Amorous Encounters in Eco-theological Spaces: An Exploration of Malayalam Cinema

Anjana Menon^1* & Priya Jose K^{2  
1,}PhD Research Scholar, Department of History, Maharaja’s College, Ernakulam, Kerala, India. Corresponding author. 
²Associate Professor, Department of English, Maharaja’s College, Ernakulam, Kerala, India.

^{Rupkatha Journal, Vol. 16, Issue 2, 2024. https://doi.org/10.21659/rupkatha.v16n2.32g
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Abstract

This study explores the complex and evolving portrayal of intimacy in Malayalam cinema, particularly through the lens of eco-theological settings and remote locations. Examining films from the 1970s to the present day, the analysis highlights how these narratives have employed problematic tropes to introduce eroticized content, often framing it within sacred spaces or remote landscapes to achieve a sense of forbidden allure and potentially mitigate audience disapproval. This paper contends that the eco-theological spaces depicted in Malayalam cinema are not neutral but laden with socio-cultural and gendered meanings. Examining intimacy within these spaces provides a unique vantage point for understanding how cinematic representations reinforce prevailing power structures, especially concerning gender dynamics. It prompts a deeper exploration of how ecological practices and spiritual beliefs intersect with notions of femininity and masculinity.

Keywords: Kavu, eco-theological spaces, sexuality, Malayalam cinema, gender, body