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In the World of Men: Tagore’s Arrival in the Spiritual Domain of Nationalism

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Banibrata Goswami, Panchakot Mahavidyalaya, India

Abstract

Rabindranath Tagore was born in a family which, on one hand, inherited a legacy of rich Indian culture, and on the other, did not hesitate to welcome the modernism, freshly arrived from Europe through waves of Enlightenment. He was sent early to England to imbibe the gifts of modern science and rationalism that could lead him to a standard and secured career. But even though the discipline of work, love for liberalism and quest after scientific truth and technological perfection there impressed him much, in its over all effect the West’s efforts of de-humanization disappointed Tagore and disillusioned him as well. This led him finally to the realization and reconstruction of the motherland that is India. He came to meet the common man and his everyday sorrows and tears in rural Bengal, in Silaidaha, Patisar and Sazadpur where he was given the duty to look after the family estate. The raw and rough smell of the soil, the whirl of the waves in river Padma, the play of seasons on the strings of nature lent him a unique insight. He learnt to weave his words offering a perfect slide show of mutual reciprocation of man and nature, accompanied by a hitherto unheard melody of folk tune that glorifies the struggles of that life and thereby consolidating it gradually to a consciousness out of which a nation is born. The present essay intends to seek and understand the secrets of that story, which, though lacking miserably in sound and fury, strives towards a steady self emergence and emancipation paving the way for political freedom. Keep Reading

“The Noble Savage and the Civilised Brute: Nature and the Subaltern Angst in Swarup Dutta’s Machh Master (The Expert Angler)

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Sajalkumar Bhattacharya, Ramakrishna Mission Residential College, West Bengal, India

Abstract

Parallel reading of history from the subaltern point of view is not only possible, but it also often proves to be revealing. It often unearths a new discourse, which challenges the canonized history or even subverts it. This paper offers a reading of a recent Bhasa (Bangla) novel Machh Master (The Expert Angler) where the Naxalite Movement that rocked Bengal in the sixties, has been narrated and analysed from the viewpoint of one dalit subaltern. The novel attempts to create a binary between this ‘uncorrupted’ world/mode of existence and the civilized, sophisticated, intellectual, but essentially ‘corrupted’ urban world. In this natural savage world and its eco-system, the urban, elitist Naxalite movement turns out to be nothing but an imposition and an intrusion. At the end, disillusioned Neul detaches himself from this movement, goes back to, and embraces Nature in a desperate bid to get back his pre-lapserian mode of existence. Neel, chief agent of the Naxalite movement, too is influenced by these children of Mother Nature, and undergoes a transformation. This paper explores this interesting role of Nature in this new reading of the history of mankind. Keep Reading

Finding the voice of the Peasant: Agriculture, Neocolonialism and Mulk Raj Anand’s Punjab trilogy

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Jonathan Highfield, Rhode Island School of Design, Rhode Island, USA

 Abstract

Mulk Raj Anand’s Punjab trilogy–The Village (1939), Across the Black Waters (1940), and The Sword and the Sickle (1942)–speaks directly to the destruction of traditional agricultural systems under colonial rule and the absorption of the agricultural goods and human labor of India into a global economic system. The Punjab trilogy traces the life of a character searching for another India, an India free of oppression, misery, and classism. Lalu Singh looks at the situation in the Punjab from an ever-widening orbit, only to recognize that global movements devalue the very people they purport to help. In the end he rejects theory for action, returning to the peasant society he fled as a youth. His decision has resonance in the twenty-first century as formerly colonized regions face the neocolonial onslaught of biopiracy and genetic trait control technologies. Keep Reading

Representation of Indigenous Women in Contemporary Aboriginal Short Stories of Australia and India: A Study in Convergences and Divergences

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Indranil Acharya, Vidyasagar University, West Bengal, India

Abstract

This paper tries to review and reassess the tribal situation with special reference to the tribal women in India and Australia. It is an attempt to locate the ‘Aboriginal woman’ question in the context of women’s movement in both countries. In Australia the women’s movement, on the whole, has not been successful in incorporating Aboriginal women into its concerns and activities. Relations with Aboriginal women have constituted a problem with the women’s movement. Despite many differences in socio-cultural set up the stories of Anil Gharai and those of Australian Aboriginal writers share many common traits and cut across cultural differences. It establishes the theory of pan-aboriginality that exists in countries that possess a sizeable population of indigenous people. Keep Reading

Giving the Lie: Ingenuity in Subaltern Resistance in Premchand’s short story ‘The Shroud’

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Somdev Banik, Government Degree College, Tripura, India

Abstract

It is not always that the subaltern cannot speak, though their authentic representation is often more pronounced in the regional literatures, rather than in Indian Writings in English. The subaltern in Premchand’s story ‘The Shroud’ not only resists the forces of exploitation, but subverts dominant social mores and traditions to gain an advantage over the master class, forcing them to shell out money which they wouldn’t have otherwise in ordinary circumstances. This glory of victory is attenuated by the realization that the subaltern in turn is also an exploiter of the woman in the family, who in life and death is used for sustaining self-interests of the males of the family.  Keep Reading

The Essentials of Indianness: Tolerance and Sacrifice in Indian Partition Fiction in English and in English Translation

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Basudeb Chakraborti, University of Kalyani

Abstract

Indian Partition fiction, on the one hand, records man’s bestiality and savagery and on the other, attests to the fact that man is essentially sincere, committed to upholding humanity to survive and sustain itself.  The paper contends to examine the fundamental goodness of some characters, which the Indian tradition underlines. By analyzing certain characters from Chaman Nahal’s Azadi, Khuswant Singh’s Train to Pakistan, Bapsi Sidhwa’s Ice-Candy-Man, Bhisham Sahni’s Tamas, Saadat Hasan Manto’s short stories and two Indian films, Mr. and Mrs. Iyar, directed by Aparna Sen and Meghe Dhaka Tara by Ritwik Ghatak, the writer tries to bring home the truth that frenzy of insanity is not final and amidst the pall of darkness and threats of insanity, there is a ray of hope. Keep Reading

The Utopian Quest in Bessie Head’s When Rain Clouds Gather and Maru

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Adamu Pangmeshi, University of Maroua

Abstract

Prior to Nelson Mandela’s ascension to power in South Africa, literature of the country had been essentially a protest against the dehumanizing treatment that was meted on the Blacks by the minority Whites who were at the helm of power through the policy of apartheid. This somehow created socio-political upheavals and a pervasive atmosphere. Consequently, some writers while unfolding this social enigma, did so with a vision of proposing an ideal society for humanity. One of them is Bessie Head. This paper seeks to examine Head’s When Rain Clouds Gather and Maru in a bid to demonstrate that her quest for a perfect society has been provoked by her experiences in life and the dystopian South African. Informed by new historicism, it is argued that an ideal or a perfect society is a figment of the imagination. Keep Reading