Volume 2, Number 3 |
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Editorial HTML I PDF I DOI: 10.21659/rupkatha.v2n3.01 |
219—219 |
Political Economy, Alexander Von Humboldt, and Mexico’s 1810 and 1910 Revolutions HTML I PDF I DOI: 10.21659/rupkatha.v2n3.02 |
220—246 |
Thinking about the Mexican Revolution: Philosophy, Culture and Politics in Mexico. 1910-1934 HTML I PDF I DOI: 10.21659/rupkatha.v2n3.03 |
247—255 |
México de afuera in Northern Missouri: The Creation of Porfiriato Society in America’s Heartland HTML I PDF I DOI: 10.21659/rupkatha.v2n3.04 |
256—267 |
Re-narrating Globalization: Hybridity and Resistance in Amores Perros, Santitos and El Jardín del Edén HTML I PDF I DOI: 10.21659/rupkatha.v2n3.05 |
268—281 |
“Hijos de la madre chingada” or New Mestiza: Paz and Anzaldúa HTML I PDF I DOI: 10.21659/rupkatha.v2n3.06 |
282—293 |
Los Come-muertos: the Grotesque Tale of Emigration HTML I PDF I DOI: 10.21659/rupkatha.v2n3.07 |
294—302 |
Border Identity Politics: The New Mestiza in Borderland HTML I PDF I DOI: 10.21659/rupkatha.v2n3.08 |
303—308 |
In ‘prison-house of love’: The Bad Girl and bad girls of Mario Vargas Llosa HTML I PDF I DOI: 10.21659/rupkatha.v2n3.09 |
309—318 |
Kittens in the Oven: Race Relations, Traumatic Memory, and the Search for Identity in Julia Alvarez’s How the García Girls Lost Their Accents HTML I PDF I DOI: 10.21659/rupkatha.v2n3.10 |
319—334 |
Electroacoustic Music in Mexico HTML I PDF I DOI: 10.21659/rupkatha.v2n3.11 |
335—338 |
Monsivais Writes the (Bi)centennial HTML I PDF I DOI: 10.21659/rupkatha.v2n3.12 |
339—344 |
Magic Realism in Gabriel Garcia Marquez’s One Hundred Years of Solitude HTML I PDF I DOI: 10.21659/rupkatha.v2n3.13 |
345—349 |
CREATIVE |
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Parasitos Urbanos (Urban Parasites) |
350—357 |
BOOK REVIEW |
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Red April by Santiago Roncagliolo (Translated by Edith Grossman) |
358—360 |
About the Contributors (PDF) |
361—362 |