|
CONTENTS
|
PDF Pages
|
|
Editorial
PHP Version | PDF Version
|
101-102
|
|
CRITICISM
|
|
“The Noble Savage and the Civilised Brute: Nature and the Subaltern Angst in Swarup Dutta’s Machh Master (The Expert Angler)
Sajalkumar Bhattacharya
PHP Version | PDF Version
|
103-114
|
|
Finding the voice of the Peasant: Agriculture, Neocolonialism and Mulk Raj Anand’s Punjab trilogy
Jonathan Highfield
PHP Version | PDF Version
|
115-133
|
|
Rabindranath Tagore’s English Prose: “Some Qualities of Permanence”
Fakrul Alam
PHP Version | PDF Version
|
134-149
|
|
Aesthetics of Indian Feminist Theatre
Anita Singh
PHP Version | PDF Version
|
150-170
|
|
Representation of Indigenous Women in Contemporary Aboriginal Short Stories of Australia and India: A Study in Convergences and Divergences
Indranil Acharya
PHP Version | PDF Version
|
171-179
|
|
Giving the Lie: Ingenuity in Subaltern Resistance in Premchand’s short story ‘The Shroud’
Somdev Banik
PHP Version | PDF Version
|
180-185
|
|
PERSPECTIVE
|
|
Exile Literature and the Diasporic Indian Writer
Amit Shankar Saha
PHP Version | PDF Version
|
186-196
|
|
CREATIVE
|
|
Painting and Illustrations
Soumitra Mondal
PHP Version | PDF Version
|
197-200
|
|
BOOK REVIEW
|
|
Book Review: Ruth Vanita and Saleem Kidwai ed. Same-Sex Love in India: A Literary History
Jaydeep Rishi
PHP Version | PDF Version
|
201-204
|
|
About the Contributors
PHP Version | PDF Version
|
205-207
|