Modernity

‘Healing the World with Comedy’: Anxiety and Sublimation in Bo Burnham’s Inside

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3.3K views

Ann Christina Pereira1 & Dr Sarika Tyagi2
1Research scholar, Department of English, Vellore Institute of Technology-Vellore. ORCID: 0000-0002-2555-4910. Email: ann.pereira9213@gmail.com;
2Professor, Department of English, Vellore Institute of Technology-Vellore. ORCID: 0000-0001-5144-9981. Email: tyagisarika27@gmail.com

Rupkatha Journal, Vol. 14, Issue 4, December, 2022. https://doi.org/10.21659/rupkatha.v14n4.12 
Abstract Full-Text PDF Issue Access

Abstract

Bo Burnham is a critically acclaimed American stand-up comedian and filmmaker. The usual themes in his works are the hypocrisy of artists, the commercialisation of art, and the role of social media in erasing the boundary between the public and the private. However, during the pandemic, he chose to focus on the theme of anxiety, a minor theme in his earlier works. Anxiety has been considered an integral part of modernity as discussed by Anthony Giddens and Zygmunt Bauman. In psychoanalysis, anxiety has been explained in a number of different ways. In current psychological discourse, anxiety is described as an unpleasant state of mind that can cause significant bodily and mental stress. The anxiety that Burnham experienced prior to the pandemic appears to have amplified during the pandemic. Two main types of anxiety are observable in the shows of Burnham—performance anxiety and existential anxiety. This paper seeks to understand Burnham’s show Inside (2021) using Anna Segal’s contribution to the concept of ‘sublimation’. We argue that in doing the show Inside, Burnham discovers a new way to acknowledge and channel his ‘depressive’ symptoms towards contemporary times, and he achieves sublimation in the process.

Keywords: Comedy, sublimation, anxiety, existential anxiety, modernity

Entangled Histories: Gender and the Community Mobilisations of the Ezhavas in Colonial Kerala

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1K views

Kavyasree R

Doctoral Fellow, Centre for Women’s Studies, University of Hyderabad,

kavyasreeraghunath@gmail.com, ORCID id: 0000-0002-5399-7217

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.05

Abstract

This paper explores how transnational historical approaches towards gender can provide a fresh perspective to locate women’s histories of colonial India and how such enquiries can widen the scope of exploring the rich archival sources available. By bringing in the recent scholarship in the area of gender and transnatioanal history, this paper would demonstrate the possibilities to unearth complex and entangled histories of women by bringing to the discussion the community consolidation efforts of Ezhavas, an erstwhile untouchable caste in the colonial Kerala, in the late nineteenth and early twentieth centuries. Focusing on the transnational character of the cultural and ideological transactions that shaped the Ezhava community mobilization in the wake of colonial transformations in the region, the paper would trace the specific ways in which such exchanges shaped the history of gender within the Ezhava movement. In doing so, this paper would point towards the need to go beyond both colonial and nationalist paradigms to unpack the intricate histories of gender, caste and regional social movements during the age of empire.

Keywords: Gender, Social Reform, Caste, Social Movement, Modernity, Transnational History

“If possible, I too shall venture out into the world – that is my desire”: Reading Rabindranath Tagore’s Chhinnapatrabali as Travel Writing

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1.9K views

Sarbajaya Bhattacharya

Research Scholar, Department of English, Jadavpur University, Kolkata. ORCID: 0000-0001-6294-7804. Email: sarbajaya.b@gmail.com

 Volume 12, Number 3, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n3.26

 Abstract

Hugo’s description of a view from a moving train is one of many instances in travel writing which illustrates how the mode of travel (here, the railways) often plays a significant role in the creating of new landscapes within the text. The gaze of the traveller also plays a significant role in landscape production as does their relation to the land they are describing. This article seeks to examine the ways in which ‘literary landscape(s)’ produced by travel- writing are able to challenge the ‘imperial eye’ in the construction and representation of the colony, in this case, Bengal, with specific reference to Rabindranath Tagore’s letters written to his niece Indira Devi. This article shall locate Chhinnapatrabali within the broader framework of British landscape paintings of India in order to examine how Tagore’s text is formulating individual and cultural identities. It seeks to argue that the production of literary landscapes in the letters in Chhinnapatrabali must be seen within the larger colonial project of landscape production and be located within the efforts by the colonial subjects to explicitly and implicitly produce and reproduce landscapes of their own through travel narratives, where landscape becomes an interesting site/sight of Self and national identity.

Keywords: landscape, modernity, Tagore, letters, nation

The Self and the Other in Jnanadabhiram Barua’s Bilator Sithi (Letters from Abroad)

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1.2K views

Nandini Kalita

Doctoral Fellow and Teaching Assistant, Department of Humanities and Social Sciences at Indian Institute of Technology, Delhi. Email: nandinik970@gmail.com

 Volume 12, Number 3, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n3.16

Abstract

Jnanadabhiram Barua’s Bilator Sithi (Letters from Abroad), a travel narrative in Assamese depicts the author’s life in England at the beginning of the twentieth century. It consists of a series of letters where Barua attempts to understand the specificities of a culture that appears foreign to him. The narrative highlights the complex negotiations that the author has to make as a colonized subject in the colonizer’s land. I want to look at how these negotiations were shaped by the dominant discourse of imperial superiority. What are its implications on the subject’s sense of the self? What does encountering foreignness entail in this particular context? Travel writing has often been associated with the expansion of European imperialism. I plan to examine if this genre undergoes a change of perspective in the hands of a subject of European imperialism. How does the relationship between the self and the other play out in this text? Who is the other in Barua’s narrative? I want to probe deeper into how the construction of the other in this case is influenced by the popular notions about Assamese identity.

Keywords: Travel Writing, Self and Other, Identity, Colonialism, Recognition, Modernity

Negotiating Faith and Culture: De- Orientalising hegemonic representations of the ancient city of Banaras

718 views

Maya Vinai1 & Vinai Sankunni2

1 Assistant Professor, Dept of Humanities and Social Sciences, BITS-Pilani (Hyderabad Campus). ORCID: orcid.org/0000-0001-5217-9645.  Email: mayavinai@hyderabad.bits-pilani.ac.in

2 Director, Support – Global Delivery Center, WPP Group of Companies, Kantar Operations

Volume IX, Number 3, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n3.20

Received July 30, 2017; Revised September 05, 2017; Accepted September 15, 2017; Published September 20,  2017.

Abstract

Banaras has forever remained an enchanting place since millennia. If the colonial era pinned down, Banaras as an exotic site for theology and spirituality; the post-colonial era has witnessed the de-mystification process of legends and beliefs associated with Banaras. However, every time Banaras is bracketed, a new facet emerges. This paper presents two contesting visions of Banaras and also the argument that; there can be no absolute version of truth because such deliberations not just posit a conflict within the national imagination but also creates falsifications across borders. The universalized and monolithic understandings offered on Banaras from the elite metropolitan locations and through media have paved way for creation of certain stereotypes regarding Banaras in the public imagination. This in turn, has led to a shelving and obstruction to the multiple realities and unaccounted stories on Banaras. In this paper, to understand the hidden nuances of the cityscape of Banaras we have looked at Pankaj Mishra’s popular novel The Romantics along with a local boatman’s perspectives on aspects like choice of profession, their historic contribution to the city, presence of electric crematoriums, various development policies introduced by the government, and regular conflicts with the hegemonic groups to possess the ritual space.

Key words: Banaras, representation, hegemony, alternate narratives, counter establishment, boatmen, legends, modernity.

Religion, Modernity, and the Nation: Postscripts of Malabar Migration

602 views

Ambili Anna Markose

Ph.D Candidate, Centre for Comparative Literature, University of Hydrebad. Email: ambilianna@gmail.com

Volume IX, Number 3, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n3.17

Received July 30, 2017; Revised September 01, 2017; Accepted September 18, 2017; Published September 20,  2017.

Abstract

This paper attempts to read the event of Malabar migration as articulated in the migrant writings. Arguably, the event and the representations – both individual and community narratives – are political documents which facilitate different discourses on minority politics in Kerala/India. Community identity and claims of legitimacy in a secular modern state become crucial in these narratives which make them significant within the sphere of history-literature on the historical event of Malabar migration. The narratives are examined in view of the cultural and political signification of Syrian Christian community and the very act of writing history has in the ideological nexus associated within. In doing so, the paper looks at the way these discourses make inroads to the idea of modernity, nation-state, and thereby opens up discursive terrains of the politics of representation and the articulations of the self.

Keywords: Migration, Syrian Christians, Modernity, Minority, Nation

Tramping it out: Charlie Chaplin and the Modern

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Sonia Ghalian

Manipal Centre for Philosophy and Humanities, India.

 Volume 9, Number 2, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n2.19

Received May 17, 2017; Revised July 11, 2017; Accepted July 20, 2017; Published August 11, 2017.

Abstract

Cinema as an art form struggled to find its place in the modernist canon until the Tramp, a populist figure, established itself as the icon of modernity itself. This paper is an attempt to explore different tropes of the Tramp existing across disciples and perspectives. By understanding the politics of the characterization of the Tramp, I attempt to enter the realm of modernity through Charlie Chaplin, the ultimate Tramp who addresses modernist concerns with a critical yet humorous account of the crises of human identity in the modern world.

Keywords: cinema, tramp, Charlie Chaplin, modernity.

Full Text PDF

Man-Eaters of Kumaon: a Critique of Modernity

710 views

Parul Rani & Nagendra Kumar

Department of Humanities and Social Sciences, IIT Roorkee. Email: parulnet.e@gmail.com

Volume 9, Number 1, 2017 I Full Text PDF

DOI: 10.21659/rupkatha.v9n1.21

Received February 14, 2017; Revised April 14, 2017; Accepted April 20, 2017; Published May 7, 2017.

Abstract

The present paper attempts to link the animals’ colonization with modernity as a form of European ‘mind-set’ through a short story collection of Jim Corbett, Man Eaters of Kumaon. The focus is laid on the disfigurement of the non-human entities in the colonial anthropocentric advancement; manifested through the hunting practices in colonial India. This study analyzes: first, the hunting practices as a power mechanism of colonials to dominate native subjects: human and non-human, and traces the conflict it creates between human life and wildlife. It also studies the sporting and systematic controlling over the wild animals with the help of technological enrichment. Secondly, it investigates the ambiguous presence of Jim Corbett, primarily a hunter, vacillating between his duties for the British colonial administration and for the native people, as a sahib.

Keywords: wildlife, modernity, Jim Corbett, colonialism, colonial ideology.

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Communication as a Factor of Achieving a Holistic Being in the Age of Networked Media

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Vladimir Gladyshev1, Alena Kouznetsova2, Regina Penner3

1,3South Ural State University, Russia

2American Center of Education, Moscow

                      Volume 8, Number 4, 2016 I Full Text PDF

DOI: 10.21659/rupkatha.v8n4.11

Received October 08, 2016; Revised December 09, 2016; Accepted December  15, 2016; Published January 14, 2017

Abstract

The problem of communication has always been in the center of attention of philosophers. Today it became of current interest because the world is changing and becoming very complicated. Human’s position in the world is unstable and it is becoming difficult to survive in a total communication. Virtual communication “displaces” real “meeting” I and Thou. Media just complicate existing structures of communication. In this turbulent world the younger generation (Digital Natives) still needs mentors which are able to direct their intuition and energy in creative direction, to create a sphere of dialogue, to cultivate harmonious personalities. Communication is the substance of human existence, but in the discourse of the media features of communication complicated, they take the nature of rhizome, become chaotic. At the same time human can establish harmony with the outside world and him- (or her-) self. But he (or she) can’t overcome the effects of the media (the acceleration of information; the simplification of information; the likening of information; the “dissolution” of person) alone. Therefore, finding ways to harmonize communication in the era of networked media becomes the priority. That is why the main result of the study is identifying requirements of communication which can help human to find announced harmony.

 Keywords: communication, media, modernity, integrity, holistic being, communication requirements.

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Early America, American Theosophy, Modernity—and India

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Mark L. Kamrath, University of Central Florida, USA

Abstract

The history of East-west relations in general and between America and India in particular is one of cultural, literary, and philosophical encounter. Using a post-colonial and postmodern theoretical lens, this essay charts American intellectual constructions of India from the colonial period to the present, with an eye on how American transcendentalists, theosophists, and Hindu spiritual leaders negotiated Hindu and Christian belief systems. It argues that over time, as individuals and cultures came into contact with one another, the historical assimilation of their religions testifies to the dialectical, syncretic nature of modern belief.

[Key words: Philosophy, religion, East-West, theology, modernity, transcendentalism, post-colonial approach, postmodernism]

“For we have seen his Star in the East, and are come to worship him”

–Matthew II. 2, Bible

Early American contact with India

India has long been a source of fascination to the West, dating back to 1492 and Christopher Columbus’s plan to reach the East Indies and its riches by sailing westward over the Atlantic Ocean and establishing trade. Similar to how the “New World” was imagined by Europeans, over the centuries American travelers, missionaries, and writers have each looked to India with different motives and represented its history, people, and culture in a variety of ways.

During the colonial era, observes Susan S. Bean, “American merchants and their customers were familiar with Indian products,” including various spices, teas, and cotton and silk goods (Bean 31). As early as 1711, for instance, newspapers such as the Boston News-Letter regularly advertised “Hollands for Shirtings and Sheetings, fine Cambricks, Musings, India Chints” (1711: [2]) and “Garlix, Sugar, Cotton, India Counterpanes, & c” (1716: [2]).Booksabout India were published in Londonand also part of the commercial exchange.

In terms of non-commercial interest in India though, Cotton Mather’s pamphlet India Christiana. A Discourse Delivered unto the Commissioners for the Propagation of the Gospel among the American Indians which is accompanied with Several Instruments relating to the Glorious Design of Propagating our Holy Religion in the Easter as well as the Western Indies. An Entertainment which they that are Waiting for the Kingdom of God will receive as Good News from a far country(1721) was among the first to represent India or the East, like the wilds of America, as a territory needing the word of God and spiritual salvation.

Several decades later, after the American Revolution, India was largely viewed through the eyes of missionaries, British travelers or military personnel, and other figures and depicted as an object of cultural marvel, appropriation, or conquest. To be sure, newspapers provided accounts of the East India Company, and oriental tales increasingly appeared in periodicals in the 1780s and 1790s. Publications such as Donald Campbell’s A Journey Overland to India, partly by a Route never gone before by any European (1797) intrigued American readers with accounts of shipwreck and imprisonment with Hyder Alli, along with other adventures.

By the beginning of the nineteenth century, however, India became a major focus of missionaries. A sermon on February 26, 1809, by the Reverend Claudius Buchanan (1766-1815) of India at the Parish Church of St. James in Bristol,England, for the benefit of the “Society for Missions to Africa and the East” ran into no less than twelveAmerican editions. Entitled “The Star in the East,” it explained how the “ministry of Nature” led three eastern wise men to Jerusalem to honor Christ’s birth and how such prophecy was foretold in the “ancient writings of India” (Buchanan 4-5).In addition, some American editions added an appendix entitled “The Interesting Report of the Rev. Dr. Kerr, to the Governor of Madras, on the State of the Ancient Christians in Cochin and Travancore, and an account of the Discoveries, made by the Rev. Dr. Buchanan of 200,000 Christians in the Sequestered Region of Hindostan.” By 1812, the publication was expanded and retitled as The Works of the Rev. Claudius Buchanan, LL.D. Comprising his Christian Researches in Asia, His Memoir of the Expediency of an Ecclesiastical Establishment for British India, and his Star in the East, with Three New Sermons. To Which is Added, Dr.Kerr’s Curious and Interesting Report, Concerning the State of Christians in Cochin and Travancor, Made at the Request of the Governor of Madras.

In India around this time, Raja Rammohun Roy (1772-1833), a Brahmin who alienated himself from his family because of his willingness to forgo traditional beliefs and who pushed for social and religious change, published A Defence of Hindoo Theism in reply to the attack of an advocate for idolatry at Madras, along with A Second Defence of the monotheistical system of the Vedas. In reply to an apology for the present state of Hindoo worship (Calcutta 1817). According to Joscelyn Godwin, Roy was “the first Brahmin to fall under the spell of Enlightenment ideas, and the first emissary from India to the West” (Godwin 312). He upset Christian missionaries because while he admired the teachings of Jesus and the gospels, he also embraced Islam and Hinduism. His actions, however, might also be understood in light of what Homi Bhaba calls a strategy of “hybridity,” a position in which the colonized subject takes on the values and language of the colonized in order to subvert them (Bhabha 112). In that sense, Roy was accommodating Christian colonizers by sanitizing Hinduism through the lens of Western monotheism…Access Full Text of the Article