Gender Studies - Page 7

D. H. Lawrence’s Travel Writing: Concept of Nudity and Sexuality with a Difference

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Abhik Mukherjee

Assistant Professor of English, Vellore Institute of Technology Vellore. ORCID ID: 0000-0002-8701-365. Email: abhik.mukherjee@vit.ac.in

Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.49   

Abstract

In that he spent most of his life outside Britain, D. H. Lawrence often seems the least British of the British Modernists. His interest in and willingness to be influenced by Italy, Sicily, the American Southwest, Mexico and Australia can be easily explored in his travel books. Whereas his novels are too didactic in nature, his philosophies get naturally matured as he travels and they are expressed very succinctly in his travel writing. In various parts of his four travel books, namely Twilight in Italy (1916), Sea and Sardinia (1921), Morning in Mexico (1927), Sketches of Etruscan Places (1932) Lawrence depicts the difference between nudity and nakedness and how they influence him. The other contrast here is between art and life, with the nude standing for art and nakedness for life with the section on Florence and the art there. The essay focuses on how Lawrence views art differently when actually experiencing these works himself during his travels.  I show different phases in his response to nudity/nakedness as shown in his four travel books and what accounts for these changes. The thesis is the examination of Lawrence’s belief that the touch of amateurism and primitivism can inject new freshness into our lives and can salvage them from the clutches of habit, and the mechanized civilisation. Nudity and sexuality as part of primitive modes of life can balance and heal what Freud termed the discontents of civilisation. Situated on the thin line between nudity and sexuality, D.H. Lawrence’s travel writing recounts man’s true relationship with the cosmos. And finally, the paper shows some misunderstanding on the part of the second wave feminists on his representation of masculinity in nakedness.

Keywords: travel writing, nakedness, nudity, sexuality, feminism

 

Entangled Histories: Gender and the Community Mobilisations of the Ezhavas in Colonial Kerala

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Kavyasree R

Doctoral Fellow, Centre for Women’s Studies, University of Hyderabad,

kavyasreeraghunath@gmail.com, ORCID id: 0000-0002-5399-7217

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.05

Abstract

This paper explores how transnational historical approaches towards gender can provide a fresh perspective to locate women’s histories of colonial India and how such enquiries can widen the scope of exploring the rich archival sources available. By bringing in the recent scholarship in the area of gender and transnatioanal history, this paper would demonstrate the possibilities to unearth complex and entangled histories of women by bringing to the discussion the community consolidation efforts of Ezhavas, an erstwhile untouchable caste in the colonial Kerala, in the late nineteenth and early twentieth centuries. Focusing on the transnational character of the cultural and ideological transactions that shaped the Ezhava community mobilization in the wake of colonial transformations in the region, the paper would trace the specific ways in which such exchanges shaped the history of gender within the Ezhava movement. In doing so, this paper would point towards the need to go beyond both colonial and nationalist paradigms to unpack the intricate histories of gender, caste and regional social movements during the age of empire.

Keywords: Gender, Social Reform, Caste, Social Movement, Modernity, Transnational History

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Problematising Testimony in Autobiographical Narratives by Dalit Women in the English Translation

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Pratibha

Ph.D. Research Scholar, Department of English, Jamia Millia Islamia, and Assistant Professor, Sharda University. ORCID id: 0000-0001-5698-6612. Email: pratibhabiswas85@gmail.com, pratibha.biswas@sharda.ac.in.

 Volume 13, Number 4, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n4.04

Abstract

Dalit autobiographical narratives are widely and habitually being categorised by critics as testimonios or sociobiographies, with an implication to be understood as representative life-stories. Because of the genre’s perceived emphasis on ‘authenticity’, ‘representation of collective suffering’, and immanent connotations of being a political genre of speech for the marginalised, scholars/critics of Dalit literature have been applying the term testimonio to describe autobiographical narratives, which has inadvertently led to a normativisation of the available modi of ‘truth production’ about Dalit lived experiences.  The objective of this paper is to dispute the adulatory assessment of testimonio as a genre, by highlighting the instances where the relationship between the self and the community in autobiographical narratives by Dalit women appears uneasy, fraught with dissensus and problematic, when examined from a Dalit feminist standpoint. By looking into ways of reading agency in Karukku (2000), Sangati (2005), and Viramma, Life of an Untouchable (1997), beyond the true-false, victim-oppressor and Dalit-Savarna simplistic binaries, this paper enunciates the problematic implications of using the nomenclature testimonio for reading these autobiographical narratives translated in English. Further, it posits arguments for shifting the emphasis on the politics of language and narrative to avert the trappings of the genre.

Keywords: Dalit autobiographical narratives, testimonio, self and the community, Dalit feminism, literature and politics, Dalit literature in translation, translation and agency.

 

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By Me Shall He Be Nursed! Queer Identity and Representation in The Mahabharata

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Seema Sinha1 & Kumar Sankar Bhattacharya2

1Ph. D from BITS Pilani, Pilani Campus, Rajasthan. Email: p2015101@pilani.bits-pilani.ac.in

2Associate Professor in the Department of Humanities and Social Sciences, BITS Pilani, Pilani Campus, Rajasthan. Email: kumar.bhattacharya@pilani.bits-pilani.ac.in

Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.36

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Abstract

The Mahabharata is a treasure-trove of the cultural memories of the Hindus. The grand Epic has entertained and edified our society through its numerous identity-relevant narratives since time immemorial. The longevity of The Mahabharata lies in its capacity to adapt, adopt and re-fashion the account, which grants endless opportunities of initiating open-ended debate. The grand Epic has shaped our values and shared a template by which a life guided by Dharma is to be lived. The dialogic text continues to contribute to the resolution of our emotional angst and existential dilemmas. Much ahead of its times, the Epic revels in the liminality that is apparent in the narratives of the gender-queer people who are an integral part of its culture-scape. This paper seeks to study two liminal figures in the Epic narrative – Shikhandi, the trans-gender Prince of Panchala, and Yuvanashwa, the pregnant King, who swayed between gendered identities and challenged the hegemonic heteronormative sexual framework, thereby opening avenues of conversation related to marginalization, resistance and empowerment. The paper also examines the queer cases of King Sudyumna and King Bhangashwan, who questioned the symbolic binaries of gender and delineated a horizon of possibilities. The aim here is to measure the resistance of the genderqueer against the prescriptive order of subjectivities and assess the impact and the outcome. Drawing from the deconstructivist and the queer theories, the study foregrounds the trauma and the resistance of the marginal. These narratives establish The Mahabharata as one of the earliest texts to have a meaningful discourse in the queer-space.

 Keywords: Genderqueer, cultural memories, liminal, hegemonic, heteronormative, trauma, resistance

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Atypical Athletic Corporeality and Clinical Embodied Deviance: A Case Study of Dutee Chand

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Isha Malhotra1& Raj Thakur2

1Assistant Professor and Head in the School of Languages and Literature, Faculty of Humanities and Social Sciences at Shri Mata Vaishno Devi University, UT of J&K, India. Email: isha.malhotra@smvdu.ac.in

2Assistant Professor in the Department of English at Central University of Jammu, UT of J&K, India. Email: raj.eng@cujammu.ac.in

 Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.41

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Abstract

The paper outlines the politics of gendered athleticism appropriated and instrumentalised through the medico-juridical apparatus of the sports governing bodies.  The biomedical discourse governing the atypical athletic body and the embodied nature of its pathologised deviancy is drawn through the critical reflection of athletic regulatory bodies’ testing regimes and policies. It is through the detailed analysis of the Indian sprinter Dutee Chand’s case that one of many confounding disqualification charges and trials of hyperandrogenism against athletes with differences of sex development (DSD’s) is foregrounded. Drawing on the critical scholarship of gender theorists and activists, the legitimacy of the stipulated biological mechanism of testosterone as a regulatory performance index in female elite sport is contested and problematized. Pertinent here is Dutee Chand’s narrative of trial and triumph that destabilises the reductive embodiments of sex institutionalised in and beyond the sporting track.  Significantly, the paper also delineates the premises of the constitutive exclusionary and arbitrary regulatory regimes propounded by the athletic governing bodies like the International Association of Athletics Federations (IAAF) and the International Olympic Committee (IOC). These concerns border on the geopolitics of race and nation framing the normative, prescriptive and reserved rights of femininity, able-bodiedness and heteronormativity in international women’s elite sport.

Keywords: DSDs, sport, gender, medicine, sex testing, regulation, heteronormativity

Gay Subculture and the Cities in India: A Critical Reading of Select Works of R Raj Rao

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Sriya Das

PhD Scholar, Humanities and Social Sciences Department, IIT Kharagpur, West Bengal, India, sriya1312@kgpian.iitkgp.ac.in, https://orcid.org/0000-0002-9530-7296

 Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.40

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Abstract

In delineating the painful experiences of LGBTQ individuals after the introduction of Section 377 of the Indian Penal Code R Raj Rao’s works look into the struggle of these people to survive the onslaught of normative sexual discourses. Given the fact that Queer sexuality has been continuously questioned, suspected and tormented prior to its legitimate recognition in 2018, Rao draws attention to the nuances of gay urban life in India. The paper critically analyses the representation of gay subculture in the cities of India as reflected in select works of Rao. It demystifies how gay people share the urban space, manage to make room for their pleasure in the cities, and pose a threat to the dominant understanding of sexuality. The ultimate objective of this paper is to understand the role of the city in the (un)making of a subcultural identity. Textual analysis, with reference to certain theoretical frameworks, would be used as a qualitative research method.

 Keywords: Sexuality, subculture, city, normativity, resistance

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Relocating Colonial Women in Resistance: An Interpretation of Rabindranath Tagore’s Nastanirh and Chaturanga

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T. K. Krishnapriya1, Dr Padma Rani2, Dr Bashabi Fraser3

1Junior Research Fellow (UGC), Manipal Institute of Communication, Manipal Academy of Higher Education, Manipal, India; Email: krishnapriya.t1@learner.manipal.edu; ORCID ID: https://orcid.org/0000-0002-5795-1275

2Director & Professor, Manipal Institute of Communication, Manipal Academy of Higher Education, Manipal, India; Email: padma.rani@manipal.edu

3Professor Emerita of English and Creative Writing, Director, Scottish Centre of Tagore Studies (ScoTs), School of Arts & Creative Industries, Edinburgh Napier University, Edinburgh; Email: bashabifraserwriter@gmail.com

 Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.38

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Abstract

The Colonial Bengal of the nineteenth and twentieth centuries was a place of contradictions. For instance, despite certain evident advancements in the resolution of the women’s question, some of the emancipatory attempts of the period marked a rather dubious account of women’s liberation as patriarchal underpinnings hegemonized the efforts.  Amid this complex backdrop, the colonial women’s position is further jeopardized by the western feminist scholarship that contrives colonial third world women as perennial victims and beneficiaries of emancipatory actions from the West. The paper attempts to relocate the colonial women and their resistance by negotiating the fissures in their construction. This study, informed by bell hooks’ (1990) postulations on margin and resistance, simultaneously seeks to form a bridge between the experiences of marginalized women beyond borders. Rabindranath Tagore’s Nastanirh (1901) and Chaturanga (1916) are chosen for close textual reading to examine the experiences of colonial women.  The author’s women protagonists often embody the social dilemma of the period. Tagore’s Damini and Charu exist in the margin of resistance whilst Nanibala occupies the margin of deprivation.  Significantly, Charu and Damini traverse the precarious “profound edges” of the margin to imagine a “new world” free of subjugation. Thus, the resistance offered by these women subverts the predominant conceptions of victimhood of colonial women, and it enables them to be posited as active agents.

Keywords: Tagore, hooks, Colonial Bengal, Resistance, Agency

 

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The Metamorphosis of a Female Subject into a Gendered subject: A Study of Easterine Iralu’s A Terrible Matriarchy

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Bompi Riba1 and Karngam Nyori2
1Assistant Professor, Department of English, Rajiv Gandhi University, Arunachal Pradesh, Pin-791112, ORCID id: 0000-0002-0341-2348. E-mail:  bompi.riba@rgu.ac.in

2Ph.D Research Scholar, Department of English, Rajiv Gandhi University, Arunachal Pradesh, Pin-791112, ORCID id: 000-0002-3477-141.  Email: nkarngam@yahoo.com

 Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.24

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Abstract

It is a universally practised phenomenon across society to conveniently create a dichotomy that is based on the physiological difference between a male and a female. This difference is further defined by the dichotomy of gendered roles and labour that are imposed on them. The hegemony of the gendered ideology makes it all so natural to assign gendered role to a baby the moment it is born. Its body serves as a continuing signifier for the gendered structure of a patriarchal society. Since these gendered ideologies are disseminated through established institutions such as education, religion and law; their manifestations can be found in culture, religion, clothes, discourse, movies, and even in gestures that this polarity between a man and a woman is accepted as natural. There still is no general consent among the cultural anthropologists that an unambiguous matriarchal society existed. Classical scholars like Johann Jakob Bachofen tried to argue that matriarchal society existed on the basis of unreliable historical sources such as Iliad and Odyssey (Bamberger, p.263). Easterine Iralu’s A Terrible Matriarchy intrigues the reader with this highly deceptive title that ironically bares the patriarchy of contemporary Naga society. However, if these reasons are taken into account that Feminism is all about equality and that matriarchy is the flip side of patriarchy with all its horrors; then she is not far from the truth in prefixing “terrible” to “matriarchy”. This article is an attempt to familiarize the milieu of a quintessential Naga girl and her resistance to the anxious process of self-denial imposed upon her by her grandmother who embodies the concept of ‘terrible matriarchy’. The article also concentrates on the typical mechanism of gender construction and how such mechanisms are responsible for metamorphosing a female subject into a gendered subject.

Key words: Angami-Naga society, female subject, gendered subject, matriarchy, patriarchy

A Study on Gender Differences in Workplace Communication across Organizations

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Dr. Kabita Kumari Dash1, Dr. Susanta Kumar Dash2 and Dr. Swayamprabha Satpathy3

1Assistant Professor, Srusti Academy of Management, Bhubaneswar. Corresponding author. Email: vahi.Kabita@gmail.com

2Professor, Odisha University of Agriculture & Technology, Bhubaneswar

3 Associate Professor, Shiksha “O” Anusandhan University, Bhubaneswar. Email: swayamsatpathy@soa.ac.in

 Volume 13, Number 3, 2021 I Full Text PDF

DOI: 10.21659/rupkatha.v13n3.15

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ABSTRACT

Communication is an important aspect of human existence. It has a huge impact on the functioning of any organization. Organizations progress if there is close and greater coordination among both genders. The present study was conducted at Bhubaneswar, the capital city of Odisha. Socio-academic data on 120 employees of three different types of organizations, viz. Government, NGO and Corporate, taken at random were included in the present study. This is an empirical study on gender differences and their effect on workplace communication in various organizations. The objectives of this study are to find out the gender differences in communication in different workplaces and analyze the effects of socio-academic factors like age, qualification and experience on gender-related communication. The study findings depict qualification and gender was found to be dependent across the organizations with ?2 estimate of 8.542. More employees were found to be engaged under moderate qualifications from both genders. The age and experience of employees were revealed to be independent of the gender of employees in the present study. The distribution of males recorded significant dependency of age and organization with ?2 value of 20.081 revealing a higher frequency of higher age group employees in government and non-government institutions in comparison to corporate. Both the new entrants and highly experienced females had lower communication abilities than their male counterparts. However, in the middle part of employment, the females showed an edge over males with regard to this variable. Females in the age group of 31 to 40 years recorded significantly better organizational communication than their male counterparts.

Keywords: Gender difference, Workplace, Communication, Organization, Socio-academic data

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Bridging Black Male and Female Standpoints through Autoethnographic Cultural Symbiosis in Gloria Naylor’s The Men of Brewster Place

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Adishree Vats

PhD Research Scholar, School of Languages and Literature, SMVD University, Kakryal, Jammu, India; Assistant Professor, Department of English Studies, Akal University, Talwandi Sabo, Bathinda, Punjab, India. Email: vatsadishree8@gmail.com

  Volume 13, Number 3, 2021 I Full-Text PDF

DOI: 10.21659/rupkatha.v13n3.11

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ABSTRACT:

The present paper argues that Gloria Naylor in The Men of Brewster Place (1998) spectacularly recreates, from a black female’s viewpoint, a solemn literary leeway for African American men’s narratives, and recommends an obligatory shufti to their hidden lives as to how the apparatuses of dominion objectify, suppress and marginalize African American men as well. These men have also been victimized, marginalized and objectified on the basis of their race, class and sexuality by the stereotypical mainstream power structure just like their female counterparts. Furthermore, the paper endeavours to scrutinize how it is unworkable to accomplish a genuine Black Feminist Standpoint without essentially appreciating Black Men’s Standpoint. Black men, who although are suppressors when it comes to their relationship with black females, simultaneously are also being suppressed beneath the tutelage of the mainstream hegemonistic-cum-stereotypical power system. As a sequel to Naylor’s first novel, The Women of Brewster Place (Naylor, 1983), The Men of Brewster Place attempts to autoethnographically lend some voice to her male characters, who complemented her female characters in the first novel.

KEYWORDS: Black Men’s Standpoint, Black Feminist Standpoint, Autoethnography, Exploitation, Racism, Classism, Sexism.

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