Swayamprabha Satpathy1, Kabita Kumari Dash2 & Malvika Mohapatra3
1 Associate Professor, Shiksha “O” Anusandhan University, Bhubaneswar. Email: dr.swayam.prava@gmail.com
2Assistant Professor, Srusti Academy of Management, Bhubaneswar
3 Assistant Professor, Shiksha “O” Anusandhan University, Bhubaneswar
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.09
Abstract
The Fourth Industrial Revolution can be regarded as Industry 4.0 connected with the developments, innovative approaches and technological advancements held in the year 2011 at Germany. It is the amalgamation of many digital technologies such artificial intelligence (AI), robotics, Internet of Things (IoT) cloud computing, big data, 3D printing etc. The present study is qualitative in nature and focuses on graduate readiness, the challenges faced by the engineering students of SOA university, Bhubaneswar to meet the industry 4.0 requirements because technical degree is not only the gateway to their success in industry rather they should equip themselves with various soft skills like English language development, communication, personality development, leadership, critical thinking, problem solving and team building skills to meet the expectations of their employers. The objective of this study is to analyze the current education practices and the industry requirements and come out with best possible solutions for industry readiness of graduate engineers for a successful corporate career. The study has put some valuable insights on the problems faced by the 5th semester students related to language acquisition and their readiness for future industrial demands. Furthermore, universities should also come out with appropriate suggestions and recommendations to enable graduate engineers for future industry readiness.
Keywords: English language, Communication, Industrial revolution 4.0, Graduates’ readiness, Employers Demand, Digital technology, Technical graduates
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Debamitra Kar, Women’s College, Calcutta, India Download PDF Version Abstract This paper attempts a reading of Italo Calvino’s novel, The
Dr. Kabita Kumari Dash1, Dr. Susanta Kumar Dash2 and Dr. Swayamprabha Satpathy3 1Assistant Professor, Srusti Academy of Management, Bhubaneswar. Corresponding
Taejin Koh Associate Professor, Department of Hindi, Hankuk University of Foreign Studies, Korea. Orcid: 0000-0002-9025-800X. Email: tjindia@naver.com Volume 10, Number
Somabha Bandopadhay1 & Shivam Pandey2
1Ph.D. Scholar and Research Assistant. The West Bengal National University of Juridical Sciences, Kolkata, India. Email: somabha@nls.ac.in.
2Former Legal Researcher, High Court at Ranchi, Jharkhand, India. Email: shivampandey@nls.ac.in
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.08
Abstract
Amidst the developing and progressive world that ensures the balance of needs-rights- duties and politics for human rights i.e. to attain the highest form of self-actualization, the world has truly become anthropocentric. It is only about human beings as such. But, in this process, what we often forget is the reason human beings exist- mother earth or nature. The paper seeks to take a break from anthropocentrism and take a journey of and through ecocentrism that would finally enable human beings to take a step forwards in fulfilling the duties of humans in the truest sense. The paper hopes to contribute to the emerging earth jurisprudence and elaborates on the path that has been traversed and the work yet to be done, both from a philosophical and legal point of view. The paper is primarily a work of doctrinal research using the analytical mode of research to present the developing jurisprudence in the field of earth justice.
Keywords: Rights of nature, anthropocentric, ecocentric, bioregionalism, mother earth, earth jurisprudence, anthropogenic.
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Biswanath Banerjee, Visva-Bharati, India Download PDF Version Abstract This article attempts to explore the scientific discourses of Acharya Jagadish Chandra
Banibrata Goswami, Panchakot Mahavidyalaya, India Abstract Rabindranath Tagore was born in a family which, on one hand, inherited a legacy
Amit Kumar1* & Vikas Sharma2 1PhD Scholar, Department of English, Chaudhary Charan Singh University, Meerut, India & Assistant Professor of
P. Dalai1 & Dhriti Ray Dalai2
1Associate Professor, Dept. of English, Faculty of Arts, Banaras Hindu University, India. ORCID: 0000-0002-6497-6091. Email: p.dalai10@bhu.ac.in
2Assistant Professor, Dept. of English, Faculty of Arts, Banaras Hindu University, India. ORCID: 0000-0002-7066-7578. Email: dhriti.dalai10@bhu.ac.in
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.07
Abstract
Similar to the peasantry, the tribal, the working women, the housewives, and all of those of the 19th century who engaged the attention of subaltern historians and Marxists, the prostitutes too merit critical attention and space in literary discourse. A number of Bengali texts throughout the 19th century had contributed in disseminating the image of the prostitute as the other of the good woman. We, in the course of this paper, focus instead on the early twentieth century and on Fakir Mohan Senapati and his epochal story, “Patent Medicine” that typified this societal understanding in the Bengal province, of which, Orissa was a part. The paper undertakes a hermeneutical attempt to unravel the unexplored aspects of sexuality, feudalism, patriarchy, domesticity and toxic masculinity.
Keywords: Patent Medicine, Prostitutes, Patriarchy, Odia Literature, Bengal Province, Feminism, Gyno-space,Toxic Masculinity
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Tajuddin Ahmed Netaji Subhas Ashram Mahavidyalaya, India Volume 2, Number 3, 2010 I Download PDF Version DOI: 10.21659/rupkatha.v2n3.09 Abstract Mario Vargas
Santosh Kumar Mallik Assistant Professor in Dept. of History, Nayagarh Autonomous College (Utkal University), Nayagarh, Odisha, India. Email: santoshkumarmallik@gmail.com Volume
S. Vimala, M.G.R. College, Hosur, India Download PDF Version Abstract Examining select Anglo-Indian advice manuals written after the Indian Mutiny
Suryendu Chakraborty
Assistant Professor in English, Krishnagar Women’s College, Krishnagar, West Bengal, India. ORCID: 0000-0001-8555-2910. Email: suryenduchakraborty@gmail.com
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.06
Abstract
Bhimayana: Experiences of Untouchability by Srividya Natarajan and S.Anand reveals the bitter truth of casteism as prevalent in Indian society. Through the use of graphic novel format and reviving the traditional Gond art form, the text not only verbalizes the experience of Bhimrao Ramji Ambedkar, a major activist who battled against the various modes of oppression and aggression faced by the Dalit community, but also opens up the untouchable’s experiences of existence for the naïve readers. This essay shows how Bhimayana uses a multimodal structure to create a post colonial literacy about caste and caste based marginalizations.
Key Words: Ambedkar , Caste, Dalits, Gondh, Multimodality, Untouchables
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Sutapa Chaudhuri, Dr. Kanailal Bhattacharyya College, Howrah, India Download PDF Version Abstract Much has been said about the way Tagore
Dipankar Roy,Visva-Bharati, India Abstract Any colonial rule involves a systematic and ruthless attack on the culture and heritage of the
Sreeram Gopalkrishnan Symbiosis International University, sreeram.gopalkrishnan@scmc.edu.in, Orcid id https://orcid.org/0000-0001-9360-365X. Scopus id 56659374000 Volume 11, Number 3, October-December, 2019 I Full Text PDF DOI: 10.21659/rupkatha.v11n3.03
Sanjay Sen Gupta
School of Fine Arts, Amity University, Kolkata, India. ORCID: 0000-0003-0824-9145.
Email: ssgupta@kol.amity.edu
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.05
Abstract
Caka refers to a square – a lateral space on the ground – while pura means filling up. Together they identify a unique form of ritual painting, executed during the festival of Bandna all across the land of ancient Manbhum – including parts of today’s West Bengal and Jharkhand. In this tradition, a specially prepared liquid pigment is dripped with all the five fingers of the hand – creating sacred designs by the village women effortlessly on their ritual-grounds. This linear emotion often gets extended upon the adjoining wall – where the same pigment is sprinkled with the fingers, along with impressions added with the palm and finger-tip. As a whole, this form of visual expression could be distinguished and identified in comparison to any other floor or wall paintings in India. It’s undoubtedly one of the finest examples – all in terms of technique, style and aesthetics – representing the rich folk-tribal tradition of this country.
Keywords: Cakapura, Bandna, Manbhum, Mahato, Purulia, ritual, painting, tradition
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The paper discusses religious narratives about annual deity of Savara of South Bengal that can be conceptualized as myths, legends,
Saurav Dasthakur, Visva-Bharati, Santiniketan, India Download PDF Version Abstract Through a cursory discussion of the history of production, dissemination and
Amrit Sen Visva-Bharati, Santiniketan, India Volume 2, Number 1, 2010 I Download PDF Version DOI: 10.21659/rupkatha.v2n1.04 Abstract This paper seeks
Meena J. Panikker
Associate Professor in English, P. A. First Grade College, Affiliated to Mangalore University, Karnataka. Email: dr.meena@pace.edu.in
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.04
Abstract
This paper attempts a study of: i) how the hunter myth is used in the temple ritual of katala vesa at Vairamkode vela; ii) focuses on how the indigeneity of the ritual is affected by modernization. As the study is related to chronological primitivism, qualitative research methods such as direct observation, unstructured interviews, and personal experiences, common in ethnographic researches, are used. Taking the aid of the myths related to the hunter, this paper proves that the vitality and the validity of the katala vesa ritual though untarnished, its indigeneity is stained by modernization where the initial goal of such a ritual is no more realized. The ‘hunter’ is largely underrated in the many (eco-prefixed) theoretical discourses related to indigeneity on Indian agricultural architecture, and hence, this study makes a genuine attempt to repair this deficiency.
Keywords: hunter, katala vesa, myth, indigeneity, ritual.
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The paper discusses religious narratives about annual deity of Savara of South Bengal that can be conceptualized as myths, legends,
Teresa Encarnación Villalba Babiloni Universidad Nacional a Distancia (UNED), College of Valencia (Spain) Volume 8, Number 1, 2016 I Full
Ayusman Chakraborty, Jadavpur University, India Download PDF Version Abstract Tipu Sultan was the ruler of the native state of Mysore.
Arifa Ghani Rahman
Associate Professor, Department of English and Humanities, University of Liberal Arts Bangladesh. ORCID: 0000-0003-1165-2541. Email: arifa.rahman@ulab.edu.bd
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.03
Abstract
In her works, Aphra Behn examines the possibilities of female agency in a patriarchal world. This paper begins by contextualizing Behn’s work within the male literary tradition in which she wrote to understand the place of female agency. Her play The Rover is closely examined to show this agency in heterosexual relationships and its connection to money and parental/patriarchal authority. The paper also analyzes the interrelationship between subjects and objects of desire. The use of masks in the play as instruments that accord temporary liberation or empowerment is discussed, and the paper questions whether female agency in Behn’s world is real or merely assumed. A poem is also examined to reinforce the conclusion which suggests that, despite empowerment in various forms, female agency is ultimately only temporary. However, the paper also questions whether Behn had ulterior motives in presenting female agency as unsustainable.
Keywords: Female agency, Empowerment, Objects of desire, Masks, Masculine
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Gilbert Tarka Fai University of Maroua, Cameroon Volume 2, Number 1, 2010 I Download PDF Version DOI: 10.21659/rupkatha.v2n1.05 Abstract The
Koushik Mondal Ph.D, Independent Researcher. ORCID: 0000-0002-9003-3433. Email: itsme.onlykoushik@gmail.com Volume 12, Number 3, 2020 I Full Text PDF DOI: 10.21659/rupkatha.v12n3.41 Abstract European genre
Dolly Sharma1 & Jaya Dwivedi2 1Assistant Professor, Parthivi College of Engg. & Mgmt. Bhilai, C.G ,India and Research Scholar in
Sanjoy Bandopadhyay1 & Samidha Vedabala2
1Professor, Department of Music, Sikkim University, Sikkim, India. Email: sbandopadhyay@cus.ac.in
2Assistant Professor, Department of Music, Sikkim University, Sikkim, India. Email: svedabala@cus.ac.in
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.02
Abstract
The research study is executed to identify the essential musical components that work behind the success of Hindustani Raga Music (HRM) renderings. It examines different performance components of HRM rendered in public concert situations. The traditionally prescribed parts of HRM performances and the music generated effects like raga mood, serenity, liveliness, surprise, and others in performances are also analyzed in the study. The objective of this study is to identify the musical components that are responsible for generating considerable impacts on the listeners. This investigation is based on the rating of different musical components by the listeners. Highly popular HRM festivals were selected for obtaining data. The findings successfully indicate that slow improvisations and traditionally accepted raga moods are the high-impact components for good acceptance by the listeners; also, the applications of high-speed components make the renderings outstanding.
Keywords: Hindustani, raga music, mood, speed, serenity, liveliness, uniqueness, surprise
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Indian cultural history testifies to the intimate bond the tawaifs had for centuries with the performing arts. Be it the
Since its inception, the concept of “popart” – the interaction of popular cinema and art cinema – has been heralded
Victor Hugo Jimenez
Associate Professor, Art & Enterprize, University of Guanajuato. Email: vhjimeneza@gmail.com
Volume 12, Number 4, July-September, 2020 I Full Text PDF
DOI: 10.21659/rupkatha.v12n4.01
Abstract
Cinematic interpretation requires input from the praxis of film making, and involves extensive and slow understanding of artistic parameters like colorimetry, color cognition, editing and cinematography. These technical aspects may be extracted from knowledge of contemporary digital media that are commonly intrapolated into films. Technological media and its applications clarify how semantic units are generated and processed for understanding the kinetic effects of films. Filmic praxis affects communication of “story”, creating the best opportunity for insight into the weltanschauung of the media.
Keywords: cinematography, synergised interpretation, film praxis