Ann Christina Pereira1 & Dr Sarika Tyagi2
1Research scholar, Department of English, Vellore Institute of Technology-Vellore. ORCID: 0000-0002-2555-4910. Email: ann.pereira9213@gmail.com;
2Professor, Department of English, Vellore Institute of Technology-Vellore. ORCID: 0000-0001-5144-9981. Email: tyagisarika27@gmail.com
Rupkatha Journal, Vol. 14, Issue 4, December, 2022. https://doi.org/10.21659/rupkatha.v14n4.12
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Abstract
Bo Burnham is a critically acclaimed American stand-up comedian and filmmaker. The usual themes in his works are the hypocrisy of artists, the commercialisation of art, and the role of social media in erasing the boundary between the public and the private. However, during the pandemic, he chose to focus on the theme of anxiety, a minor theme in his earlier works. Anxiety has been considered an integral part of modernity as discussed by Anthony Giddens and Zygmunt Bauman. In psychoanalysis, anxiety has been explained in a number of different ways. In current psychological discourse, anxiety is described as an unpleasant state of mind that can cause significant bodily and mental stress. The anxiety that Burnham experienced prior to the pandemic appears to have amplified during the pandemic. Two main types of anxiety are observable in the shows of Burnham—performance anxiety and existential anxiety. This paper seeks to understand Burnham’s show Inside (2021) using Anna Segal’s contribution to the concept of ‘sublimation’. We argue that in doing the show Inside, Burnham discovers a new way to acknowledge and channel his ‘depressive’ symptoms towards contemporary times, and he achieves sublimation in the process.
Keywords: Comedy, sublimation, anxiety, existential anxiety, modernity
