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Negotiating Homelessness through Culinary Imagination: the Metaphor of Food in Jhumpa Lahiri’s Interpreter of Maladies

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Kalyan Chatterjee

Government General Degree College, Manbazar-II, Purulia, West Bengal

Volume 8, Number 1, 2016 I Full Text PDF


Abstract

This paper seeks to look at the culinary associations of Jhumpa Lahiri’s Interpreter of Maladies to explore the metaphor of food as it is employed by Lahiri to delineate different shades and nuances of the lives of mostly the expatriate people, concentrating especially on how food negotiates the unease in living in an adopted land. The first section of this paper introduces the critical issues related to food and eating, and the second section moves on to the analysis of her short story collection Interpreter of Maladies, relating the stories to the issues discussed in the first section of the paper.

 Keywords: Food, Diaspora, Indian American Diaspora, Jhuma Lahiri Keep Reading

Narrative of Indian Diasporic Writing: A New Perspective on the Women Writers of the Diaspora

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Musarrat Shameem

Jagannath University, Dhaka, Bangladesh

Volume 8, Number 1, 2016 I Full Text PDF


Abstract

This article addresses two connected topics in the same breath. The first portion discusses the background, development and present state of Indian diasporic writing, its reception and the controversy around it. The next part of the article focuses on the complexities diasporic Indian women writers face as representatives of their country of origin. The alleged exoticization and orientating of Indian experience by diasporic Indian women writers is discussed at length. A thorough study of different types of feminism is done in this second part to show how the women writers can arrive at an assimilated approach to accommodate the various issues concerning diasporic female characters that people their work. Therefore, this article starts with a panoramic view of Indian diasporic writing; then the theme narrows down to the problematization of diasporic women writers’ works. Finally, a suggested approach is put forward as to how diasporic Indian women writers may accommodate both first and third world feminist issues on a greater level in their works.

Keywords: Indian diasporic writing, diasporic women writers, feminism Keep Reading

“Entering the School of Life”: A Deleuzean Reading of Iris Murdoch?s The Flight from the Enchanter

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Mohammad Ghaffary & Alireza Anushiravani

Shiraz University, Shiraz, Iran

Volume 8, Number 1, 2016 I Full Text PDF


Abstract

Iris Murdoch is a philosophical novelist whose works provide a suitable case for the study of “philosophy in literature” and “literature as philosophy.” However, so far, chiefly the philosophical positions of Murdoch herself have been applied to her fictional works. Employing Gilles Deleuze?s ethical theory, the present essay offers a resistant reading and sheds new light on Murdoch’s second novel The Flight from the Enchanter (1956). Focusing on the character of Annette Cockeyne, this essay shows how one?s life consists of a set of encounters with other bodies, all striving for gaining more power. Annette?s struggle with nihilism and ressentiment and her attempt to discover the immanent logic of life are discussed with sufficient textual evidence and, finally, considering the criteria provided by Deleuzean ethics, it is argued whether she is an active / strong or a reactive / weak force in this fictional universe. Thus, by critiquing traditional, transcendent readings of Murdoch?s fiction, the present essay actualizes some of the virtual aspects of her fiction so far overlooked and, by adopting a novel strategy within Deleuzean criticism, this study also forges a new path for this approach to narrative fiction.

Keywords: life, Deleuzean ethics, happiness, power struggle, active force, reactive force, nihilism, The Flight from the Enchanter Keep Reading

The Human intrusion towards the balance of Nature in Rachel Carson’s The Silent Spring: A Review

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Shreeja Ghanta & X. John Paul

VIT University, Vellore, Tamilnadu, India

Volume 8, Number 1, 2016 I Full Text PDF


 Abstract:

This paper revisits Rachel Carson’s Silent Sprint in order to show how seminal the work has been in the wake of the global concerns over the climate changes and environemental disaster in our times. Carson’s focus was on the balance of nature and the web of life and she presented the horrible effects of the tremendous use of chemicals since World War II. She highlighted the impact and effects of DDT and chlorinated hydrocarbons to the world. Carson rightly marked that the chemicals are homicides rather than pesticides. Her work is celebrated worldwide because of her ability to foresee the future.

Keywords: Pesticides, nature, interdependence, balance, Environmentalism Keep Reading

The Sinner-Saint Syndrome in Graham Greene’s Novels

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Smita Jha

IIT, Roorkee

Volume 8, Number 1, 2016 I Full Text PDF


Graham Greene (1904-1991) emerged on the literary scene of England in the thirties with the publication of his first novel entitled The Man Within (1929), a historical romance, written perhaps under the influence of R.L.Stevenson, John Buchan and Marjorie Bowen, the little-known writer of The Viper Milan. He kept on writing for six decades thereafter, and in the process authored a large number of novels and ‘entertainment’, short stories, plays, travelogues, memories and general as well as critical essays. Greene was indeed a prolific writer, and perhaps he still continues to be Britain’s ‘main literary export’ to the rest of the English-speaking world. It is really amazing that at a time when a considerable number of writers and other intellectuals of the West were learning towards Marxism on account of the Russian revolution of 1917, Greece embraced Roman Catholicism in 1926 at the age of twenty two. Nevertheless, he is a rebel Christian, and in this connection says: ‘I am a Catholic with an intellectual, if not an emotional belief in Catholic dogma’. He speaks a good deal about sin and salvation, damnation and redemption in his fictional works; he does not paint his characters in mere black or white, for he is of the view that a saint may be an ex-sinner or that a sinner may be a saint in making. Keep Reading

The Dysfunctional Family in Post-war American Fictions

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Rima Bhattacharya

Department of Humanities and Social Sciences, IIT Kanpur, India

Volume 8, Number 1, 2016 I Full Text PDF

Abstract

With the advent of the modern and postmodern era, the notion of family has undergone radical transformation. Moving far apart from their ‘nuclear’ status both families and communities are now a days heterogeneous constructions, driven primarily by materialism and self-interest. A widespread dissemination of statistical evidence in the mass media suggests the predominance of the so-called dysfunctional family in the American life due to a list of causes like: co-habitation, same-sex union, economic sustainability of women, lack of responsibility of men, increased rate of illegitimacy. For a long period of time the post-war American novels too have been focusing on the issue of family decline or the dysfunctional family and its effect on an individual identity. The reasons behind family decline in these fictions are not very different from real life. Several scholars have recently written books and articles claiming that the modern American family is not declining as much as it is changing its nature. The paper takes up an array of Post-war American fictions in order to portray that no matter what kind of perilous journey these fictionalized characters undertake, the root cause of their distress is a dysfunctional family, increasingly marked by a sense of mutability.

Keywords: Family, Post-war, Herzog, Corrections, American Pastoral, Couples

“Happy families are all alike; every unhappy family is unhappy in its own way” (Tolstoy, 1984, 1)

The above quote from Anna Karenina reminds us of the fact that novel as a genre is heavily steeped into the gamut of family relations. It further highlights the fact that an unhappy family is worthy of much exploration and attention compared to a happy family. In fact the popularity of the novel as a genre is directly related to the rise of the middle class who believed in the healthy co-existence of the ‘nuclear family’ and the other governmental organizations protecting it. The post-war American fictions contradictorily subscribe to as well as criticize the notion of family being the seat of individual development. Yet the novelistic tradition continued to engage vigorously with the idea of family and its relationship with other regimes like class, community and nation.

With the advent of the modern and postmodern era, the notions of family, class, community and nation were radically transformed. The family was no longer ‘nuclear’; the communities were heterogeneous, mobile assemblages, driven by materialism and the concept of ‘nation’ was being modified by the introduction of globalization. For a long period of time the post-war American novels have been focusing on the issue of family decline or the dysfunctional family and its effect on an individual identity. Family decline in America continues to be a debatable issue, especially in academia. Several scholars have recently written books and articles reinforcing the thought that family decline is a ‘myth’ and that “the family is not declining, it is just changing” (qtd. in Popenoe, 1993, 527).

In the recent times, the term ‘family’ which is used in many ambiguous ways has become controversial. For some people the term refers to the traditional family, while for others it can also stand for a homosexual couple living together. Although for official purpose the term must be defined yet in general it is an all-encompassing concept with multiple possible meanings that can include two friends who live together, the staffs of an office, a local gang, and the family of a man. However the most common definition of a family constitutes of a domestic group in which people typically live together in a household and function as a cooperative unit, particularly through the sharing of economic resources, in the pursuit of happiness through domestic activities (Popenoe, 1993). In this paper, I will consider an array of post-war American novels which are directly or indirectly based on the seedbed of a dysfunctional family. The objective of my paper is to portray that one of the main problems that affect the fictionalized characters of these novels, is a dysfunctional family, increasingly marked by a sense of mutability…Full Text PDF

Between Tales and Tellers: Literary Renderings of Gender Fluidity in Comparative Study

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Oindri Roy

English and Foreign Language University, Hyderabad

Volume 8, Number 1, 2016 I Full Text PDF


 Abstract

The study pertains to the literary explorations of non-normative sexualities to look into the hypothesis that narratives of transsexuality and intersexuality embody the processuality of the interaction between literariness, the nature of the texts and experiences of non-normative sexualities, as the content of the texts. The scope of the paper comprises three texts – The Danish Girl (2002), The Pregnant King and The Truth About Me: A Hijra Life Story (2010). A comparative study is attempted to locate into the divergences and convergences in the texts based on: firstly, firstly, the functionality of literariness in the textual articulations of gender fluidity or the possibility of locating a similar (not same) literary value in the textual articulations of gender fluidity; secondly, whether (and how) the writing of gender fluidity influences literary forms/practices, the modifications and the re-creations, thus, entailed. The insights derived from the above comparative study about the literary aspects of narrating non-normative sexualities, may be used to enhance theoretical insights into the same i.e. experiences of non-normative sexualities or gender fluidities.

Keywords: Sexuality, transsexuality, The Danish Girl, The Pregnant King, The Truth About Me: A Hijra Life Story, gender Keep Reading

“Words Are Signals”: Language, Translation, and Colonization in Brian Friel’s Translations

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Adineh Khojastehpour & Behnam Mirzababazadeh Fomeshi

Independent Researchers

Volume 8, Number 1, 2016 I Full Text PDF

Abstract

The Irish playwright, Friel is among the most prominent contemporary writers. In his works he deals mainly with socio-cultural issues in Ireland. His 1980 play, Translations focuses on the problem of language and cultural colonization in Ireland. Hailed as a postcolonial work, the play is not limited to the depiction of the problem; it presents some suggestions and probable solutions to the problem, especially with a different look at the role and significance of “translation”. While showing a tangible picture of colonial struggles, it tries not to depict a one-sided picture of the problem. The present paper focuses on Friel’s different view toward Irish colonization and Irish cultural nationalism. The objective of the paper is to show how Friel looks differently at the function of language and the crucial role of “translation” in colonial struggles.

Keywords: Colonization; Language; Translation; Brian Friel; Cultural Identity Keep Reading

Precedent Phenomena in M. Bulgakov’s Works as Reflected in Their English and German Translations

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Alexandra Milostivaya

North-Caucasus Federal University, Russia

Volume 8, Number 1, 2016 I Full Text PDF


 Abstract

The aim of this article is to study precedent phenomena to be found in the works by M. Bulgakov, as taken in their translation into the English and the German languages. During that, the author focuses on the specifics of depicting the semiotic culture codes in the target text, which allow evaluating the adequacy related to communicating the meaning of the source text in its translated versions. It has been shown that many of the losses in the connotative information describing the precedent phenomena in M. Bulgakov’s works are of objective nature and are due to the asymmetry in the culture-bound realities both in the source and in the target languages. However, a particular translation solution is more than in the least determined by subjective factors, i.e. the translator’s ability to properly decode the pragmatics conveyed through precedent phenomena, which does not run contrary to the author’s intention.

 Keywords: precedent phenomena; semiotic culture code; English and German translations of works by M. Bulgakov Keep Reading

Linguopragmatic and Translatological Potential of Expressive Means in Arundhati Roy’s The God of Small Things

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Tatiana Marchenko

North-Caucasus Federal University, the Russian Federation

Volume 8, Number 1, 2016 I Full Text PDF


Abstract

The article deals with the study of expressiveness phenomenon in literary translation. The aim of the study is to specify expressive means presented in the novel The God of Small Things after A. Roy and their translatological peculiarities as far as it concerns English-Russian translation. The study has revealed that in most contexts expressive means conveying axiological, emotional and cultural connotations reflect images which seem universal both for Indian and Russian cultures. In such case a translator manages to convey the expressive means in the TT and achieve the intended pragmatic effect. At the same time cultural and axiological components can undergo reduction as certain linguistic signs possess specific cultural connotations and are implied to provoke particular emotions and associations in representatives of the source lingouculture. Seme reduction can be preconditioned by formal differences in the systems of the source language and the target language. The main research methods employed in the study are content and comparative analyses of the source and the target texts.

Keywords: literary translation, linguopragmatics, expressive means. Keep Reading

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