Postcolonial - Page 2

Identity versus Identity Crisis: An Analysis of Erikson’s Epigenetic Principle in Isabel Allende’s Daughter of Fortune

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760 views

P. Sarojini    
Ph.D. Research Scholar in English, Sri Sarada College for Women (Autonomous), Salem. Tamil Nadu. India.

Rupkatha Journal, Special Issue on Poetics of Self-construal in Postcolonial Literature, 2023. https://doi.org/10.21659/rupkatha.v15n5.04
[Article History: Received: 12 October 2023. Revised: 20 December 2023. Accepted: 21 December 2023. Published: 26 December 2023]
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Abstract

Identity and identity crisis are crucial aspects of a person’s mental and physical well-being. Identity is what sets an individual apart from others in society. An identity crisis can cause a person to experience confusion and uncertainty at various stages of their life. Erikson’s Theory of Psychosocial Development is based on the ‘Epigenetic principle,’ which suggests that our environment and culture influence how we progress through the planned stages of personality development. Erikson’s eight stages describe how people develop emotionally and socially throughout their lifespan. In Isabel Allende’s novel, Daughter of Fortune, the protagonist Eliza Sommers undergoes an identity crisis. The paper focuses on this concept of identity and identity crisis and the mystery and troubled identity surrounding Eliza Sommers.

Keywords: Identity, Identity Crisis, Epigenetic Principle, Mystery, Erikson’s Theory.

Sustainable Development Goals: Peace, Justice and Strong Institutions
Citation: Sarojini, P. (2023). Identity versus Identity Crisis: An Analysis of Erikson’s Epigenetic Principle in Isabel Allende’s Daughter of Fortune. Rupkatha Journal 15:5. https://doi.org/10.21659/rupkatha.v15n5.04 

Optimist vs Pessimist: Indulging and Contextualizing Martin Seligman’s Learned Optimism in “Once Again” and “Trisanku” by C.S. Lakshmi

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M. Aarthi Priya  
PhD Research Scholar, PG & Research Department of English, Sri Sarada College for Women (Autonomous), Salem, Tamil Nadu, India. 

Rupkatha Journal, Special Issue on Poetics of Self-construal in Postcolonial Literature, 2023. https://doi.org/10.21659/rupkatha.v15n5.07
[Article History: Received: 12 October 2023. Revised: 20 December 2023. Accepted: 21 December 2023. Published: 25 December 2023]
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Abstract

Martin Seligman, the founder of positive psychology, developed the idea of ‘learned optimism’ by embracing the idea that an optimistic outlook can be developed through learning. This article discusses the idea of learned optimism, its advantages, and how one may begin to transform their life and thinking. According to the analysis, optimistic personalities appear to have a greater success rate when it comes to reaching their intended goals, even when the pessimistic characters do amazing things in their lives. Both pessimists and optimists achieve things in their lives, but optimists are perceived as having accomplished more. Martin Seligman’s theory of learned optimism is analysed and contextualized in this paper, which aims to evaluate the optimistic and pessimistic personalities found in the characters in the selected short stories of C.S. Lakshmi. Seligman’s concept of learned optimism is well connected with the characters of Loki in “Once Again” and Anjana in “Trisanku”. The characters are also subjected to cognitive distortions of the three P’s: Personal, Pervasive and Permanent to develop themselves to be optimistic personalities through the concept of learned optimism. Seligman also proved that through learned optimism one can change from a pessimistic to an optimistic personality so that they can prevent themselves from depression and anxiety.

Keywords: Learned Optimism, Cognitive distortions, Three P’s, optimistic, pessimistic.

Sustainable Development Goals: Peace, Justice and Strong Institutions
Citation: Priya, M.A. (2023). Optimist vs Pessimist: Indulging and Contextualizing Martin Seligman’s Learned Optimism in “Once Again” and “Trisanku” by C.S. Lakshmi. Rupkatha Journal 15:5. https://doi.org/10.21659/rupkatha.v15n5.07 

Troping Identity in Arkady Martine’s Space Opera: From Historical Realism to Quantum Anthropomorphization

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Maria-Ana Tupan     
Alba Iulia University, Romania

Rupkatha Journal, Special Issue on Poetics of Self-construal in Postcolonial Literature, 2023. https://doi.org/10.21659/rupkatha.v15n5.13
[Article History: Received: 15 November 2023. Revised: 10 December 2023. Accepted: 11 December 2023. Published: 24 December 2023]
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Abstract

Rosi Braidotti’s theory of “nomadic subject” (2011) has shifted the focus from traveller in the literal sense of the word to subject as a process; becoming subject entails a denial of universals in the construction of identity which is redefined as situated embodiment in the world, open to the heteronormativity of changing social codes and accepted modes of living or of conceiving otherness. Nevertheless, travel has always been associated with an explicit ethos, whether as a pious pilgrimage, educational world tour or the grand narrative of civilizing mission. Located on various maps, real or imaginary, civilizations are brought into contact by the huge number of migrants, the problems they raise including the relationship between third worlds and metropolitan cities/ countries, the migrants’ othering by mainstream populations, the migrants’ desire to be naturalised and the estrangement from their true selves as a result. By building simulation models, speculative fiction probes deeply into underground concerns which well up to the surface in postcolonial literature, being expected to produce cognitive enlightenment. Relieved from the material deprivations of the colonial past, the postcolonial subject is now caught in the process of identitarian reconstruction.

Keywords: self-construal, deconstruction of presence, world-building,  cultural narratives, multiculturalism.

Sustainable Development Goals: Peace, Justice and Strong Institutions
Tupan, M. (2023). Troping Identity in Arkady Martine’s Space Opera: From Historical Realism to Quantum Anthropomorphization. Rupkatha Journal 15:5. https://doi.org/10.21659/rupkatha.v15n5.13 

Challenging the Episteme with Storytelling: Learning without Limits the Native Way

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Virender Pal      
Associate Professor of English, IIHS, Kurukshetra University Kurukshetra

Rupkatha Journal, Special Issue on Poetics of Self-construal in Postcolonial Literature, 2023. https://doi.org/10.21659/rupkatha.v15n5.02
[Article History: Received: 15 October 2023. Revised: 12 November 2023. Accepted: 14 November 2023. Published: 16 November 2023]
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Abstract

Leslie Marmon Silko is an eminent writer among the Native Americans who is trying to resuscitate Native culture and reconstruct the identity of her people. In her novels like Ceremony and Almanac of the Dead, she has extensively written about the Native way of life. Her short stories are also an endeavour to construct the identity of her people. Due to her concern with the construction of the identity of her people, she often compares white institutions with the Native institutions. In her short story “Man to Bring the Rainclouds”, she compares the death rituals of her people with the Christian rituals and establishes that the Pueblo customs were deeply connected with the land. The current paper is a study of her short story “Humaweepi, The Warrior the Priest.” In the story, she compares the whites’ methods of educating the children to her people’s methods of educating the younger generation. She establishes in the story that the Pueblo way of educating the children was superior because it did not put any strain on the learner; rather the student learned everything without any stress or labour. Moreover, the Native system of education taught the learner about the importance of developing a bond with the natural world and hence trained the students to become eco-warriors.

Keywords: Leslie Marmon Silko, Native, Education, White.

Sustainable Development Goals: Peace, Justice and Strong Institutions
CitationPal, V. (2023). Challenging the Episteme by Telling Stories: Learning without Limits the Native Way. Rupkatha Journal 15:5. https://doi.org/10.21659/rupkatha.v15n5.02 

Investigating ‘Moral Legitimacy’ and ‘Belonging’ within Subaltern Counterpublics vis-à-vis the Raj: A Study of Select Short Stories by Janice Pariat

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334 views

Lemon Sam1  & Ridhima Tewari2
1,2 Department of Humanities and Social Sciences, Indian Institute of Technology Dharwad, India

Rupkatha Journal, Vol. 15, Issue 3, 2023. https://doi.org/10.21659/rupkatha.v15n3.31
[Article History: Received: 16 August 2023. Revised: 24 Sept 2023. Accepted: 25 Sept 2023. Published: 28 Sept 2023.]
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Abstract

When there is a stringent demand for a viable reconstruction of the traditional socio-political structure, especially amid the paucity of “reliable” historical records from the pre-colonial era, the native population’s recurrent anxieties of losing indigenous cultural heritage, and instances of its xenophobic politics, become visible in an unprecedented form. In this context, the discursive void between the dominant state-power and “excluded” subjects usually engenders counter-cultural values of endowed “subaltern counterpublics”. Though these alternative public spheres are formed to uphold neglected discourses, often, a few ‘dissident’ voices reside within them to challenge the unanimity of such groups, towards more progressive ends. These apparent “nonconforming” discourses within the subaltern groups strive to foreground humanitarian principles by giving voice to alternative ideologies, and sometimes, for these propositions, are accused of lacking moral legitimacy towards the subaltern counterpublics themselves. Accentuating this vital site within the marginal yet homogenized discourse, the present paper attempts to foreground the question of moral legitimacy and its critical linkages with participatory parity of the subaltern counterpublics in the context of the British colonial era in Meghalaya. It further seeks to unpack how subaltern politics itself is manipulated by anti-egalitarian ethos within the subaltern counterpublics, in response to the colonial rule. In order to understand the inclusive approach of the “nonconformist” subaltern within the subaltern colonial subjects, who sometimes appear to challenge and rethink the very basic tenets of subaltern counterpolitics, and their negotiations of the varied legacies of the Raj, this study endeavours to analyze select short stories by Janice Pariat, the 2013 Sahitya Akademi Award-winning writer from Meghalaya.

[Keywords: Subaltern Counterpublics, Public sphere, Moral Legitimacy, Belonging, Alternative discourse]

Sustainable Development Goals: Peace, Justice and Strong Institutions
Citation: Sam, Lemon & Ridhima Tewari. 2023. Investigating ‘Moral Legitimacy’ and ‘Belonging’ within Subaltern Counterpublics vis-à-vis the Raj: A Study of Select Short Stories by Janice Pariat. Rupkatha Journal 15:3. https://doi.org/10.21659/rupkatha.v15n3.31 

Inundating Cultural Diversity: A Critical Study of Oral Narratives of Kurichyas and Guarani in the Structuralist Perspective

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580 views

Haseena Naji

Research Scholar, Department of English Studies, Central University of Tamil Nadu, Thiruvarur, Tamil Nadu, India. Email: haseenanaji@gmail.com

Rupkatha Journal, Vol. 14, Issue 3, September-October 2022, Pages 1–21. https://doi.org/10.21659/rupkatha.v14n3.13

First published: October 8, 2022 | Area: Latin America | License: CC BY-NC 4.0

(This article is published under the themed issue Across Cultures: Ibero-America and India”)
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Inundating Cultural Diversity: A Critical Study of Oral Narratives of Kurichyas and Guarani in the Structuralist Perspective

Abstract

The paper seeks to explore the practicability of using Vladimir Propp’s framework to study the oral narratives of the Kurichyan tribe of Wayanad, Kerala, India and of the Guarani tribe of Paraguay, South America. For this purpose, Narippaattu (Wolf Song) of Kurichyar and The Beginning Life of the Hummingbird of Guarani are chosen. Out of the 27 functional events identified in the former, six of them do not fit into the Proppian framework and of the 13 identified in the latter, three of them do not conform to the Proppian structure. The events which are matched with Proppian events are tediously paralleled and do not correspond to each other entirely in the Proppian sense. None of the events identified in both tales show any linear or causal progression. Through this, I argue that an attempt to study narratives that originate from communities with multiple subtle diversities in terms of a universal structure will be problematic and mostly futile. We will lose the culturally distinct, subtle manifestations in the narratives in the endeavour to make them fit into any universal framework.

Keywords: structural analysis, Kurichya, Guarani, Propp, narrative analysis, poststructuralism

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Subverting Narratives of Nationalism: A Cross-National Study of Borges and Muktibodh

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544 views

Akansha Singh

Assistant Professor, NALSAR University of Law. Email: akansha.s@outlook.com

Rupkatha Journal, Vol. 14, Issue 3, September-October 2022, Pages 1–15. https://doi.org/10.21659/rupkatha.v14n3.11

First published: October 8, 2022 | Area: Latin America | License: CC BY-NC 4.0

(This article is published under the themed issue Across Cultures: Ibero-America and India”)
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Subverting Narratives of Nationalism: A Cross-National Study of Borges and Muktibodh

Abstract

The mid-twentieth century Argentina and India witnessed a discursive construction and circulation of national identity closely entwined with literary production. This caused a surge in nationalistic sentiments, often culminating in socially discriminatory consequences. This paper shall analyse the role Jorge Luis Borges and Gajanan Madhav Muktibodh played in subverting nationalism, as members on the ideological margins of their respective countries. The study involves two interconnected inquiries in the authors’ works. First, a study of reasons behind their rejection of nationalistic writing— their personal lives as affected by it, their discontent with literary movements they were part of, literary censorships, and loss of jobs on account of their ideological differences. Second, a study of the alternatives the two writers offered against nationalism— literary forms, styles, and techniques. Placing the two inquiries together, the paper will study their works as writings of resistance that surface through a fusion of political opinion and social critique. It will further argue how resistance through writing conditions guides their existence.

Keywords: Nationalism, Borges, Muktibodh, Modernism, Post- Colonial

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History, Memory and Trauma in Selected Works of Arupa Patangia Kalita

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1.8K views

Manashi Bora

Department of English, Gauhati University, Guwahati, Assam. Email: manashibora@gauhati.ac.in

Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022. Pages 1-9. https://doi.org/10.21659/rupkatha.v14n2.ne30

First published: June 30, 2022 | AreaNortheast India | LicenseCC BY-NC 4.0

(This article is published under Themed Issue on Literature of Northeast India)
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Abstract

India’s North East, including Assam, has a history of militancy arising from various socio-political causes. Writers have responded to this aspect of the history of this region by producing works that record and commemorate particular events and experiences for posterity. Of particular significance in these works is the record of the impact of the disturbances on the everyday lives of people, many of whom, though unaware of the main issues being debated, are affected beyond measure by the turn of the events. Arupa Patangia Kalita’s short stories collected in Written in Tears (2015), The Musk and Other Stories (2017), and The Loneliness of Hira Barua (2020) document a momentous phase in the recent history of the North-Eastern region of India especially Assam, marked by student agitation and militancy which mobilized the people around particular issues on the one hand and inflicted sufferings of various kinds on innocent people on the other. A writer is, among other things, a recorder of the experiences of a region who investigates in the form of a narrative the fallout of social upheavals on the everyday lives of people. The proposed paper will look into the aspects of the recent history of the North East touched on by the writer in her short stories using insights from studies on history, postcoloniality, memory and trauma. It will focus especially on the documentation of women’s experiences during that phase from a woman’s perspective.

Keywords: agitation, militancy, poststructuralism, postcolonial feminism

Introduction

Engaging with the events in the history of a region has been a major concern of literature in recent times. There has been a historical turn in fiction writing especially, an exercise in memorialization since the Second World War. The past has been delved into to unearth little-known aspects of it, record individual memories, and find out the genesis of particular problems so as to shape the future. The past, the present, and the future are now seen as inextricably intertwined as a continuum. Alan Robinson (2011) talks about “the present past” (4) and argues that “at any given moment several dimensions of time coexist in present consciousness” (4).

Like other regions of the world, the North-eastern region of India has its own unique history; militancy and violence rooted in various geographical, socio-economic and cultural factors constitute a significant feature of the histories of many of the states of the region. With the signing of various accords, the normalcy of a sort has returned to the region, but the events of the past are stored in the individual and collective memories of the inhabitants of the region and provide the background to much of the literature produced here. As Anne Whitehead remarks, “The desire among various cultural groups to represent or make visible specific historical instances of trauma has given rise to numerous important works of contemporary fiction” (3). A number of writers from Assam writing in English and the regional language Assamese, have recorded the experience of agitation and militancy in Assam in the 1970s and 1980s. Mention may be made of Mitra Phukan (The Collector’s Wife, 2005), Arun Sharma (Sankalpa, 2008), Aruni Kashyap (A House with a Thousand Stories, 2013) and Rita Choudhury (AbirotoJatra, 1981) and Ei Samay Sei Samay, 2007). Arupa Patangia Kalita has carved a niche for herself in the echelon of Assamese writers with her strong portrayals of the social-cultural life of Assam in her works like Felanee (2003), Oyonanta (1994), Written in Tears (2015), and The Loneliness of Hira Barua and Other Stories (2020). She has first-hand experience of the days of agitation and militancy in Assam. In an interview, she has talked about how as a teacher of Tangla College she saw insurgency from close quarters; she was affected by the shooting down of the Principal in front of the college and the death of many students, and the money that the teachers and other government employees were forced to pay to the militants1.Among the works of Patangia Kalita which look back on the happenings of the past in the North-Eastern region, especially Assam, are the stories included in the collections Written in Tears (2015), The Musk and other Stories(2017), and The Loneliness of Hira Baruah and other Stories (2020). Originally written in Assamese, many of the stories in the collections were translated into English by Ranjita Biswas. The stories throw light on different aspects of militancy in the region, especially its impact on the everyday lives of the common man. Arupa Patangia Kalita is known for her belief in the connection between literature and life as it is lived, and her concern for the underdogs as she was influenced by the Marxist thought of the 1970s. Many of the characters in her novels are people she had met in real life and she articulates the voice of the silent and the strength of the neglected mostly women and the oppressed. This paper aims to analyze how a woman writer looks back on the events of the past, what aspects of agitation and militancy are remembered and recorded for posterity, and what individual and collective trauma people suffered. The focus will be on the experiences of women during times of unrest.

                                                                        I

Historiography has attracted a lot of attention from scholars in recent times. Dominick LaCapra (2014) talks about two approaches to historiography; one is the documentary research model which involves collecting evidence and making truth claims based on that. Capra claims that, as opposed to the documentary method, “narratives in fiction may also involve truth claims on a structural or general level by providing insight into phenomena such as slavery or the Holocaust by offering a reading of a process or period, or by giving at least a plausible ‘feel’ for experience and emotion which may be difficult to arrive at through restricted documentary methods” (2014, p. 13). Toni Morrison’s Beloved on the aftermath of slavery falls in this category. In other words, fictional narratives also provide useful insights into the history of a period by making creative use of individuals and collective memories. Although history and memory are seen as binary opposites and history is valorized as the realm of critical rational inquiry and memory is regarded as simplistic and confused, a critically tested memory can serve a useful purpose and light up many dark alleys of the past.

Poststructuralist ideas which have swept across academia have emphasized the histories of the margins —women, blacks, and ethnic minorities. “History from below” has become the buzzword. Postcolonial feminism too lays stress on the stories and experiences of women in the developing or the third world. Ours has been termed the catastrophic age. The field of Trauma Studies which developed in the 1980 and 1990s focused on studying trauma associated with catastrophic events like the World Wars, the Holocaust, anti-colonial movements, civil wars, and militancy in different parts of the world. Dominick LaCapra observes, “Trauma and its causes may indeed be a prominent feature of history, notably modern history which should not be airbrushed or denied” (LaCapra, 2014, p.xi). There is a growing realization that there has been too much focus on studying the experiences of the white western world and that the events of the non-western world need to be recorded so that some link can be established between cultures. Craps and Buelens (2008) talk about “the risk of ignoring or marginalizing non-western traumatic events and histories and non-western theoretical work which may “assist in the perpetuation of Eurocentric views and structures that maintain or widen the gap between West and the rest of the world”(2). The colonial experience and the movements for national independence, for instance, thus got to be written about and the cultures and histories of the non-western world were inscribed. There is an increasing recourse to the anecdote or the story to recover the voice of the marginalized and the abject. Mass movements which often give rise to militancy have weighty causes, but most often the toll that they take on the lives of the people, especially the vulnerable sections, is overlooked. Literature is one of the ways in which the sacrifices and sufferings of communities like women and ethnic minorities can be commemorated and resistance to acts of terrorism and brutality can be built up and this is what Arupa Patangia Kalita does in her collection of stories.

                                                                        II

A distinctive feature of the largely patriarchal societies of the third world is women’s association with home, with the inner space. The stories in the collection Written in Tears by Patangia show how the inner space is destroyed by the outside conflicts which leave women lonely and destitute. A number of stories in the collection deal with the destruction of the home. The story “Arunima’s Motherland” is a narrative of how a family pays the price of having a son as a member of an outlawed organization. Not only is a wedding engagement of a daughter of the family cancelled because of this, but the entire family is annihilated by a bomb hurled at their house with the daughter-in-law and her infant son having a providential escape because they happened to be elsewhere at the time of the blast. In the span of a few moments, a wife loses her husband and the protection he provides to the family, an infant loses his father and the love of the doting paternal grandparents, uncles, and aunts. What is very poignant here is the picture of cozy domesticity in the early part of the story —the endearing relationship of the members of the family, their everyday life as they go about cooking, tending to the flowers and vegetable gardens, and preparing the bride’s trousseau in anticipation of a wedding —all of which give way to a gruesome picture of a burnt house with the mangled remains of bodies strewn all over as the daughter-in-law comes back with her newly born son to be welcomed by her husband’s household. Preceding this catastrophe is a phase of acute fear and anxiety as the younger brother of the sought-after militant, who is pursuing his studies in a college, is picked up for questioning and the house seems to be haunted by strange people who have their faces covered with black clothes even as a series of secret killings, bomb blasts, derailments of trains, demands for food and money by the outlaws, and constant army surveillance induce a fear psychosis among the people. The family becomes the butt of caustic remarks by the neighbours who blame them for the army’s presence in the locality. Arunima is pitied by a neighbour for marrying into a family of criminals—“What bad luck that you have to live with this family of criminals!” (28). They are not invited to social functions and no doctor agrees to come to their house to examine Arunima’s aged father-in-law. What is seen in the end is the uncertain future before the daughter-in-law with an infant in her arms. She had ceased to be welcome in her mother’s house as quite some time had passed after the birth of her son and she sensed that her sisters-in-law would be happy to see her gone. What she faces when she returns to her in-law’s house is something she could not have imagined in her wildest nightmares. The author deftly uses contrasts — pitting the warmth of family relationships against the chilling devastation of militancy. Metaphors are also used -of bees building their comb when Arunima enters the house as a daughter-in-law and then of them flying away from the honeycomb before the destruction of the home that Arunima cherished. Women are the givers of life as is put forth by the image of Arunima and her newly born child; it is the cult of violence mostly perpetrated by men that destroys life and relationships.

The other stories in the collection deal with the different ways in which women suffer during times of unrest. Almost all the stories talk about hard-earned money and resources taken away by the militants or the army. The simple villagers are caught in the crossfire between the army and the militants and are unable to decide whom to obey. Teachers are served notices to pay huge amounts from their salaries. There are gruesome acts of violence —the hurling of bombs, blowing up of bridges and vehicles full of people, molestations of women, stillbirths due to the stressful lives of expectant mothers, army atrocities on the villagers who are herded into open fields and punished for helping the militants, and an overall fear psychosis which permeates into the everyday life. “They could not breathe, they could not eat, they could not sleep” (29). It is as though they were suffering a death-in-life existence, an aspect discussed by Amit Baishya in his Contemporary Literature from Northeast India (2019) where he considers the representations of the effects of political terror in the contemporary necropolitical literature from the North-Eastern region.

Women often bear the brunt of militancy and the diktats of the agitationists. They issue instructions regarding women’s dress and Mainao in the story “The Girl with Long Hair” has her hair cut off when she defies the instructions in order to have some fun with her friends. As a result, not only is her beautiful hair chopped off in public view but she is also forced to marry the boy who cut her hair as it is a tribal custom for a girl to marry a person who touches her in any manner. It is the most drastic punishment meted out to a fun-loving girl. Women are compelled to be the bearers of the culture of the community as there seems to be no strict dress code for the males.

The story “Surabhi Barua and the Rhythm of Hooves” deals with the way people who opposed the Assam andolan were harassed. Surabhi Baruah, who works in a college and has leftist leanings, writes articles opposing the movement. She and another of her colleagues, Professor Bordoloi, have to bear the brunt of the students’ ire for opposing the andolan. Students walk out of their classes, there is hooting, and Professor Bordoloi is attacked and injured. Surabhi Barua’s engagement is called off by her fiancé’s family and she is forced to apply for a fellowship and move out of the town. She becomes a liability even to her own family so much so that her own mother does not try to dissuade her from moving out of town. Her story bears testimony to the ways people who opposed the movement were harassed and became socially ostracized.

“Kunu’s mother” is another story that testifies to the vulnerability of women especially women who are without the support of men. After the death of her husband, Kunu becomes the centre of her mother’s world. Kunu grows up to be a beautiful young woman who begins to attract the attention of young men. A particular young man, a militant, enamoured by her beauty starts visiting her house and demands that he be allowed to marry her, sending alarm signals to her mother. She decides to send the girl away to live with relatives. When she returns after leaving her daughter at a relative’s house, she faces the anger of the young man and all the people of the village who told her that if she wishes to live in the village and retain her plot of land there, she will have to abide by the wishes of the community and in this case, that means marrying her daughter off to the young man who wanted her. Kunu’s mother finds herself alone and absolutely helpless, unable to decide on a course of action.

The last story “Ayengla of the Blue Hills” bears testimony to the trauma induced by army atrocities on women. Cathy Caruth (1995) defines trauma as “The pathology consists, rather, solely in the structure of its experience or reception: the event is not assimilated or experienced fully at the time, but only belatedly, in its repeated possession of the one who experiences it. To be traumatised is precisely to be possessed by an image or event” (4-5). The story is a tragic narrative of a young woman who is happy with her family and who does not understand much about the happenings in the outside world, but as fate would have it, she is raped by the army and the trauma of the incident leaves her crippled for the rest of her life. She becomes frozen in time and is unable to assign the incident to her past and to move on with her life in the present. In spite of the efforts by her husband and the other members of the family, Ayengla does not recover. Her husband marries another woman and starts a new life, and Ayengla lapses into gloom, loneliness, and finally death. Her story shows the damaging psychological effects of oppression, especially when it involves the violation of the body in case of a woman. Another story, “The Face in the Mirror” deals with the impact of an aunt’s rape on a little girl from Nagaland named Zungmila. The rape left her disturbed for the rest of her life so much so that she suffered from periodic fits when she would pour out her hatred for the Indians who occupied their land and could go to sleep only with the help of injections, “mumbling about her aunt and her distended breast” (131).

The stories are based on characters who belong to different communities —Assamese, Bodo, and Naga. The customs, beliefs, and everyday lives of these communities differ as also the problems which give rise to militancy in different places. What holds the stories together are the similarities in the experience of militancy and the sad plightof women in times of unrest. As a woman writer, Arupa Patangia Kalitahas given us a collection of tales that are to a great extent women-centered and represent the myriad ways in which militancy affects women. While women are, by and large, left destitute, helpless, and in a state of mental and emotional shock, there are also positive developments that help them to be self-reliant and earn an income. Mainao in the story “The Cursed Fields of Golden Rice” is forced by circumstances to learn to make snacks, weave shawls etc. and sell them in the market to earn a living. She is helped in her endeavour by women’s cooperatives which supply her yarn and help her to sell her products. Women thus adopt various survival strategies to pull out of difficult situations.

The cultural distinctiveness of the non-western world is also inscribed in the stories even as they record the experience of agitation and militancy. The women belong to different communities and locales— hills, plains, tribal and non-tribal— are part of various customs of the community. “Arunima’s Motherland” shows a typically Assamese household with a kitchen, flower garden and Assamese food cooked with great care by the women of the house. The landscape of the hills is celebrated in “Ayengla of the Blue Hills”. In the story, “The Girl with Long Hair”, the tribal custom of a girl having to marry the man who happens to touch her is alluded to. Names of the characters (Arunima, Zumgmila, Alari), food items and drinks (zumai), articles of clothing (dokhana), kinship terms (mami, bou, khuri), names of places (botabari chowk), ceremonies (ghargochoka) gods and goddesses, beliefs like the belief in spirits and witches, in the afterlife, and a number of songs (e.g. names) locate the stories in the cultural landscape of the North-East. The centrality of western culture is thus undercut by the inscription of the local modes. The patriarchal structure of these societies is borne out by the fact that all the women, whether they are literate and employed or not, are alike victims of different kinds of oppression. Women are associated not with the outer world but with the inner space — the home — which is destroyed by the violence of militancy: “They had helped Mainao set up home. Those evil men had destroyed it within one year. Only a woman understood how much effort it took to set up a home, and now in front of their eyes the beautiful house had disappeared” (“The Cursed Fields of Golden Rice” p.116). It was the ‘jungle party’ that destroyed the house (“The Cursed Fields of Golden Rice” p. 113). After Mainao left for Delhi where her husband had found work, her house was taken over by the outlaws who finished off everything there was in the house. They kept abducted people in the house till they were driven out by the military, but by then there was no trace of the beautiful house that Mainao had set up.

Insurgency and the common people’s miseries resulting from it is a theme that Patangia Kalita keeps returning to in her works. “Two Days from a Phantom’s Diary,” a story included in The Musk and Other Stories (2017) deals with the predicament of individuals suffering untold hardships owing to extortion and exorbitant demands for money by the militant organizations which target the passengers of the buses, as also people making both ends meet with great difficulty. People refusing to pay would be gunned down mercilessly. On the other hand, people paying the terrorists like Chandan Saikia would also be in danger of getting arrested for helping the insurgents. There is mention of residents having to keep a vigil in certain strategic spots like bridges; they are treated by the military as “bonded slaves” (21) who could be slapped and subjected to other abuses by military men. “A Precarious Link” is another story that deals with the miseries of a fruit vendor named Manohar who faces serious economic hardships as the fruits he wants to sell are spoilt due to disturbances related to insurgency and counter-insurgency operations. There are references to bandhs, killings of army men as well as the extremists, bomb explosions, and the difficulties faced by a family in getting medical help following disturbances that turned a “sweet, fresh, fragrant and colorful”(58) town into something “totally putrid”(58) and into a “valley of death,”(64) with the well-to-do escaping to trouble-free places.

The Loneliness of hira barua (2020) is another collection of stories by Arupa Patangia Kalita. Some of the stories here deal with insurgency. The story “The House of Nibha-bou” for instance, narrates what befalls an otherwise happy household because one family member happened to join an insurgent outfit. Much of the story deals with the description of the life of a household centred on Nibha bou, who enters the household as a bride, gives birth to two children, and wins everybody’s admiration because of her skills in running the household with meticulous care. Nibha bou’s qualities are traced back to her childhood – even as a child, she had exhibited great acumen in the orderly arrangement of things and in taking charge of the family matters in case of a mishap like her mother’s ill-health.

The family’s life moved on at the usual pace. The only thing that was disturbing was Nibha’s brother-in-law Bijit’s joining the ULFA when he was sent to study at the university. He used to visit the family after his joining under cover of darkness. Dressed in fatigues and carrying a haversack with a heavy gun, he had become unrecognizable even to his family. There was a rumour that he had become a dreaded militant leader involved in a few killings and was carrying a huge price on his head. His visits stopped after some time and the family members moved ahead with their lives. Nobody could imagine in their wildest of dreams that Bijit’s being in the ULFA would one day spell disasters for the family though they were used to being visited by the security personnel now and then looking for the outlawed.

All of a sudden, on a certain day the family was surprised to see a group of men getting down from two vehicles in front of their house and asking them how much money their outlawed son had hidden in the house. They were asked to hand over the money immediately. When they said that they had no money, the men themselves set about the task of searching every nook and corner —dismantling things and turning the house upside down. The family sits in a corner, terrified and pained by the way their cherished objects were thrown asunder by the unfeeling strangers. The house wore a picture of devastation when the men left. Nibhabou’s father-in-law was in danger of suffering a collapse under the strain and his son had to go out in search of a doctor.

The story “Scream” is a different kind of narrative where the hill functions as a symbol that obstructs the light that metaphorically represents goodness, happiness, kindness, and other positive sentiments: “Who doesn’t want the warm rays of the sun? But the cruel hillock shuts it out and casts a shadow over all” (100). The hill is different in different sections of the story. In the first section of the story, it is the heap of newspapers carrying the news of massacres, bomb blasts, dowry deaths, floods, bandhs, and rape. The narrator says that newspapers, TV, and the radio conspire to build up the hill in front of him and he desperately looks for sunlight. Sometimes, the hill takes the form of extortion threats, of young men swooping down and misbehaving with girls out on a picnic with their professor, or of unfeeling men felling trees to construct buildings. The last snapshot is of the people of a village observing a fast every uruka because on that day the terrorists swooped down on the village and killed innocent people preparing to have the customary feast on uruka night in the month of Magh after a good harvest. While the rest of Assam celebrates, the people of that particular village fast in memory of those killed: “their resentment, their grief, slowly create a dark hill. An angry hill bereft of water, lacking a cool shade under which to rest” (116).

In “The Half-Burnt Bus at Midnight”, a half-burnt bus is being dragged to a garage by a truck — “this terrible bus, destroying everything on its way” (127) becomes the symbol of the destruction that terrorism unleashes. The bus full of passengers had entered an area where a bandh was in force, which resulted in the supporters of the bandh setting it ablaze and killing everybody inside.

III

The short stories in the three collections Written in Tears, The Musk and other Stories and The Loneliness of hira barua look back on a tumultuous phase in the history of the North- East India and record the myriad ways in which agitation and militancy affected everyday life and the coping mechanisms adopted by the people. Many works coming from the postcolonial world, commemorate the strengths of women—their participation in movements for national independence and other causes. But “Written in Tears”, the collection which has the largest number of stories centred on women, focuses largely on the victimhood of women; women are sufferers not only when they keep to the boundaries set for them, but also when they are bold and speak their minds out as in the case of Surabhi Baruah. It emerges that while chalking out programmes of action for various causes, the fallout on different sections of people, especially women and other subalterns, is not considered that resulting in tragic consequences in their lives. Patangia Kalita’s language is lucid and sometimes poetic in its use of images, metaphors, and symbols as the image of the hill in “Scream” which has symbolic significance. Patangia Kalita does not experiment much with style confining herself to the social realist, omniscient narrator mode combining it with descriptive felicity and an eye for detail, but occasionally, in stories like “Scream” and “A Precarious Link” there are some attempts at narrative innovation and the use of the anecdotal, fragmentary, and snapshot mode. The stories are, on the whole, stories of dispossession, economic hardship, forced migration from one place to another, segregation and isolation, destruction of family relationships, loneliness and unforgettable violence to the body and mind especially of the womenfolk. Inscribing human agony in words can be seen as the writer’s attempt to raise voice against brutality in the name of different causes. LaCapra and Cathy Caruth, in their studies of traumatic experience, offer valuable frameworks for analyzing such experience in different parts of the world in different periods of history, while the importance of integrating such analysis with the peculiarities of the local context shall always remain. Third world experience can offer valuable insights into studies of history, memory and trauma.

Declaration of Conflict of Interests

The author(s) declared no potential conflicts of interest.

Funding

No funding has been received for the publication of this article. It is published free of any charge.

Notes:

1See Bedabrat Bora’s interview with ArupaPatangiaKalita, June 10,2017.youtube. <https://www.youtube.com/watch?v=FItY1cOw_fM >

References:

Baishya. Amit R. (2019) Contemporary Literature from North East India: Deathworlds, Terror and survival. Routledge Contemporary South Asia Series, 2019

Caruth, Cathy. (1996) Unclaimed Experience: Trauma, Narrative and History. Baltimore and London: The John Hopkins University Press.

Caruth, Cathy. (1995) Ed. Trauma: Explorations in Memory. The John Hopkins University Press.

Craps, Stef. & Gert Buelens. (2008) “Introduction: Postcolonial Trauma Novels” in Studies in  the Novel.Vol.40,No.1/2,Postcolonial Trauma Novels(spring and summer) pp 1-12 Stable URL: http://www.jstor.org/stable/29533856. Accessed on 16.12.2018

Kalita, Arupa Patangia. (2015) Written in Tears. Translated by Ranjita Biswas. Harper Perennial,  

Kalita, ArupavPatangia. (2020) The loneliness of hirabarua. Translated byRanjita Biswas.        Macmillan, 2020

Kalita, Arupa Patangia. (2017) The Musk and Other Stories. Niyogi Books. New Delhi, 2017

LaCapra, Dominick. (2014) Writing History, Writing Trauma. Baltimore: John Hopkins       University Press.

Robinson, Alan. (2011) Narrating the Past: History, Memory and the ContemporaryNovel.        Palgrave Macmillan.

Whitehead, Anne. (2004) Trauma Fiction. Edinburgh: University of Edinburgh Press.

Work Consulted:

Rothschild, Babette. The Body Remembers: The Psychophysiology of Trauma and Trauma Treatment. New York and London: W W Norton and Company, 2000.

Manashi Bora is an Associate Professor in the Department of English, Gauhati University. Her doctoral dissertation was on the French feminist writer Luce Irigaray. Her translations of folk narratives of Assam are included in the book Mothers, Daughters and Others: Representation of Women in the Folk Narratives of Assam. She has edited the anthology, A Treasury of English Poetry: From William Blake to Seamus Heaney. She has written critical introductions to Virginia Woolf’s A Room of One’s Own and Oliver Goldsmith’s She Stoops to Conquer for DC Books and EC Media, Bengaluru. She has worked extensively in the areas of translation, literary theory, women’s studies, and the literature of North-East India.

Decoding the imperial “grip” in J.G. Farrell’s The Singapore Grip

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Prashant Maurya1 & Nagendra Kumar2

1 Humanities & Applied Sciences Area, Indian Institute of Management Ranchi, India. Email: prashant.maurya@iimranchi.ac.in

2 Dept. of Humanities & Social Sciences, Indian Institute of Technology Roorkee, India. Email: nagendra.kumar@hs.iitr.ac.in

Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022, Pages  https://doi.org/10.21659/rupkatha.v14n2.21

First published: June 26, 2022 | Area: Postcolonial | License: CC BY-NC 4.0

(This article is published under Volume 14, Number 2, 2022)
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Abstract

The Singapore Grip (1978) is the third instalment of the Empire trilogy by Booker Prize-winning novelist James Gordon Farrell. It inscribes colonial Singapore’s socio-economic situation through the story of a British tycoon who is engaged in multi-commercial enterprises, mainly rubber business, in the colony of Singapore. The present paper examines the titular phrase “Singapore Grip” in the novel. It argues that Farrell explores many aspects of British colonialism in Singapore through this phrase. By decoding the multiple connotations of the phrase, through reading instances from the novel, the paper will foreground the social, political, and economic issues critical in understanding colonialism in colonial Singapore.

Keywords: historical novel, colonial Singapore, J.G. Farrell, imperialism, grip, capitalism.

  1. Introduction

While accepting the Booker Prize in 1973, James Gordon Farrell had criticised the then Booker Prize sponsor, Booker McConnell Ltd, for its exploitative policies towards the poorly paid employees working in the Far East units. And during his acceptance speech, he declared that “he would use his prize money (£5000) to write a full-scale study of commercial exploitation, set around the fall of Singapore in 1941” (McLeod, 2007, p. 91). The Singapore Grip (1978) is the product of Farrell’s desire during that point in time. It is the third instalment of his Empire trilogy, the first and second being Troubles (1970) and The Siege of Krishnapur (1973).

The phase of nearly two and a half months, beginning from December 1941 to mid-February 1942, is this novel’s timeframe. It inscribes Singapore’s socio-economic situation during this phase through the story of a British tycoon, Walter Blackett, who is engaged in multi commercial enterprises, mainly rubber business in the colony of Singapore. The novel’s plot relates to a series of events taking place in and around the lives of the characters of the Blackett family amidst the gradual annexation of Malaya by the Japanese Imperial Force. According to Earl Rovit (1998), this novel is a chronicle of an “imperialistic venture, predetermined by the greed of venal men” (p. 640). While the novel’s chief focus is on the British commercial exploitation for sure, there are certain other grave issues that Farrell foregrounds in the novel. The present paper examines the titular phrase “Singapore Grip” of the novel to highlight those issues. It argues that Farrell explores many aspects of British colonialism in Singapore through this phrase. By decoding the multiple connotations of the phrase, through a reading of instances from the novel, the paper foregrounds the social, political, and economic issues critical in understanding colonialism in colonial Singapore.

  1. Why Singapore?

Farrell has conceived Singapore as the setting of his novel for three significant reasons. First, Singapore was a colony of the British Empire. Writing a novel set in Singapore would complete the trilogy, which Farrell conceived to be based on the British Empire’s experiences in its three different colonies. It was probably the first colony that the British had negotiated for settlement. Sir Stamford Raffles, the British diplomat and statesman, “recognised the island’s geopolitical strategic significance and potential as a way station along the India-China trade route” (Horton, 2013, p. 1221). Besides, Singapore was the only colony, annexed under the Empire’s nose by another Imperial army by force. The British administration felt humiliated due to this loss. This loss created a state of embarrassment for the British Empire, which had never expected such a setback in its colony. Colin Cross considers it the “worst single military defeat the British Empire ever suffered” (1968, p. 240). This historic loss of the British also changed the perspective that the British Empire is invincible. To emphasise, the event marked the remaining days of the British Empire in its colonies worldwide. After this event, we see that the British Empire vanishes with its colonies’ decolonisation in the coming two decades. Hence, this episode holds a significant place in British Empire’s history, and nothing could be better than Singapore as a setting to close the trilogy on the British Empire. Ronald Binns rightly says, “The fall of Singapore in 1942 provided Farrell with an appropriately apocalyptic terminus to his trilogy” (1986, p. 85).

The second reason why Farrell chose Singapore was its economic significance for Britain. It was an important trading post and a vital economic hub of the British Empire in many ways. Cross observes, “[I]n the British imperial mystique it ranked second only to the Suez Canal itself” (1968, p. 141). It was a junction, halting-place and terminal for ships travelling to Australia and other nearby colonies and islands. It also contributed immensely to the British economy through its natural resources and vast plantations, mostly tin and rubber. John McLeod (2007) reiterates the same that Singapore had been a “significant commercial centre and a lucrative contributor to the fortunes of the British Empire – at one point almost half of the world’s rubber and tin was manufactured in the region” (p. 80).

The third reason, more of a personal nature, is that Singapore was one of the critical Naval Bases of the British and the Allied powers in Southeast Asia during the Second World War until its annexation by the Japanese Imperial Forces in February 1941. Farrell himself had witnessed the Second World War bombing at his own house, “Boscobel” in Southport in 1941 when he was six years old. The event affected him greatly. How could he write a historical novel series without writing something about the Second World War, whose memories were so fresh in his mind? According to Binns (1986), the bomb attack on his home “made an immense impression upon him” (p. 18), and its impact is visible in his mature fiction.

Singapore’s portrayal in the present novel embeds Farrell’s personal experiences, his conviction in communist ideology, his stand towards the anti-capitalist economy and his expectations and ambitions as a creative writer. It becomes a site where Farrell pours his long-standing anxiety and reflections on colonialism. As a setting, Singapore helps Farrell fulfil his creative aspirations and write in an authentic way, which he believes his contemporaries lack due to their “narrow, conventional and impoverished subject matter and stylistic resource” (Binns, 1986, p. 15).

  1. Decoding the metaphor “grip.”

Farrell explores many aspects of British colonialism in Singapore through the phrase, “Singapore Grip”. Initially, it is a mysterious phrase for the novel’s characters as everybody has his/her understanding of the phrase. But as the novel ends, the multi-connotation of the phrase appears in its full form. Farrell introduces his readers to the nexus of grip, which manifests itself in various forms. The following subsections highlight and discuss instances in the novel, where the “grip” has been exercised.

3.1 British economic strategies: The capitalist grip

According to Nayar, among other kinds of violence of colonialism, the economic violence is so “integral to the history of ‘Third World’ nations that no literature or critical approach, as far as I know, has been able to ignore it” (2008, p. 1). It is a well-known fact that the British Empire had extravagantly generated wealth from its southeast colonies. Being one of the most affluent colonies in terms of natural resources, plantations and cheap labour, Singapore, used to deliver an over-plus of monetary profit to the Empire. Farrell weaves Blackett and Web’s story to expose and comment on the grip of the exploitative British economic practices in Singapore. His “denunciation of imperial exploitation and mercantile greed becomes stronger in the novel” (Saunders, 2001, p. 457).

Farrell exposes the hollowness of the empire’s economic strategies in its colonies, which is truly capitalist, self-interested and cares little about the native smallholders. Binns (1986) rightly comments that Farrell’s “[N]arrative explores the vocabulary and practices of capitalism, investing the role played in business life by equity, bold holdings, commodity brokers, stocks, and standard profits” (p. 95). Blackett and Web rise on the native rubber smallholders’ cost, leading them to a perishable state. The anecdote of the old man left in the Chinese “dying house” to die reveals the corruption involved in the British system, which hampers the growth of the person at the lowest strata of society. The old man exposes the British authority’s multi-layered exploitation to Matthew. He reveals how the British estates swindle him and other smallholders. He tells how “the inspector did not give him a proper share of rubber to sell when he came to look at his trees for Restriction Scheme” (Farrell, 1978/2010, p. 401). Also, “the European estates were given extra share for trees that were too young to make rubber while the smallholders were given nothing (Farrell, 1978/2010, p. 403, italics mine).

Although the British Crown was running welfare schemes for native peoples, like the old man, unfortunately, the British people in authority never let them access that. The Rubber Institute, which was set up and run by the government, helped only the British estates and not the shareholders. The institute offered good rubber plants or the “high–yielding clones” only to the estate planters and not to the shareholders. Once they produce the rubber, the Inspectors do not give them a fair share to sell. Even the Rubber Regulation Committee that was constituted for rubber exports from Singapore had twenty-seven men from the estates and only one from smallholders (for formality), thus denying their proper representation. He critiques the development programme of the Empire, meant to uplift their condition, as it is corrupt. The conversation between the old man and Matthew opens a space for critical analysis. It reveals that the Empire is very selective toward the idea of progress and economic independence for Singapore. The duplicitousness of the Empire lurks from the corruption in the programmes run in the name of developing and progressing Singapore. The British are themselves engaged in snatching away the benefits, which rarely reach the indigenous people.

Further, the grip of business in Singapore’s ordinary life is profound. The conception of Singapore is that of a land engrossed in commerce and trade, creating wealth. Huat (2008) aptly says, “[T]he economic success of Singapore has made it a ‘model’ in its own right for other postcolonial nations and in this sense ‘post-colonial’, where the global rather than colonial is the reference for the local” (p. 239). Therefore, it was one of the favourite business spots of traders and merchants. The commercial spirit of Singapore is apparent during the war times also. When Major puts an advertisement in a newspaper calling for assistance to the committee, the replies he receives are astonishing. One Chinese firm letters him to sell his stirrup pump (used to extinguish the fire), and another firm offers him to buy a rake-and-shovel from his firm for lifting out firebombs. This is not an end to the commercial spirit during the war times; two other replies are more amusing. One is of a certain firm selling Evelyn Astrova Face Powder with a tagline “War is horrible but preserve your composure and don’t look terrible” (Farrell, 1978/2010, p. 259), another is of Gold Bird (Ceylon) Tea, which stated, it “will soothe and refresh you in your worried moments” (Farrell, 1978/2010, p. 259). The idea that business does not bother the state of affairs till it is making a profit is emphasised as true by Farrell. During such odd times, when people’s lives are in danger, the business enterprises are engrossed in money-making, taking advantage of the situation.

3.2 Labour trafficking: The colonial grip

Singapore is a multicultural country with people living there from different parts of the world. These people, in some cases the ancestors of these people, had come here as indentured labours to work as coolies on plantations. Not all of them came willingly; the colonisers’ grip was so tight that they had to come. To meet the labourers’ demand, Britain organised large scale emigration of Indian and Chinese labourers to overseas plantations economies like Singapore (Sen, 2016, p. 42). The agents of the British Empire roam in the poverty-stricken villages to trap labourers. The grip of the colonial agents can be inferred from the following lines:

[A]gents had roamed the poverty-stricken villages of South China recruiting simple peasants with promises of wealth in Malaya together with a small advance payment (sufficient to entangle them in a debt they would be unable to repay if they changed their minds), then delivered them to departure camps known as ‘baracoons’; once there they will be entirely in the power of the entrepreneur for use as cargo in his coolie-ships (each person allotted, as a rule, a space of two feet by four feet for a voyage that might take several weeks). (Farrell, 1978/2010, p. 294)

Vera’s father and uncle had also been shipped from South China to this growing economic hub. He and his brother were brought here as indentured labourers, along with many others. Unfortunately, his brother died on the way because of suffocation in the airtight compartments of the ship in which they were brought. The unfortunate ones did not even get a proper burial, and their bodies were thrown out in the sea to save the ships from contamination. There is a similarity between the ships and the holocaust trains of the Nazis. Similarly, Vera’s uncle met the same fate as many Jews while transported from one camp to another in holocaust trains. This episode reflects that the British colonials were no less cruel and inhuman than the Nazis as far as labour transportation is concerned. Farrell portrays a similar incidence of inhumane treatment in Troubles, where Edward forces Murphy to become the subject of his dehumanizing scientific experiments (Maurya & Kumar 2020b, p. 2175).

3.3Proliferating prostitution: The sexual grip

Prostitution and brothels are at the core of colonial Singapore. According to James Warren (1990), prostitution flourished in colonial Singapore and became a multi-dollar business (p. 361). He notes that the “presence of prostitutes was functional in supporting colonial economic expansion” (1993, pp. 257-258; qtd. in Hui, 2003, p. 11). Lenore Manderson also notes that colonial capitalism “built based on imported male labour and the greedy demands for raw materials of industrialising Europe” (1997, p. 372) contributed to the massive prostitution in Singapore.

The imperial grip on the brothel business is evident in the novel. Farrell uses sex and prostitution as a tool to critique the Empire that controlled and proliferated prostitution for its own ulterior economic, social and political motives. The depiction of the young school-going Chinese girl on display for the British customers doing her homework draws the readers’ attention to the vile brothel business where one exchanges sexual favours for money. The licensing of brothels in colonial Singapore was a deliberate attempt by the colonial administration to serve the sexual needs of the hundreds of thousands of labourers and soldiers deployed in military assignments. The brothels helped the British administration generate huge revenue and helped them control the labourers and maintain a peaceful situation in the colony of Singapore by providing them access to sex. It also helped them control homosexuality among the British soldiers which was against the Victorian morality and code of conduct (Maurya & Kumar 2022, n. p.).

According to McLeod, “The connection between industry and prostitution is clinched in the novel’s title” (2007, p. 86). The title has sexual connotations as we see that Ehrendorf understands two meanings of the phrase. First, it means the rattan suitcase; second, it refers to the “ability acquired by certain ladies of Singapore to control their autonomous vaginal muscles, apparently with delightful results” (Farrell, 1978/2010, p. 588). When Matthew first arrives in Singapore, he is advised by many to must-see “Singapore Grip”. Also, in the novel, a reader comes across many instances where commerce is explicitly portrayed in sexual terms. For instance, Walter uses his daughter Joan as a sexpionage or honey trap for business profit. Joan’s character in the novel appears more of a coquette, hunting for suitors and ditching them in one or the other way when her purpose is served. McLeod very aptly considers Walter and Joan as pimp and prostitute, respectively, who exploit the “business of pleasure to generate and secure financial gain” (2007, p. 86).

In another instance, during the grand parade’s rehearsal to mark the golden jubilee of Blacketts and Webb, Monty, as a joke, adds a packet of contraceptives to the cornucopia of rubber products. The presence of contraceptives in the float of the parade which was to show the benefits and development the British have brought to Singapore hints at the link between commerce and the lewd world of sex in colonial Singapore. Elsewhere, one of the pimps cajoles Matthew by saying, “Nice Girl . . . ‘Guarantee Virgin’ . . . You wantchee try Singapore Glip?” (Farrell, 1978/2010, p. 216). In addition to the aforementioned instances, the phrase “Singapore grip” refrains many times in the novel, thus suggesting that sex is integral to colonial Singapore’s business and commerce.

3.4 Diseases and illness: The medical grip

The metaphors of disease are essential ingredients and recurring features of Farrell’s trilogy novels. According to Maurya and Kumar (2020a), Farrell’s novels are “crammed with instances of health problems, disease, medicine and death” (p. 55). Binns (1986), Crane and Livett (1997) and McLeod (2007) suggest Farrell’s biographical account as the backdrop of his interest in disease and medicine, as he suffered from a polio attack at the very young age of twenty-one. Binns explains the traumatic episode in Farrell’s life:

Prior to the polio attack, Farrell had been a healthy 12-stone 21-year-old, keen on sport. He was now transformed, literally overnight, into an invalid. His hair turned white, his weight shrank to 7 stone 6 pounds and he lost the use of both arms. He spent six months in a device, nowadays obsolete, known as an iron lung, which was used to administer prolonged artificial respiration by means of mechanical pumps. (1986, p. 22)

Farrell’s painful and terrifying experiences manifest themselves in the plot of his novels, where the presence of diseases is explicit. We also come across two mandatory characters, one a doctor and the other who suffers from medical complications. Farrell’s obsession with diseases, medicine, and doctors appears in The Singapore Grip in a similar vein. While the coming of capitalism in the novel has been referred to as the spreading of disease, the prevalence of venereal diseases among the Chinese prostitutes of colonial Singapore is imperative. According to Warren, [V]enereal Diseases continued to wreak havoc upon the Chinese population right up to the eve of the fall of Singapore” (1993, p. 177). The grip of venereal diseases among the prostitutes of colonial Singapore was a major concern for the Empire as its soldiers used to visit brothels. Although the colonial administration tried to curb the menace by licencing brothels following the Contagious Disease ordinance, brothels’ clandestine operations and neglected medical facilities for prostitutes increased VD’s spread. In the novel, we see that Matthew and his friends decided not to enjoy prostitutes for fear of venereal diseases at ‘The Great World’. Farrell writes,

[I]n a nutshell, instead of risking heaven knows what dreadful diseases with the sort of women one was likely to pick up here at The World or anywhere else in Singapore he and his chums had decided to club together and they’d found a very nice Chinese girl called Sally who had her own flat in Bukit Timah. She was clean and not the kind who’d get drunk or make a fuss. (Farrell, 1978/2010, p. 203)

In another instance, the epidemic of typhus and cholera among the war victims concerns Major and Dupigny. Cholera is indispensable in the medical discourse of the South/Southeast Asian colonies of Britain. Farrell deals extensively with cholera in The Siege of Krishnapur; however, his focus in The Singapore Grip is malaria, tuberculosis, and dengue. Life in Tanglin is overwhelmed with numerous medical complications, especially Malaria and Dengue. Describing certain disadvantages in the colony of Singapore, Farrell prominently highlights malaria and dengue in the following lines, which are part and parcel of Singapore’s life.

Moreover, the mosquitoes in this particular suburb were only distant cousins of the mild insects which irritate us on an English summer evening: in Tanglin you had to face the dreaded anopheles variety, each a tiny flying hypodermic syringe containing a deadly dose of malaria. And if by good fortune, you managed to avoid malaria there was still another mosquito waiting in the wings, this one clad in striped football socks, ready to inject you with dengue fever. (1978/2010, pp. 5-6)

Farrell describes the poor natives in the novel inflicted not only with malaria but also with tuberculosis. The poor who sleep on the floor and hardly manage to earn bread twice do not ever get a chance for medical treatment. They die with that disease, and this is how they are relieved from its grip. Farrell ponders, could the bombing of Singapore relieve these poor creatures from their suffering? Farrell’s poignant remark, “It will take high explosive, in the end, to loosen the grip of tuberculosis and malaria on them” (1978/2010, p. 248), demonstrates how poverty and imperial negligence impede a healthy life for the natives. Apart from all this, the grip of fever among the characters is common in the novel. For instance, Mr Webb dies after a prolonged illness, Matthew spends a considerable time in bed due to fever, etc. Binns rightly observes, “Illness is a powerful underlying metaphor in Farrell’s historical novels” (1986, p. 23), through which he suggests the end of the British Empire in Singapore.

  1. Conclusion

To conclude, the discussion in this article has decoded the multi-connotation of the phrase “Singapore grip”. Referring to instances from the novel, it has shown how the phrase prominently manifests itself in colonial economic, sexual, medical grip. It has been argued that Farrell has foregrounded the stranglehold of British colonial policy in Singapore through the phrase. The novelist has been successful in bringing out all the ugly displays of power, politics and vile that the British colonial masters exercised in their colonies to sustain and up their economic interests. For them, the subjects are there to be used, exploited and hence mostly ‘invisible’. However, the “grip” is temporary, and hence its power and authority also are transient. Farrell challenges this notion of external grip, and we see that by the time the novel ends, the grips are released. Walter loses his business, Joan loses Matthew, Britain loses Singapore and the grip of western culture and economy in Singapore is loosened.

Declaration of Conflict of Interests

The author(s) declared no potential conflicts of interest.

Funding

No funding has been received for the publication of this article. It is published free of any charge.

References

Binns, R. (1986). J. G. Farrell. London: Methuen.

Crane, R. & Jennifer, L. (1997). Troubled Pleasures: The Fiction of JG Farrell. Dublin: Four Courts Press.

Cross, C. (1968). The Fall of the British Empire, 1918-1968. New York: Coward McCann Publishers.

Farrell, J. G. (2007). The Siege of Krishnapur. London: Orion Publishing Group. (Original work published 1973).

Farrell, J. G. (2010). The Singapore Grip. London: Orion Publishing Group. (Original work published 1978).

Horton, P. (2013). Singapore: Imperialism and Post-Imperialism, Athleticism, Sport, Nationhood, and Nation Building. The International Journal of the History of Sport, 30(11): 1221-1234. 

Huat, C. B. (2008). Southeast Asia in Postcolonial Studies: An Introduction. Postcolonial Studies, 11(3): 231-240.

Hui, T. B. (2003). ‘Protecting’ Women: Legislation and Regulation of Women’s Sexuality in Colonial Malaya. Gender, Technology and Development, 7(1): 2-30.

Manderson, L. (1997). Colonial Desires: Sexuality, Race, and Gender in British Malaya. Journal of the History of Sexuality, 7(3): 372-388. 

Maurya, P. & Kumar, N. (2020a). Colonial Medicine and Cholera: Historicizing Victorian Medical Debates in J.G. Farrell’s The Siege of Krishnapur. Southeast Asian Review of English, 57(2): 53-73.

Maurya, P. & Kumar, N. (2020b). The Member of ‘Quality’ and the ‘Other’: Colonial Fallacy and Othering             in James G. Farrell’s Troubles. Pertanika Journal of Social Sciences & Humanities, 28(3): 2167-2180

Maurya, P. & Kumar, N. (2022). Race, Sexuality, and Prostitution in colonial Singapore: Reading J.G Farrell’s The Singapore Grip. South East Asia Research. Manuscript accepted for publication.  

McLeod, J. (2007). J. G. Farrell. Devon: Northcote House Publishers.

Nayar, P. K. (2008). Postcolonial Literature: An Introduction. New Delhi: Pearson.

Rovit, E. (1998). J. G. Farrell and the Imperial Theme. The Sewanee Review, 106(4): 630-644.

Saunders, M. (2001). The Tone of Empire: J. G. Farrell’s Great Theme. [Review of the book J. G. Farrell: The Making of a Writer by L. Greacen]. The Sewanee Review, 109(3): 453-458.

Sen, S. (2016). Indentured Labour from India in the Age of Empire. Social Scientist, 44(1): 35 -74.

Warren, J. F. (1990). Prostitution and the Politics of Venereal Disease: Singapore 1870-98. Journal of Southeast Asian Studies, 21(2): 360-383.

Warren, J. F. (1993). Ah Ku and Karayuki-san: Prostitution in Singapore 1870-1940. Oxford: Oxford University Press. 

Prashant Maurya is an Assistant Professor of English and Area Chairperson of Humanities & Applied Sciences at the Indian Institute of Management Ranchi, India. His areas of interest are Literature &History, Historical Fiction, British Raj/Empire in fiction, and South Asian Literature. He has published in journals such as English Academy Review, South Asia Research, Rethinking History, South Asian Popular Culture, Southeast Asian Review of English, etc. He is an Early Career Member of the Royal Historical Society of London and sits on the Board of Historical Fictions Research Network. He can be reached at prashant.maurya@iimranchi.ac.in

Nagendra Kumar is a HAG Professor of English and former Head of the Department of Humanities and Social Sciences, IIT Roorkee, Uttarakhand, India. He specializes in English Language, Literature and Communication Studies. Besides publishing a widely reviewed book he has published research papers in reputed, Scopus and Web of Science indexed journals. He has delivered invited lectures and plenary talks in dozens of FDPs around the country and has successfully conducted around 15 AICTE/TEQIP Sponsored Short-term Courses and Workshops on various aspects of the teaching pedagogy, Soft Skills, Communication and Culture. He has been the recipient of the Outstanding Teacher Award of IIT Roorkee for the year 2015. He can be reached at Nagendra.kumar@hs.iitr.ac.in

‘Illusionary Homelands’ and In-Between Identities: Liminal Existence of the ‘Indian (Non)-Diaspora’

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Raisun Mathew1 & Digvijay Pandya2

1 Assistant Professor of English, Jain (Deemed-to-be University), Bangalore, & Doctoral Research Scholar, Department of English, Lovely Professional University, Punjab, India, Email: raisunmathew@gmail.com, orcid.org/0000-0003-3427-0941

2Associate Professor, Department of English, Lovely Professional University, Punjab, India, Email: digvijay.24354@lpu.co.in, orcid.org/0000-0002-5985-9579

Rupkatha Journal, Vol. 14, Issue 2, April-June, 2022, Pages  https://doi.org/10.21659/rupkatha.v14n2.17

First published: June 26, 2022 | Area: Postcolonial | License: CC BY-NC 4.0

(This article is published under Volume 14, Number 2, 2022)
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Abstract

The influence of colonialism and the emergence of globalisation have gradually induced a mixed culture that neither can be attached to the innateness of the traditionalist attributes of the home country nor the foreignness of the Western idiosyncrasies. Though not directly clipped into the identity of a diaspora in spatial existence, the residents in the country also experience an equal or more departure in the context of perpetuating the traditional culture through their lifestyle. There arises an in-between state of existence – neither traditional nor foreign. This research article explores how the residents in India possess alienation in their cultural identities concerning the hybrid forms of lifestyle followed regularly, qualifying to be termed based on the regularity of lifestyle as the ‘Indian non-diaspora’. The argument about the liminal existence of the residents in India, similar to the Indian Diaspora, is substantiated with the help of various secondary sources that describe the three factors selected for analysis. The research article would provide insights on the residents of the country from the perspective of the still-prevailing hegemonic influence of colonialism, the ongoing globalisation effects and the traditionally existing multiculturalism in the country.

Keywords: diaspora, globalisation, hybrid, liminal, multiculturalism, postcolonialism.

  1. Introduction

Multiculturalism in India has become a challenging factor that equally divides and unites the unique and diverse features of the country. Existing with distinct and native characteristics in various spheres, including the geographical, linguistic, cultural, historical, and political aspects, the diversity of India has always been appreciated by the world community. With the expression of both micro and macro-level identities at the same time, the essence of the nativity, with a history of centuries in terms of the culture and lifestyle of the people in the country is challenged by the advent of external influences. With the increasing influence of globalisation, there has recently been a rapid intermixing of native culture and lifestyle with that of the foreign. Prior to the development of technological advancements and the gradual expansion of the Western world’s possibilities brought about by the globalisation process, the forced and voluntary amalgamation of colonial interests by foreign powers into the land and its people had initiated an increased deviation from the naturally inherited culture and lifestyle.

Though, from a general viewpoint, it is a common notion that the diaspora is subject to foreign influences exerted by the host land in which they live. Along with the intervention of time and active involvement with the distinguishable peculiarities of the host country, the diaspora is gradually shifted from the culture and practices followed in their home country to the newly discovered identity showcased by the host country. This process of inclusion is gradual and time-consuming depending on the factors that control the diaspora’s ability to adapt to changing situations. Discussions and arguments based on the inclination of the residents of the home country – whether towards their native culture and lifestyle or the foreign – have created confusion about the identity that is projected in such conditions of non-diaspora. Keeping in mind the shift that is evident in the diaspora community, this research article discusses the current situation of the Indian non-diaspora who reside within the boundaries of their home country and are equally influenced by native and foreign cultures. The analysis of the research revolves around the various factors that define their identity as part of the known and unknown influence of the residues of colonialism and the increasing presence of Westernisation in society as a result of the various possibilities of globalisation. The undergrounding factor behind the intention of this research is to determine whether the residents of India, similar to the Indian diaspora, experience the in-between state of living by becoming liminal entities having no static permanence in being attached to either their native or the foreign influence on their culture and lifestyle, thus altering the innateness of their identities. In this context, the very notion of diaspora touched on by Salman Rushdie is relevant. He says, “It’s my present that is foreign, and that the past is home” (Rushdie, 1991, p. 9). The existence of the residents from the cultural aspect of the country is said to be foreign, while the traditional qualities of culture, mostly authentic during the past, are the actual home, which is ignored. With the passage of time, colonial imperialism, its continuing hegemony, and the more powerful globalisation effects have created a sense of alienation from innateness and authentic cultural identity.

  1. Theoretical Review: Postcolonialism, Globalisation, and Multiculturalism

To provide the necessary clarity to the discussion on the research problem highlighted in the article, a brief idea of the correlation between postcolonialism, globalisation, and multiculturalism in the Indian context is required. It assists in tracing how the result of the three produces an identity crisis, leading to an in-between state of neither thrusting onto one nor the other, but having a significant influence on both in forming an identity that is not constrained by the limits of either native or foreign origin.

The postcolonial period continues to have its effect on the lands and the people who were once a part of the process of colonisation conducted by the countries that were powerful, dominant and imperialist. Though the countries that suffered under the rule of the colonial powers became independent, the imprints of colonisation in terms of architecture, language, culture, lifestyle, etc. still conduct their hegemonic rule on the victims. Therefore, the term does not mean the end of colonialism but rather denotes the continuity of a similar type of colonialism successive to the period of high imperialism and colonial occupation (Drew, 1999, p. 230). In the colonial history of India, the major share has been played by the British East India Company, which led to disturbances in the political, cultural, and economic spheres of the country. The influence of the Portuguese, Spanish, and Dutch cannot be excluded as the unfortunate inclinations towards domination were initiated on the people by them in the different selected parts of India. The imposition of the belief that it is the ‘white man’s burden’ to revive the culture of the third world led to the practice of marginalisation that was produced at the high point of imperialism (Mishra and Hodge, 2005, p. 380).

Globalisation acts as an extension of the hegemonic influence of the residues of colonialism grounded in imperial ideology, signalling a higher level of economic, cultural, and social cross-border networks than before, with the peculiarity of appearing to be shrinking rather than the old method of expanding territories (Hoogvelt, 1997, p. xiv). It is hinged on the compression of the world and global consciousness, affecting national cultures and negating cultural boundaries, thus recreating the continuing history of imperialism of capitalist development and expansion (Akoh, 2008, p. 165). With the creation of a global village that promotes the exchange of various distinguishing factors such as culture and lifestyle, the identities that have a strong bond with nativity are altered concerning the proximity of influence exerted by foreign cultures. The imperialistic colonisation of the Western world, especially that of Britain, is more effectively continued through its hegemonic subjugation using language, culture, and many more direct and indirect attributes connected with its present existence as independent entities. Post-colonialism is an extension of capitalism for Frantz Fanon as it is strongly based on the theory and practice of exploitation (Fanon & Phicox, 2004). Globalisation goes in terms with the ideologies followed by the post-colonial world but on the view contended by Homi Bhaba that mutual recognitions are possible through interaction between people from different cultural backgrounds (Bhabha, 1994).

Multiculturalism has been argued as a critique of orientalism (Runnymede, 1997) as it has its roots based not firmly on the representation of the East as subordinate to the West. In a multicultural society, an amalgamation of every aspect of living that makes a community through the recognition of the variety of traits and identities occurs amid conflicts and tussles (Chettri and Tripathi, 2019, p. 6). This speciality of multiculturalism is most evident in the social situation of India, where several cultural identities within the nation are often separated from each other to be united as a whole. For example, the cultural characteristics of a person living in the state of Kerala differ from those of a person in West Bengal, who follows a different lifestyle. With geographic and linguistic differences, the other factors associated with it change, making it an entirely different experience to experience India’s diversity.

The qualitative approach followed in this research article utilises descriptive analysis with the help of secondary data that substantiates the altered nature of the culture and lifestyle of the people who reside within the geographic jurisdiction of India. For analysis, certain factors that define the current status of people, such as language, food habits, and clothing fashion, are considered in the article. These three factors are selected for analysis as they are more closely related to the daily lives of people in India. Through the gathering of details about the present situation of the three factors among Indians who reside in their homeland, the shift from the innate roots of the traditional and cultural aspects of the country is traced. The discussions based on the altered characteristics of the three factors, and also its traditional roots as a result of the influence of postcolonialism and globalisation are conducted to state the presence of liminal existence of the residents in India similar to the alienation and identity crisis experienced by the Indian diaspora.

  1. The Micro and Macro Identities

Due to the diversity that provides multiple identities for a person at the same time, the identity of an Indian citizen who resides in their homeland cannot be easily specified to just one. Being an Indian, the person might also be known based on the geographical distribution, as per the categorisation of different states and union territories, on linguistic terms, grounded on the peculiarities of the locality in which the person lives, and even also according to the cultural, religious, and racial characteristics. According to this perspective of intersectionality, a person having the macro identity as an Indian can also possess different micro identities such as south Indian, north Indian, Tamil, Brahmin, Punjabi, Hindu, tribal, and so on. Within a large frame of having the single identity of being an Indian who resides in the home country, the person will also be known based on several micro identities. As per the geographical and cultural peculiarities of India, the way of living changes with each hundred or two hundred kilometres. For example, even if one single language is spoken in a state, the accent and dialect change with each district within the state. Shashi Tharoor argues his points on the multiculturalism and pluralism of India to reveal that no one has the exact archetypal ‘Indianness’ as to how a Russian or British citizen can easily claim. These thoughts make all citizens in India unique in their own right, as well as, in some ways, confined to their own boundaries. He writes in his essay “The Idea of India: India’s Mosaic of Multiplicities” that this availability of multiculturalism is unique and tolerant to an extent under the strict premises of the Indian constitution, democracy, judiciary, and legislature (Tharoor, 2014, p. 111).

Salman Rushdie comments about the Indian diaspora who are away from the geographical and cultural reachability of their home country that,

physical alienation from India almost inevitably means that we will not be capable of reclaiming precisely the thing that was lost; that we will, in short, create, fictions, not actual cities or villages but invisible ones, imaginary homelands, Indias of the mind. (Rushdie, 1991, p. 10)

The same multiple identities are present in the case of the eating culture followed by the resident Indians. On a wider platform of analysis, the macro identity of following the cuisine of Indian variety in foods is entitled to a person who resides in India. This differentiation is easy when compared with the food habits followed by countries like Japan or America, which have a monocultural food diet. But, on analysing the root of the person, it can be understood that there too exists a micro identity for the person which can be affiliated with any one of the states and that to a certain particular area with a difference in the food culture. A person who visits India to explore its food habits would get confused by the large variety of food cultures present in the country.

  1. Linguistic In-Betweenness: English as a Global Language

These wide distributions of multiple identities and cultures that are unique to the Indians were disturbed by the encroachment of the foreign culture and lifestyle that were imposed using direct and indirect methods. Lord Macaulay, during the East India Company’s economic and political invasion of India, commented on the need to form a class of interpreters from India who would stand between them and Indians with a high inclination towards English morals and intellect. His words read as,

To that class we may leave it to refine the vernacular dialects of the country, to enrich those dialects with terms of science borrowed from the Western nomenclature, and to render them by degrees fit vehicles for conveying knowledge to the great mass of the population. (Macaulay and Young, 1935)        

This refining of the vernacular characteristics of Indian culture and lifestyle continues to happen even decades after the independence of the country from the colonial-cum-imperialist powers of the West. The best example of such hegemony is the English language itself, which is widely used even while conversing in the native mother tongue. From the definitions, the resultant code-mixing is identified as using two languages such that a third, new code emerges, in which elements from the two languages are incorporated into a structurally definable pattern. (Maschler, 1998, p. 125)

Many words do not even have an equivalent vocabulary in the regional languages. For better understanding and ease of conversation, the common word used in English is substituted for the required position. Also, the trend of intermixing languages has been common among people, which increases the possibility of degrading the right use of regional languages. An example of such code-mixing and code-switching is Hinglish, which is a mix of languages such as Hindi and English used in India. In an interview conducted among 24 people, they were asked to converse in their regional language. During the conversation, they were not able to continue using monolingual Hindi – instead, they included 18.5% English in their speech (Chand, 2016). In day-to-day use of regional language, certain words, such as bike, switch, mobile, bus, phone, etc., do not have an equivalent vocabulary. It has now evolved as the lingua franca irrespective of the various classes of Indians, giving an equal influence to the change in culture too (Barnali, 2017, p. 121).

Even though the seven decades of independence have been conflicting in many ways, the English language, which is mainly a colonial contribution of the British to India, continues to play a vital role in producing the agenda of its cultural hegemony in India. This particular language, which has become more essential to the world with the rise of globalisation, though helps to reduce the linguistic gaps between cultures, also injects the indirect imperialistic characteristics of the colonisers. Amidst the arguments about the hegemonic nature of English, it is also considered an endangering factor for the indigenous languages. From the standpoint of multiculturalism and multilingualism, it aids in breaking down class and caste barriers and can also produce a stable sociolinguistic environment (Vaish, 2005, p. 203). Thus, the author views that though the language has linguistically subalternised and disenfranchised many, it acts as a linguistic capital due to the updates on the market forces of globalisation. Moreover, the reluctance of the youth to promote their mother tongue has made it easy for foreign languages to invade, especially English, to influence even culture and lifestyle and become prevalent (Prakesh, 2018, p. 20). The language, which was imposed for colonial and imperialist purposes, has now become an inextricable part of the culture, particularly in workplaces and middle-class settlements. It links cultures through the process of controlling the global market.

  1. Betwixt and Between: Altered Eating Habits

To an extent, the food and cultural identity of a country are closely linked as they can define changes in the generalised notion of a community. Food has been a major factor in understanding cultures within and beyond the boundaries of the division devised for the easy categorisation of areas into states and even districts. The peculiar food culture of a specific area is also linked to the memories and identities of a larger community. The food culture has its connections with the colonial past of India, where Anglicists like Macaulay encouraged Indians to be ‘Englishmen’ whereas the Orientalists recalled the natives to retrieve the lost history and civilisation through the authentic ‘Indianness’ (Narayan, 1995, p. 67). The early Orientalists, such as H. T. Colebrook and William Jones, who conducted research on Sanskrit literature, history, and philosophy, were keen on advocating the notion of a golden age that was prosperous in authentic Indian culture. When colonisation brought glimpses of moving toward Western notions, the later effect of the thought of the global community popularised the spread of the Western taste along with the other cultures and intrusions of the European and American cultures. Following vegetarianism from a long tradition, new studies have informed that only about 40% of India’s total population, estimated at 1. 2 billion people, is now under such a category (Bankman, 2013). This is most prevalent among middle-class urban settlers. Due to the ease of preparation, rather than limiting themselves to functions and special occasions, 79% of Indians cook western food in their kitchens (Sarin, 2019). The interest behind such encroachments on food culture was supported by corporate interests to widen their business. The establishments of global brands such as McDonald’s, Pizza Hut, Burger King, and KFC have to be considered as part of this global extension. Food globalisation has been worldwide with the spread of these American food brands that allegedly began to eliminate local cuisines and floodway (Turner and Holton, 2015, p. 478).

Though India is already diverse in its traditional food culture with thousands of varieties, they all can be categorised under the macro expression of the innate identity. However, the recent popularity of fast food and tastes similar to those found on western plates demonstrates Indians’ keen interest in tastes beyond their borders. Colonial influences have initiated the assimilation of foreign tastes into Indian food culture. Indian food varieties like the bohri dabba gosht, salonee broccoli, nargisi kofta, shami kebab, dak bungalow chicken curry, culcutta bhetki, vindaloo, galouti mousse, jamun ceviche, samosa, khichdi, etc. are very few among the long list of adapted, integrated, and inspired tastes from European colonisers (Prabhu, 2019). The colonial transition in food culture that was followed by the people who tried to imitate the Englishness rejected their identity so as to become elevated into the British culture. The memsahibs of the nineteenth century had an interest in developing a British lifestyle in the sub-continent for which they tried to invite the foreign food culture into their diet by collectively refusing the intake of Indian dishes in their colonial homes. At the same time, the interesting part is that the Victorian homes of England were decorated with Indian objects, and they began to include curry in their diet (Chaudhuri, 1992). The term ‘curry’, for the British, does not only point to a specific dish variety but denotes the Indian diet as a whole. The quest to transit from the existing identity to another can be seen as an influence of the idea of inferiority and repression injected into third-world colonised countries like India. With these transitions and transformations in diet, the food culture of Indian society as a macro entity has been separated from the permanence of innate identity, from being exclusively Indian to the condition of practising a mixed food culture, not only from the West but also from other parts of the world.

  1. Beyond the Threshold of Indian Lifestyle: Clothing and Fashion

The distinction between modern fashion concepts and traditional ones is more regarded as adaptations of Western culture versus the other, respectively. The incorporation of Westernised notions into Indian clothing culture is part of a tendency to become physically attached to the West’s cultural dominance, which continues through the process of still existing hegemony. The reminiscence of colonialism, mainly due to the intermixing of cultures, has created a tremendous change in the clothing culture of India. Within the micro and macro identities of the nation, there are several forms of clothing trends that are followed and updated from the traditional roots as part of both regional and national uniqueness. This mentality of blind adaptation to western fashion is evident from the use of clothes that do not match their climatic conditions. For example, in the Mediterranean climatic conditions of India, the use of blazers, coats, and thick woollen dresses does not match the needs of the person, but are worn to match the Western status and style. The most commonly used dress, i.e., jeans, among all genders does not fit the climatic conditions of the dry zones in India. But, irrespective of such health issues and comfort, they are widely used among the youth. The use of luxury brands, mostly the fashion followed in western countries, is said to symbolise modernity, economic, and social development. Though Indians prefer to wear modern dress as a symbol of being Westernised, they continue to wear ethnic outfits proudly. The consumer approach is more established with Western cultural values (Wong and Ahuvia, 1998), where the brands mainly influence the psychological attitude towards such altered identities and cultural aspects of the Indian customer. Therefore, the subjugation based on clothing continues to take place where globalisation effects in the country have at the same time brought western brands into India and have a substantial effect on the lifestyle of the people in the country (Handa and Khare, 2011, p. 1). The percentage statistics of the men’s western wear market in India account for approximately 93% of the market size. It was estimated at around 1,33,246 crore rupees in 2018 for the Indian western wear market for men and women together (Dhir and Bhatia, 2019). Increased urbanisation and a middle-class population, along with the intrusion of the influence of globalisation, have helped the western wear market prosper in India. These are more prevalent in societies that have the possibility to get into multiculturalism, with an inclination towards European and American cultures.

  1. Discussion and Findings

To be liminal is a state of being in-between, betwixt and between, and living through the threshold. The above discussions conclude to the point of stating the presence of liminality in the people who, unlike the Indian diaspora, directly and indirectly, become neither a part of the Western nor the traditional Indian culture; but experience the attributes of both the cultures when living within the multicultural limits of the home country. The anthropological discussions on liminality as a theoretical concept are defined as neither here nor there; that usually is betwixt and between the positions often slipping through the network of classifications that normally locate states and positions in cultural space (Turner, 1969, p. 95). Though discovered and discussed mainly in the ritual contexts, the concept contained in the theory of liminality is more relevant in finding the relationship between the non-Indian diaspora, western culture and the traditional ‘Indianness’.

The three factors: language, food habits, and clothing fashion have made their transition from authentic nativity to a state of amalgamation with the influences from western cultures. It is not possible to conclude that the natives living within the land of India have completely disregarded the importance and practicality of these factors that immensely contributes to develop, sustain and inspire the traditional culture of India. Colonisation and globalisation have contributed much to manipulating and adulterating the authenticity of being in the traditional and cultural attributes of the country. The Indian diaspora, as they have to survive in a distant host country, is forced to adjust to the culture and lifestyle of that country. It is natural to get gradually incorporated into the new host conditions and way of life. The article discusses the unlike and unfortunate situation of the cultural diaspora, as followed by the natives situated in the homeland. The discussions about the three factors that influence the culture and lifestyle within the home country give rise to the notion that the people who live in the homeland, those who haven’t received the status of an Indian diaspora, are also affected by the influence of foreign cultures. Though Indian food, clothing, and music are emotional attachments and powerful reminders of home for immigrants (Lessinger, 1995, p. 32), the availability of the same, as well as the intense desire to lead a westernised lifestyle, leads residents of the home country to prefer the non-traditional. It happens as a continuation of colonial hegemony and globalisation effects. In such circumstances, with the help of the analysis of the conditions faced by the people, it can be understood that the non-Indian diaspora, specifically the citizens who reside in their homeland, is experiencing an in-between state, which is a betwixt and between situation. It is because the amalgamation or pure inclusion of Westernisation of these three factors has given rise to a situation where the people can neither be called completely followers of traditional culture nor strictly transited to the culture of the western world. They live in a liminal state in which they speak both their regional language/mother tongue and English, intake both diets, and dress in both ethnic and western clothing on appropriate occasions. Thus, both the western and the traditional cultures are followed by people residing in the country, claiming to be different from those of the Indian diaspora. This instability and irregularity of liminal existence point to cultural hybridity, third space, and interstitial passage between fixed identifications (Bhabha, 1994, p. 4). It allows the people involved “to elude the politics of polarity and emerge as the others of their selves” (p. 38).

  1. Conclusion

Multiculturalism in India, consisting of many micro-identities giving rise to a single macro-identity, would be a perfect ground for foreign cultures to invade. Though multicultural, the micro identities that are spread in every geographical space of the country have to be considered as part of a single thali without the intervention of an external cultural hegemony. The discussions and findings of the research lead to the conclusion that even though native Indian citizens reside in their home country, they too possess equal alienation through the liminal existence of neither being able to completely attach to the traditional culture nor the western. In a way, by analysing the existing and increasing cultural instability among the native Indian citizens residing in the country, they can also be quoted under the same term – Indian diaspora, with certain exceptions in their geographical existence.

Salman Rushdie’s thoughts on the in-betweenness of being a part of the Indian diaspora provide the right state for people who are physically away from their homeland for various reasons of their own. Nevertheless, recent technological developments in communication, information exchange, transport, and travel have contributed to the advancement of transnational networks and even virtual communication. It has reduced the intensity of distance, alienation, and diasporic existence of people who migrate from their home country, thus reviving the local in a global context (Sahoo, 2006, p. 84). But his words can also be discussed from the perspective of the Indians residing in their home country, who, through various cultural aspects, are equal to the Indian diaspora. Rushdie mentions,

Not Western and not Indian, we are also partly of the west. Our identity is at once plural and partial. Sometimes, we feel that we straddle two cultures; at other times we fall between two stools.  (Rushdie, 1991, p. 15)

This straddling effect between two cultures – the Indian and the Western – gives rise to the liminal existence of being and not being an absolute part of both cultures. Thus, the term ‘Imaginary Homelands’ used by Rushdie in his essay and book can be revised while looking at its contemporariness in thirty years of its use. With the more powerful tools of hegemony, the instabilities related to the cultures give rise to illusionary homelands as authentic and innate culture rooted in the pure traditional contexts of the nation has gradually become an illusion to the residents who are betwixt and between the two/many cultures.

Declaration of Conflict of Interests

The author(s) declared no potential conflicts of interest.

Funding

No funding has been received for the publication of this article. It is published free of any charge.

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Raisun Mathew is the author of Zephyr: The Breeze of Love (2021) and In-Between: Liminal Stories (2022), and editor of Literature, Media, and Society: Scholarly Perspectives (2021), The Post-Truth Era: Literature and Media (2021), and Identity: Quest and Questions (2022). He currently works as an Assistant Professor of English at Jain (Deemed-to-be University), Bangalore, and has submitted his doctoral thesis to Lovely Professional University, Punjab. His enthusiasm for creative and scholarly writing has contributed to publications in reputed journals, books, and periodicals. His research interests include contemporary literature, liminality, post-truth, gender, and religious studies.

Dr. Digvijay Pandya is an Associate Professor and Research Supervisor in the Department of English at Lovely Professional University, Punjab, India. His area of specialization is Modern Poetry. He has more than 17 years of teaching experience in the field and has presented and published several papers in various international and national conferences, UGC-Care listed and Scopus indexed journals of high reputation.