P. Muhammed Afzal
Assistant Professor, Department of Humanities and Social Sciences, Birla Institute of Technology and Science, Pilani (BITS Pilani), Pilani, Rajasthan, India-333031. ORCID ID: 0000-0002-9989-6251. Email: muhammed.p@pilani.bits-pilani.ac.in
Volume 13, Number 4, 2021 I Full-Text PDF
DOI: 10.21659/rupkatha.v13n4.42
Abstract
Situating the Malayalam film Amma Ariyan in the context of radical Left politics in Kerala during the “long 1970s”, this paper argues that Left-wing cultural productions during the period offered a melancholic vision of history that sustained a utopian imagination. In popular discussions, the 1970s is seen as a period of “misguided adventurism” and defeat, and the nostalgia for the period is treated as a paralyzing, backward looking attitude. Drawing on contemporary scholarship on Left melancholy, nostalgia, and utopia, this paper looks back at the 1970s from a perspective where melancholia is a stance that offers a critical vision of the past as well as the future. This paper argues that the “failed heroes” in Left-wing cultural productions in the 1970s refused to “resign themselves to … the inevitable and ‘natural’ character of the most monstrous inequalities”. This “refusal to be realistic” has been very central to the sustaining of a utopian imagination which acquires more significance in the context of the perceived reactivation of “communist desire” in the contemporary times.
Keywords: Amma Ariyan, Radical Left, Left Melancholy, Malayalam Cinema, Kerala