diaspora

Redefining the Identity of People of Indian Origin in Mauritius

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2.9K views

Rashmi Kapoor
Department of African Studies, University of Delhi -110007, India.
Rupkatha Journal, Vol. 15, Issue 3, 2023. https://doi.org/10.21659/rupkatha.v15n3.16
[Article History: Received: 09 July 2023. Revised: 17 August 2023. Accepted: 18 August 2023. Published: 28 August 2023]
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Abstract

In the 19th century, Indian indentured labour went to Mauritius, facilitated by the European colonisers to accomplish their ambitious goal of dominating the world politically, economically and culturally. After the completion of the indenture period, Indians had little option but to stay in the new land as their zeal to return to India was sapped due to anticipated ostracisation by their respective communities. Despite the unique evolution of the identity and status of Indians in Mauritius, it has generated very little debate in academia. This article will attempt to understand whether the people of Indian origin in Mauritius can be termed as Indian diaspora at present or they have outgrown that status and evolved to attain an identity that can be defined as being ‘beyond Indian diaspora’. I argue that Indians in Mauritius were positioned in the wider Mauritian society in such a way that did not satisfy the criteria of them being referred to as diaspora, and, they have acquired a specific set of cultural, social and economic capital that brings them closer to being considered as Mauritian natives.

Keywords: diaspora, hybridity, ethnic identity, people of Indian origin, desi.
Sustainable Development Goals: Peace, Justice and Strong Institutions
Citation: Kapoor, Rashmi. 2023. Redefining the identity of people of Indian origin in Mauritius. Rupkatha Journal 15:3. https://doi.org/10.21659/rupkatha.v15n3.16

Review Article: An Excellent Introduction to Diaspora Theory and Transnationalism

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Book Name: Diaspora Theory and Transnationalism

Author: Himadri Lahiri

Genre: Scholarly

Publisher: Orient Black Swan

Year of Publication: 2019

ISBN: 9789352876143

 

 

 

 

 

 

 

 

 

 

Reviewed by

Suparno Banerjee

Associate Professor of English, Texas State University, San Marcos, TX, USA. Email: sb67@txstate.edu

Volume 12, Number 1, January-March, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n1.10

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Theorizing Mamanuan Diaspora: from Vanishing Mediator to Performative Indigeneity

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Jan Gresil S. Kahambing

Leyte Normal University, Tacloban City, Philippines, vince_jb7@hotmail.com, ORCID: 0000-0002-4258-0563

Volume 11, Number 2, July-September, 2019 I Full Text PDF

DOI: 10.21659/rupkatha.v11n2.02  

First published July 12, 2019

 Abstract

The Mamanuas of Basey, Samar have been in an itinerant state since the 1950s. Their indigenous experience can be capped in the term ‘diaspora,’ which pictures their plight as dispersive habituation, moving from town to town away from their homeland. In a recent study which this paper hinges upon, the concept of diaspora can no longer work and is argued to imperatively function as a vanishing mediator so that indigeneity must come to mean as a constant identity of becoming. Following from such a theoretical lens, this paper delves again into the concept of ‘diaspora’ in the Mamanuan indigenous experience to argue further that its act of mediating functions as performative indigeneity.  To do this, the paper runs in three parts: first, it plots the Mamanuan diaspora experience; second, it briefly reiterates the core argument of diaspora as vanishing mediator; and finally, it theorizes on a concept of what Judith Butler calls ‘performative indigeneity’ that takes its form from the mediation of an indigenous diaspora experience.

Keywords: Mamanwa, Diaspora, Vanishing Mediator, Performativity, Indigeneity, Butler

Politics of the Man Booker Prize(s): The Case of The White Tiger and Sea of Poppies

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Satyanarayan Tiwari1 & Ajay K Chaubey2

1Doctoral candidate at the Department of English, Dr. H S Gour Central University, Sagar.

2Assistant Professor of English at the Department of Sciences & Humanities, National Institute of Technology, Uttarakhand. E-mail: kcajay79@gmail.com

  Volume 10, Number 3, 2018 I Full Text PDF

DOI: 10.21659/rupkatha.v10n3.10

Received May 06, 2018; Revised September 29, 2018: Accepted October 27, 2018; Published October 29, 2018.

 

 

Abstract:

The present paper is a modest attempt to map the nuances of the politics of literary prizes and their reception in pan-global [literary] market. The discrimination in awarding the prizes is explicitly perceptible when any cultural text produced by the writers of the ‘third world’ is shortlisted for the prize in general, and the Man Booker in particular. It has been studied and observed that the texts which satiate the exotic lens of ‘Orientalism’, or carry colonial legacies, are brought to the fore to mollify the western academia. As a result, affirmative responses for a distorted picture of India portrayed by Indian/diasporic writers, has not only attracted young writers but also paved a shortcut way for them who intend to be famous overnight in the international literary firmament. Therefore, the politics of the Man Booker prize in this regard are discernible, as it not only masquerades, but also marques a writer, a celebrity.

Keywords:  Third World, Orientalism, Diaspora, the Man Booker Prize, Aravind Adiga, The White Tiger, Amitav Ghosh, Sea of Poppies

Mourning for the (M)otherland: “The Virtual Space of Spectrality” in Ginu Kamani’s “Just Between Indians”

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Bahareh Bahmanpour1 & Amir Ali Nojumian2

1PhD in English Literature, Islamic Azad University, Central Tehran Branch (IAUCTB), Tehran, Iran, b_bahmanpour@iau-tnb.ac.ir, https://orcid.org/0000-0002-4971-6486

2Associate Professor of English Literature, Shahid Beheshti University (SBU), Tehran, Iran, amiran35@hotmail.com

  Volume 10, Number 3, 2018 I Full Text PDF

DOI: 10.21659/rupkatha.v10n3.06

Received August 15, 2018; Revised August 28, 2018: Accepted October 27, 2018; Published October 27, 2018.

 

Abstract

The present article is based on the major premise that the loss of a homeland (in the present case, Mother India) gives rise to such a long complicated mourning process that not only the first-generation diasporic subjects but also their second-generation offspring are afflicted by the infection of the original wound of departure. Synthesizing the trope of departure-as-death (a trope used here to compare the original departure from the motherland to a psychological death of a kind) and the trope of the dead mother (a trope used here to compare the dead-yet-living motherland and its cultural markers to the haunting phantom of a dead-yet-living biological mother), the paper argues that the diasporic subjectivity (in the present case, the Indian diasporic subjectivity) is a site at which a dialectic struggle between the two contending forces of the metaphoric death of the motherland and the constant desire for her is re-enacted. It is this same struggle, the present article claims, that is best illustrated in Ginu Kamani’s “Just Between Indians,” the penultimate story of her 1995 debut collection of short fiction Junglee Girl. As a story written by a second-generation Indian diasporic woman writer, “Just Between Indians” highlights the haunting quality of the absence/presence of Mother India in the lives of the second-generation diasporic subjects. Exploiting Nicolas Abraham and Maria Torok’s notion of “the exquisite corpse” within a diasporic context, this article then not only throws into sharp relief the representational possibilities that “the virtual space of spectrality” has to offer for the literary signification of the trauma of displacement (or the diasporic trauma), but also brings to the fore the therapeutic and liberating force of the trope of the return of the dead mother. Creating an ethical space which can facilitate embracing the dead-yet-living (m)otherland on its own terms, such a trope helps both in re-constructing the desire for the homeland and in fulfilling a rather belated process of grieving for an apparently irremediable loss.

Keywords: Diaspora, Trauma of Displacement, Spectrality, Exquisite Corpse, Abraham and Torok, Ginu Kamani.

The Polyphonic, Dialogic Feminine, Narrative Voice in Anglophone Arab Women’s Writings

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Dallel SARNOU

 Abdelhamid Ibn Badis University, Mostaganem, Algeria. Email: sar_dalal@yahoo.fr

  Volume 8, Number 3, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n3.21

Received May 16, 2016; Revised July 10, 2016; Accepted July 20, 2016; Published August 18, 2016


Abstract

The present paper aims to distinguish the narrative voice in Anglophone Arab women narratives from other feminine voices by putting spotlight on the state of hybridity, hyphenation and oscillation between home and Diaspora and how Arab women writers living in the diaspora stand in a particular cultural, social, political and linguistic position that enables them to voice distinctively their female compatriots to the Western readership. A fundamental preoccupation, in this article, is to argue that the narrative voice in Anglophone Arab women’s writings is both dialogic and polyphonic following Bakhtin’s theory of Dialogism. The major finding of this paper is that the voice in these narratives is both multiple and complex since the hyphenated identity of Arab women writers living in the Diaspora is also complex and multi-layered.

Keywords: Voice, Dialogism, Polyphony, Diaspora, Hyphenation, Hybridity.

Negotiating Homelessness through Culinary Imagination: the Metaphor of Food in Jhumpa Lahiri’s Interpreter of Maladies

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Kalyan Chatterjee

Government General Degree College, Manbazar-II, Purulia, West Bengal

Volume 8, Number 1, 2016 I Full Text PDF


Abstract

This paper seeks to look at the culinary associations of Jhumpa Lahiri’s Interpreter of Maladies to explore the metaphor of food as it is employed by Lahiri to delineate different shades and nuances of the lives of mostly the expatriate people, concentrating especially on how food negotiates the unease in living in an adopted land. The first section of this paper introduces the critical issues related to food and eating, and the second section moves on to the analysis of her short story collection Interpreter of Maladies, relating the stories to the issues discussed in the first section of the paper.

 Keywords: Food, Diaspora, Indian American Diaspora, Jhuma Lahiri Keep Reading

Narratives of Diaspora and Exile in Arabic and Palestinian Poetry

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Saddik M. Gohar, United Arab Emirates University

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Abstract

This paper underlines the attitudes of Palestinian / Arab poets toward the issues of exile and identity integral to their traumatic experience of Diaspora and displacement. From a historical context  and within the parameters of colonial / postcolonial theory , the paper  advocates a new critical perspective exploring the dialectics of exile and identity in Palestinian / Arabic poetry in order to argue that  exile , in contemporary world literature ,  becomes  a signifier  not only  of living  outside  one’s homeland but also of  the  condition caused by such physical absence. Aiming to reach a state of reconciliation rather than conflict, the poetic voices, analyzed in the paper, reflect a sense of nostalgia and emotional attachment toward their homeland. The paper  argues that Palestine, for  the Palestinian poets, is not  a paradise or an idealistic utopia that only exists in  their  poetry and  imagination but  a geographical reality caught up in national and religious limbos  and rooted in the trajectories of colonial history and diabolical  power  politics. Keep Reading

“Hijos de la madre chingada” or New Mestiza: Paz and Anzaldúa

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Danielle Lamb

University of Alberta, Canada

Volume 2, Number 3, 2010Download PDF Version

DOI: 10.21659/rupkatha.v2n3.06

Abstract

This paper explores Chicano/a identity through the seminal work of Octavio Paz and Gloria Anzaldúa. Paz and Anzaldúa draw from a common ethnogenesis and the figure of La Malinche.  However, Anzaldúa not only challenges Paz’s view on identity but also provides an alternative to his highly gendered theories of the Mexican diaspora. Keep Reading

Perspective: Exile Literature and the Diasporic Indian Writer

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Amit Shankar Saha, Calcutta University, West Bengal, India

Abstract
The essay takes a holistic view of the word “exile” to encompass a range of displaced existence. It illustrates through John Simpson’s The Oxford Book of Exile the various forms of exiles. The essay then goes on to show that diasporic Indian writing is in some sense also a part of exile literature. By exemplifying writers both from the old Indian diaspora of indentured labourers and the modern Indian diaspora of IT technocrats, it shows that despite peculiarities there is an inherent exilic state in all dislocated lives whether it be voluntary or involuntary migration. More importantly, a broad survey of the contributions of the second generation of the modern Indian diaspora in the field of Indian writing in English depict certain shift in concerns in comparison to the previous generation and thereby it widens the field of exile literature. Keep Reading