Tapaswi H M
Assistant Professor, Dr. NSA Memorial First Grade College, Nitte, Karkala Taluk, Udupi District, 574110, tapaswi.hm@gmail.com, 0000-0002-6867-6088.
Volume 11, Number 3, October-December, 2019 I Full Text PDF
DOI: 10.21659/rupkatha.v11n3.14
Abstract
In India the concept of “folk culture”, “folk literature”, “folk art form” and other forms of many indigenous folk cultures seem to be considered not aesthetic but quaint, due to the dominance of “classical” art forms which are valued more. One can witness the dearth of qualitative understanding of the experience of beauty in these actions and objects which are not considered as art objects or artistic performances in Indian context. A theoretical perspective which tries to understand these genres and even ritual forms is also rare. In the contemporary academics, many scholars both from the Indian tradition and non-Indian traditions are attempting to understand a different kind of aesthetics that the art forms of these people express. Thus, in this paper, I claim that understanding indigenous art is possible using theories of everyday aesthetics rather than through other special theories of aesthetics. While not arguing for a relative view of aesthetics, this paper uses the ideas of everyday aesthetics and beauty to understand art in folk and cultural contexts in India.
Keywords: Everyday Aesthetics, Symbolic Meaning, Rangoli, imagination, beauty
