Brewster Place (Naylor, 1983), The Men of Brewster Place attempts to autoethnographically lend some voice to her male characters, who complemented her female characters in the first novel.

KEYWORDS: Black Men’s Standpoint, Black Feminist Standpoint, Autoethnography, Exploitation, Racism, Classism, Sexism.