Literature - Page 5

The Christmas Boooks: a non-Dickensian Paradise of Fantasy, Magic and Supernatural

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Namrata Dey Roy, Susil Kar College , South 24-Parganas

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Abstract

‘Fantasy’, ‘magic’, and ‘supernatural’ – all these words reside far away from the world of Charles Dickens’s novels. The realistic representation of the Victorian society and its cruel maladies in novels like Oliver Twist, David Copperfield, Great Expectations have enriched the English literature and genre novel to a great extent. But The Christmas Books containing A Christmas Carol (1943), The Chimes (1944) and The Cricket on the Hearth (1945) stands as something different from the worn-out tradition of Dickensian novels. With the free play of fantasy, magic and supernatural these stories not only trade the ground of children’s fiction but also verge on the boundary of magic-realism. The paper explores the dominant features of a children’s fantasy and magic realistic elements that are embedded in these novellas with focusing on the major themes and ideas. Keep Reading

Charles Dickens: a Reformist or a Compromiser

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Abdollah Keshavarzi, Firoozabad Branch, Islamic Azad University, Iran

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Abstract

Charles Dickens’s fame as a reformer of his society has been discussed by a lot of his critics. However, his novels and letters as well as his own words point out that he tries to strengthen the dominant ideologies of his age and to be in the mainstream of the ruling middle class. Through Althusser’s notion of Ideological State Apparatuses, this paper concludes that Dickens can be considered a compromiser and a real Subject of his society who transforms the individuals of his society to docile subjects. As such, he cannot be considered a reformer of his age. Keep Reading

Semiotic Encryption of Women, Violence and Hysteria in Indian Women Dramaturgy

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Praggnaparamita Biswas,  Banaras Hindu University, India

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Abstract

The juxtaposing depiction of women, violence and hysteria as semiotic elements in women-centric play-texts attempts to translate the theatrical meanings because of its demonstrable approach to unearth the textual meanings and its relational politics of representation. From semiological aspect, the interplay of women, violence and hysteria generates a kind of semiotic femaleness in order to prognosticate the feminist route of cultural politics imbedded in the narratives of female composed drama. The present paper intends to analyze the semiotic transformation of Indian women dramaturgy in the plays of Padmanabhan, Mehta and Sengupta. Each of their plays tries to interpret new meanings hidden under the semiotic signs used by these playwrights and also attempt to project the gender politics visualized in the realm of feminist theatre.   Keep Reading

“Last Seen Alive”: Lacan, Louise Bell and I in a Haunted House

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Fiona Sprott, Flinders University, Australia

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Abstract

Nobody notices me. That’s kind of normal. Nobody really noticed Ellen either until she was gone.

In 1983 a young girl called Louise Bell mysteriously disappeared from her bedroom in an outer-lying suburb of Adelaide. This story became part of the tapestry of fragmentary memories of my own girlhood. I used Lacan’s Borromean knot model of the psyche as a tool to guide my creative research and ideas towards a contemporary performance text titled Last Seen Alive which strives to translate newspaper accounts, and personal memories of the story into a fictional text. What is the symbolic order of the story of a girl who mysteriously disappears from her bedroom one night? How to conjure the ghosts and monsters of the imaginary which populate the print media stories of Louise Bell’s disappearance? How to represent my encounter with the man currently suspected of murdering Louise?  Keep Reading

A Poetics of Free Indirect Discourse in Narrative Film

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Mohammad Ghaffary, Shiraz University, Shiraz, Iran

Amir Ali Nojoumian, Shahid Beheshti University, Tehran, Iran

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Abstract

This essay provides, for the first time, a model for identifying and analyzing “free indirect discourse” (FID) in narrative film, the most problematic mode of representing characters’ discourse which has received little attention from film theorists and critics. According to the established “dual-voice” hypothesis, FID is an ambiguous merger of the narrator’s voice and the character-focalizer’s, without one predominating over the other. The basic argument of the essay, then, is that FID occurs in a film at the moment when the spectator is not able to distinguish narratorial objectivity from characterological subjectivity. This characterizes the narrative text as polyvocal / polyphonic, leading to artistic ambiguity and such processes as “différance” and “deterritorialization.” Based on this theory, the researchers offer a detailed analysis of the textual markers and major functions of FID in filmic narratives. The model provided can be adopted for analyzing any narrative film. Keep Reading

Was Shakespeare an Existential Wimp?

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Rob Harle, Independent Researcher and Artist, Australia

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In this paper I discuss the way in which Shakespeare explores the implications of such human traits as lust, greed and envy.  The acts of violence we perpetrate upon ourselves and one another indicate that there may be no guarantees of benevolent human action. I will look at “Measure for Measure” and “The Merchant of Venice”, these two plays seem to me to address the problem of benevolent human action at a more complex level than many of Shakespeare’s other plays. Further, many performance studies address how the audience feels ‘during’ the performance, this essay addresses how the audience feels when ‘leaving’ the theatre. Keep Reading

‘All the world’s a stage and I’m a genius in it’: Creative Benefits of Writers’ Identification with the Figure of Artistic Genius

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Claudia Chibici-Revneanu, ENES, UNAM León in Mexico

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Abstract

This paper focuses on the romantic notion of artistic genius and its operations as a kind of theatrical script functionally guiding many writers’ lives and approaches to their creations. In recent years, the concept has been justly deconstructed as heavily gendered and providing an inadequate representation of actual creative processes. Nevertheless, what these studies of genius have often overlooked are the manifold functions the genius ideology has traditionally fulfilled for artists and society at large. To illustrate this, the article focuses specifically on the complex and often beneficial interaction arising from authors’ self-identification with the genius role and their negotiation of the creative process. A plea will be made for taking seriously the limitations of the genius script while at the same time trying to save-guard its valuable influence on creative writers’ artistic performance. Keep Reading

“I was not certain where I belonged”: Integration and Alienation in Mohsin Hamid’s The Reluctant Fundamentalist

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Avirup Ghosh, Bhairab Ganguly College, Kolkata

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 Abstract

The article will focus on the contrary impulses of alienation and integration in Mohsin Hamid’s The Reluctant Fundamentalist that the central character and narrator Changez goes through in America while working as an employee at Underwood Samson, a “valuation” firm and his subsequent return to his native Pakistan where he assumes what appears to be an ultra-nationalistic political stance. This is to argue that Changez’s desperate attempt at assuming this stance has its roots not only in the cultural alienation and racism that he is subjected to in America, especially in a post-9/11 America, but also in his futile effort to naturally integrate with a Pakistani way of life.  By uncovering certain ambiguities in Changez’s ideological rhetoric, the paper tries show how Changez’s critique of American corporate fundamentalism stems from his lack of a sense of belonging and from a feeling of problematized identity. Keep Reading

The Semiotics of Violence: Reading Italo Calvino’s The Castle of Crossed Destinies

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Debamitra Kar, Women’s College, Calcutta, India

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Abstract

This paper attempts a reading of Italo Calvino’s novel, The Castle of Crossed Destinies (1969) from a postmodern perspective. The novel has always been seen as structuralist experimentation, particularly because it was written at a time when Calvino was associated with the OULIPO, the group of the French philosophers like Claude Levi-Strauss, Roland Barthes and others. The paper argues that the simultaneous reading of the words in the text and pictures in the margin, challenges the very practice and method of reading. The novel suggests that it can be read as a card game, a game that accentuates deferral and plurality of meaning. These conflicting readings create the semiotics of violence, which again is reflected in the theme of the stories. The paper cites example of three stories which show that the violence of language is codified as the violence of the feminine on the masculine, arguing that the feminine challenges the rules, laws, and structures of language as well as life and destroys things that adheres to any strict binary form. The conflict between the rule of the Father and the lawlessness of the Mother leads to no higher synthesis—it ends in violence that refuses all routes of communication or meaning. Keep Reading

In the World of Men: Tagore’s Arrival in the Spiritual Domain of Nationalism

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Banibrata Goswami, Panchakot Mahavidyalaya, India

Abstract

Rabindranath Tagore was born in a family which, on one hand, inherited a legacy of rich Indian culture, and on the other, did not hesitate to welcome the modernism, freshly arrived from Europe through waves of Enlightenment. He was sent early to England to imbibe the gifts of modern science and rationalism that could lead him to a standard and secured career. But even though the discipline of work, love for liberalism and quest after scientific truth and technological perfection there impressed him much, in its over all effect the West’s efforts of de-humanization disappointed Tagore and disillusioned him as well. This led him finally to the realization and reconstruction of the motherland that is India. He came to meet the common man and his everyday sorrows and tears in rural Bengal, in Silaidaha, Patisar and Sazadpur where he was given the duty to look after the family estate. The raw and rough smell of the soil, the whirl of the waves in river Padma, the play of seasons on the strings of nature lent him a unique insight. He learnt to weave his words offering a perfect slide show of mutual reciprocation of man and nature, accompanied by a hitherto unheard melody of folk tune that glorifies the struggles of that life and thereby consolidating it gradually to a consciousness out of which a nation is born. The present essay intends to seek and understand the secrets of that story, which, though lacking miserably in sound and fury, strives towards a steady self emergence and emancipation paving the way for political freedom. Keep Reading

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