New Delhi, Penguin Books India, 2008. ISBN 9780143102069. xxxvi + 479 pp.
Review by Jaydeep Rishi, Sarojini Naidu College for Women, West Bengal, India Keep Reading
First published in the U.S.A by The Crossroad Publishing Company, 2005,
ISBN-13: 9780824522810
First published in India by Penguin Books India, 2006
ISBN-13: 9780144001033, 978-0144001033
Review by
Biswaranjan Chattapadhyay, Serampore College Keep Reading
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Basudeb Chakraborti, University of Kalyani
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Indian Partition fiction, on the one hand, records man’s bestiality and savagery and on the other, attests to the fact that man is essentially sincere, committed to upholding humanity to survive and sustain itself. The paper contends to examine the fundamental goodness of some characters, which the Indian tradition underlines. By analyzing certain characters from Chaman Nahal’s Azadi, Khuswant Singh’s Train to Pakistan, Bapsi Sidhwa’s Ice-Candy-Man, Bhisham Sahni’s Tamas, Saadat Hasan Manto’s short stories and two Indian films, Mr. and Mrs. Iyar, directed by Aparna Sen and Meghe Dhaka Tara by Ritwik Ghatak, the writer tries to bring home the truth that frenzy of insanity is not final and amidst the pall of darkness and threats of insanity, there is a ray of hope. Keep Reading
Srdjan Jovanovi?, Palacky University
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In this piece of writing the writer/artist puts forward the view that art can be understood and taken in as sometimes purely hedonistic. By drawing upon the theories pertaining to hedonism, he applies this view to minimalist digital abstract photography and tries to justify his point of view with the help of three abstract photographs. Keep Reading
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Adamu Pangmeshi, University of Maroua
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Prior to Nelson Mandela’s ascension to power in South Africa, literature of the country had been essentially a protest against the dehumanizing treatment that was meted on the Blacks by the minority Whites who were at the helm of power through the policy of apartheid. This somehow created socio-political upheavals and a pervasive atmosphere. Consequently, some writers while unfolding this social enigma, did so with a vision of proposing an ideal society for humanity. One of them is Bessie Head. This paper seeks to examine Head’s When Rain Clouds Gather and Maru in a bid to demonstrate that her quest for a perfect society has been provoked by her experiences in life and the dystopian South African. Informed by new historicism, it is argued that an ideal or a perfect society is a figment of the imagination. Keep Reading
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Anne Mabry, New Jersey City University Abstract
In this piece of writing the writer deals with the issue of teaching literature and with the use of technology for the purpose of human resource development in the age of internet.
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Mukesh Modi, D. M. Patel Arts and S. S. Patel Commerce College
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The writer here describes the various ages and traditions of Gujarati Poetry, looks into the present condition and questions the practice of writing poetry for the pundits’ sake.
Middle Age Gujarati Poetry
Gujarati poetry has basically evolved from Bhakti Literature of the 15th and 16th centuries. Oral tradition of Gujarati folklore dates back to the 12th century. So many seekers/devotees contributed immensely to the development of Gujarati poetry. Gujarati literature is divided broadly into two periods. The period from 12th century to the early 19th century is known as Middle Age, and the second period from 19th century to the beginning of the 20th century is known as Modern age. Looking at the Middle Age Gujarati literature, we find that the period was, as is the case with other Indian literature, dominated by poetry. In Gujarati, we have Narsinh Mehta Mirabai, Akho, Premanand, Shamal, Dayaram, Bhalan, Nakar, Bhim, Raje, Pritam, Dhiro, Bhojo and many others. With few exceptions, most of these poets liked to be known as devotees more and poets less. As Dr. Ramesh Trivedi mentions: “There was neither a consciousness of being poets nor attachment to being poets.” The central theme of Middle Age Gujarati Literature was religion. Since the society of the time was dependent heavily on religion, the hymns to devotions, wisdom and detachments were the major themes of the poetry of the age. Keep Reading
Paras Dhir, Lovely Professional University
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History, politics and culture have always been a dominant preoccupation of the Indian-English novelists. This compulsive obsession was perhaps inevitable since the genre originated and developed from concurrently with the climactic phase of colonial rules, the stirrings of nationalist sentiment and its full flowering in the final stages of the freedom movement. In this paper an attempt is made to examine Shashi Tharoor’s Riot as a multilayered narrative that sheds light on many contemporary issues on history, politics and culture of India. Keep Reading