Seema Sinha1, Kumar Sankar Bhattacharya2 & Sailaja Nandigama3
1Ph.D. and a Post-Doc from the Department of Humanities and Social Sciences, BITS Pilani, Pilani Campus, Rajasthan. Email: p2015101@pilani.bits-pilani.ac.in
2Associate Professor in the Department of Humanities and Social Sciences BITS Pilani, Pilani Campus, Rajasthan. Email: kumar.bhattacharya@pilani.bits-pilani.ac.in
3Associate Professor, Department of Humanities and Social Sciences, BITS Pilani, Pilani Campus, Rajasthan. Email: sailajan@pilani.bits-pilani.ac.in
[Received February 10 2023, modified 24 July 2023, accepted 25 July 2023, first published 29 July 2023]
Rupkatha Journal, Vol. 15, Issue 2, 2023. https://doi.org/10.21659/rupkatha.v15n2.23
Full-Text PDF Issue Access
Abstract
The timelessness of The Mahabharata lies in its ability to re-invent itself, thereby giving the society a chance to re-negotiate, revise, and revive the discourse. It also gives the so-called ‘villains of the piece’, well established in the ‘rogues’ gallery’, a chance to redeem themselves. One such character is Sakuni, the ‘shrewd’ maternal uncle of the Kauravas, whose negative image in Vyasa’s textual universe is questioned by the folk renditions of the grand epic. The Oriya Mahabharata by Sarala Das views Sakuni not as the master conspirator who brought about the great war, but as a victim who suffered because of the court politics of the Kauravas. The strong popular culture that supports him is also evident in the narratives of the Kalbelias of Rajasthan, and in the folk renderings of the epic in Kerala. This makes us reflect as to why the meta-narrative has vilified Sakuni and treated him with contempt when the folk traditions view him in a more charitable light, or at least give him the benefit of doubt. This paper utilizes narrative research methods to understand the dehumanization of Sakuni in the dominant discourse. It employs the postmodern theories of psychoanalytical criticism and deconstruction in the study of the petite narratives associated with Sakuni to facilitate engagement, plurality, and divergence in the discourse. The paper attempts to read the chronicles of self, society, and social justice in these lesser-known narratives to liberate Sakuni from his filial debt and relocate him into the discursive universe.
Keywords: The Mahabharata, Sakuni, discursive, petite narratives, oral tradition, plurality, social justice
[Sustainable Development Goals: Peace, Justice and Strong Institutions, Reduced Inequalities]
