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The Entangled Vocabulary of Performance

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Sruti Bala, University of Amsterdam, Netherlands

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This article attempts to map the concept of performance, in terms of its genealogy and the diversity of its application. Such a mapping is an unavoidably reductive step, since the productive force of the concept partly relies on the difficulty of pinning it down to a precise typology or set of definitions. The act of mapping out the concept can itself be interpreted as a kind of performance, as has been argued by Richard Schechner (Performance Studies, 40-42), it is not a neutral or interest-free undertaking, and however persuasive the mapping may be, it may not necessarily simplify the application of the concept, nor resolve the disputes around it. As a “keyword” in the sense of Raymond Williams, performance is an operative concept, “whose meanings are inextricably bound up with the problems [they are] being used to discuss” (Keywords, 13). The concept is not merely descriptive, but programmatic, in that the choice and justification of the uses of the term lead to and imply specific effects. German theatre scholar Erika Fischer-Lichte describes the concept in terms of the range of its semantic shades, ‘Begriffsabschattungen’ (Kulturen des Performativen, 9), arguing that these shades need to be seen in relation to each other in order to trace the histories and contexts of the concepts of performance and the performative. Fischer-Lichte derives the semantic shades of the performative with reference to different disciplinary influences and deployments of the term, such as anthropology, linguistics, language philosophy, technology, economics and aesthetics. A typology and historicisation of the concept is a necessary though not entirely sufficient step in understanding its usage. Even if one makes sense of each of the shades of the term, one does not know how to make sense of the entire range of these shades. Keep Reading

5 secrets of a healthy breakfast

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Mavik Banner: physician; scientist. Searching for a way to tap into the hidden strengths that all humans have… then an accidental overdose of gamma radiation alters his body chemistry. And now when David Banner grows angry or outraged, a startling metamorphosis occurs. The creature is driven by rage and pursued by an investigative reporter. The creature is wanted for a murder he didn’t commit. David Banner is believed to be dead, and he must let the world think that he is dead, until he can find a way to control the raging spirit that dwells within him.

What would we do baby, without us?

I bet we been together for a million years, And I bet we’ll be together for a million more. Oh, It’s like I started breathing on the night we kissed, and I can’t remember what I ever did before. What would we do baby, without us? What would we do baby, without us? And there ain’t no nothing we can’t love each other through. What would we do baby, without us? Sha la la la.

Here’s the story of a lovely lady

Here’s the story of a lovely lady, who was bringing up three very lovely girls. All of them had hair of gold, like their mother, the youngest one in curls. Here’s the store, of a man named Brady, who was busy with three boys of his own. They were four men, living all together, yet they were all alone. ‘Til the one day when the lady met this fellow. And they knew it was much more than a hunch, that this group would somehow form a family. That’s the way we all became the Brady Bunch, the Brady Bunch. That’s the way we all became the Brady Bunch. The Brady Bunch!

Who can turn the world on with her smile? Who can take a nothing day, and suddenly make it all seem worthwhile? Well it’s you girl, and you should know it. With each glance and every little movement you show it. Love is all around, no need to waste it. You can have a town, why don’t you take it. You’re gonna make it after all. You’re gonna make it after all.

In time of ancient gods, warlords and kings, a land in turmoil cried out for a hero. She was Xena, a mighty princess forged in the heat of battle. The power. The passion. The danger. Her courage will change the world.

Being evil has a price. I hear a lot of little secrets. Tell me yours, and I’ll keep it. You oughta know my name by now, better think twice. Being evil has a price. I’ve got a nasty reputation. Not a bit of hesitation, you better think twice. ‘Cause being evil has a price.

The time to play the music, it’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight! It’s time to put on makeup, it’s time to dress up right. It’s time to raise the curtain on the Muppet Show tonight. Why do we always come here? I guess we’ll never know. It’s like a kind of torture to have to watch the show! And now let’s get things started – why don’t you get things started? It’s time to get things started on the most sensational inspirational celebrational Muppetational… This is what we call the Muppet Show!

Chosen from among all others by the Immortal Elders – Solomon, Hercules, Atlas, Zeus, Achilles, Mercury – Billy Batson and his mentor travel the highways and byways of the land on a never-ending mission: to right wrongs, to develop understanding, and to seek justice for all! In time of dire need, young Billy has been granted the power by the Immortals to summon awesome forces at the utterance of a single word – SHAZAM – a word which transforms him in a flash into the mightiest of mortal beings, Captain Marvel!

Book Review: Mechanisms of Desire by Rob Harle

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  Mechanisms of Desire by Rob HarlePublisher: Spinning Spider Publications, Australia

Published in 2012

ISBN:978-0-646-57481-3

Price: Not mentioned.

 

Review by

Tarun Tapas Mukherjee

Bhatter College, Dantan, India

 PDF Version of the review

Evolutionary history of mankind is interrelated with the evolution of technology in a very complex way and so much so that in order to understand patterns of cultures of the distant prehistoric times researchers resort to understanding techno-complex, the archaeological imprint of technology to be found across scattered evidences. Technology, again, creates epochs and can cause massive changes in the ways of life. While people adopt new ways of life with every major technological changes, concerns about the outcome of application of a new technology are also are heard. It was, however, not until the implementation of digital technology in embedded systems serious moral and ethical questions would be raised about using technology in popular media and serious literature. In the present century, with the introduction of embedded systems, many of which function in networked environments, use of technology has increased at unprecedented rate. Even sometimes some gadgets are being treated as an extension of our bodily organs and mental faculties. This sometimes is interpreted as mindless rush for consumerism. On a more serious note, many see the human-machine proximity and even incorporation of digital parts as another stage of evolution, set to bring about unexpected and unpredicted changes. Keep Reading

The Therapeutic Value of Indian Classical, Folk and Innovative Dance Forms

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Arpita Chatterjee, Barasat College, West Bengal State University, India

Dance provides an active, non-competitive form of exercise that has potential positive effects for physical health as well as mental and emotional wellbeing. Dance therapy is based on the idea that body and mind are co-relational. The therapeutic approaches with various forms of Indian dances are a new entrant to dance literature. Ayurveda held dance as a power of healing (therapy) and inner awareness (psychology). Indian philosophy also supports the facts of Sangeet (song, dance and music) for benefit of human health physically as well as mentally. The powerful dance form of Bhangra (Punjab), Karagam (Tamilnadu), Chou, Rayabese, Dhali (West Bengal) gives good health and strength. The fast footwork of Kathak dance helps to release anger and tension. Manipuri dancers make rounded movements and avoid any jerks, sharp edges or straight lines. It gives them undulating and soft appearance, proper body control and peace of mind. All these body movements, body balancing, expression, muscle movement, muscle constriction and relaxation have a strong effect on therapeutic movements. In India today the dance therapists are conscious about this matter and in therapeutic sessions they actually improvise different dance movements according to the need. Keep Reading

What is a national journal?

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A journal can be called a ‘national’ journal on the basis of its production, reception and impact factors. It should have good number of subscription from reputed institutions and organizations within a country. The term ‘national’ should not be considered as a qualitative term in relation to term like ‘international’, for many good journals are produced in regional languages which, though publishing excellent contents, may not be accessible to the international readers. The terms ‘national’ and ‘international’ should be considered descriptive ones for describing geographical location of its production and reception.

What is an international journal?

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A journal may be called an “international journal” on the basis of certain criteria. With the arrival of online journals, certain new points should be noted:

A)     An international journal should have international subscribers from a good number of countries. It is not sufficient to have international authors or editors to call a journal ‘international’. Rather a journal has to be judged on the basis of its reception by the readers/users and by its impact in the field of research.

B)      The best way to judge is to see whether the journal is included in international directories and databases like EBSCO, Elsevier, MLA, DOAJ, Ulrichs etc.

C)      Many universities have digital libraries and it is to be noted whether the journal is included in reputed institutional digital libraries. However, this is applicable for online journals.

D)     Then, the quality of the journal has to be judged on the basis of its citation index. Google Scholar can be used to see how often articles from the journal are cited.

E)      For scientific journal Thompson Reuters Impact Factor has to be considered.

F)      In the wake of “publish or perish” policy, many fake journals have popped up both in electronic and print formats and they claim to be ‘international’ on some dubious criteria in order to earn money from the authors. Many use ISSN as standard of quality. But ISSN is not indicative of policy; rather its value is in numerical indexing of periodicals. A strict policy should be formed internationally for allowing a journal such terms on the header or in the title itself. An international authoritative body should be there to issue such certificates.

Three Book Reviews

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The Performance Identities of Lady Gaga: Critical Essays

The Performance Identities of Lady Gaga: Critical Essays

Edited by Richard J Gray, Jefferson, NC: Mcfarland, 2012, ISBN: 978-0-7864-6830-0

Gaga Feminism: Sex, Gender and the End of Normal

Gaga Feminism: Sex, Gender and the End of Normal

By J. Jack Halberstam, Boston, MA: Beacon Press, 2012, ISBN: 978-0-8070-1098-3

Pray the Gay Away: The Extraordinary Lives of Bible Belt Gays

Pray the Gay Away: The Extraordinary Lives of Bible Belt Gays

By Bernadette Barton, New York: New York University Press, 2012, ISBN: 978-0-8147-8637-6

Review by Rohit K Dasgupta, University of the Arts London Keep Reading

Three Poems by Subhashis Das

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Punkri Burwadih megaliths

THE MESSENGER1


Fly bird fly, through the timeless skies
transcending distances,
flipping back the illegible pages of history
fly bird fly.

Beyond the peripheries of the East India Company,
surpassing the magnanimous Mughal palaces,
the ruins of the Slave Dynasty,
the graceful Chola temples
fly bird fly. Pass over
the time of the establishment of the sacred Dhamas
of the revered Shankracharya,
beyond the theorems and the doctrines of
Varahamihira and Aryabhatta.
Fly over the deserted forts of the Munda kings and
through the courts of Vikramaditya, Ashoka and Ajatshatru.
Bird o bird
Touch respectfully the lotus feet of the
Sakya Muni and  the Vardhamana
and seek their blessings for me.

Fly bird fly
Crossing Magadha, Vaishali and Sasanbeda
onto the much beyond Harappa and Mehergarh.
Be a part of the great Santhal migration.
Little bird
fly past carefully protecting yourself
from the rising flames
of the iron smelting Asuras
and then plunge into the great unknown, when
the world was for the Great Mother and She for the world.
Arrive face to face with their
astronomy, mathematics and spiritualism.

When they raise their tall monuments,
Sit atop a nearby tree in Punkri Burwadih
and witness the timeless megalith in its making.

Fly back to me little bird, the enormous distances
fluttering your untiring tiny wings.
Bring me
your acquired wisdom of life.
I await, dear bird
your arrival.

 1This poem is on the Punkri Burwadih megaliths which has been taken from his book, The Sacred Stones in Indian Civilization.

 

REVELATIONS ON A STORMY DAY2

the storm blows

with the rage of an untamed mighty bull.

i hide beneath an old mango tree

which shakes reluctantly

as all her branches shriek grudgingly.

right now,

i stand soaking underneath this tree.

i find no other place for a shelter

all the fears of the aftermath of the wetness,

the probable falling of the lightning on this tree, or

a branch suddenly breaking down on me

has ended; abruptly…

…and then i lose myself.

here I stand drenched

without a name and a haunting past.

i have no future,

who am i?

i am forgotten by me.

this moment seems complete.

my life lived  to the full,

i have nowhere to go, nothing to do

save laugh louder

and experience Bliss.

2 Taken from his blog, Beyond Reflections (http://subhashis-das.blogspot.in). This poem is actually a personal experience during his trek from Khunti to Ranchi in one rainy afternoon.

 

THE HERDMAN’S FLUTE

Have you heard the legend

of the herdsman? He once

played a flute I am told,

which now resonates only in history.

The herdsman.

He drove his herd

 through the open fields,

 to the foot of the hills;

maneuvering his cattle

with his stick and a

language which only they could understand.

And when the hot summer winds blew, they say

he played his flute. The strain

merged with the dusty breeze

floated on  to the mud hut villages,

the traversing rivers, to the lonely traveller

who treaded slowly on the lonely winding path

which ran across the open fields.

While his herd sat and stood with him

 in the dark shade of the large banyan

chewing and fanning their tails,

driving away the disturbing flies,

and the egrets pecking in their ears for a mite or two.

The poetry of the hot and the rustic afternoon

which he, and only he could apprehend

impelled him to compose such masterpieces,

with which he once filled

the lazy afternoon meadows and

had his herd lulled to snooze.

Today. The herdsman lives.

So does his herd

but

the banyan and the hill has gone.

The poetry thus, has vanished;

the flute

 they say, is lost.

 

Subhahsis Das is an individual researcher of primitive megaliths of India. He has discovered many ancient megaliths across many states in India. He has also authored two books on his discoveries and has written many research papers in many leading journals. He is also an amateur poet writing both in English and Hindi.  Two anthologies of his poems are ready for publication. Whenever he gets time from megalith hunting and researching and writing on these ancient stones he pens poems for a few national newspapers and loves reading his poetry on the local radio station. He has written one poem on megaliths in his book, The Sacred Stones in Indian Civilization which has received rave reviews. One of his poem “The Messenger” now features in the webpage of the noted blog, Megalithic Poems of England’s The Heritage Trust (http://megalithicpoems.blogspot.in/2012/04/messenger.html). He has also taken out time to create a variety blog with a predominance of his poetry Beyond Reflections which he confides will be shortly updated with more of his poems: http://subhashis-das.blogspot.in.

Drama and the Politics of Climate Change in Nigeria: A Critical Appraisal of Greg Mbajiorgu’s Wake Up Everyone

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Norbert Oyibo Eze, University Of Nigeria, Nsukka

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 Abstract

Johnny Igbonekwu observes that ‘an obvious primal instinctive human quest” is to “conquer the world” but he equally notes that man has not been able to achieve this goal, in spite of his “formidable intellectual assaults on the multifarious stupendous mysteries of the world” (Talk About Man 1). The quest for all manner of domination-economic, political, territorial, and spatial, etc, has driven man into invention and mindless application of technology which in choking nature, cause it to frequently retaliate through global warming, tsunami, landslide, erosion, and flooding of different dimensions. The constant decimation of human lives, businesses, buildings, and municipal services as well as the emergence of perturbing diseases owing to these palpable effects of natural disaster, force the issue of climate change to occupy a significant place in the world of environmental studies and research. This paper seeks to explain the place of drama in tackling the problem of climate change through a detailed analysis and interpretation of Greg Mbajiorgu’s Wake Up Everyone considered to be a giant impact assessment study and provocative wake-up call. Keep Reading

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