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A Feminist Reading of Filipino Women Poets

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398 views

Jennie V. Jocson, PhD

Philippine Normal University, Philippines. ORCID: 0000-0002-0042-2962. Email: jocson.jenniev@gmail.com

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.23 

Abstract

This paper draws on ideas from a shared identity of Filipino women writers. While a shift in 21st Century feminist reading, mainly the slant that to think about woman is also to think about gender, has become available for interrogation and re-inscription, the study on Filipino woman as a construct and a subject of self-representation of contemporary Filipino poetry remains scarce. Drawing at how women and their experiences were represented in select poems written by 4 contemporary women poets, this paper explored common patterns of women imaging using textual and thematic analysis, alongside French feminism expounded by the arguments of Helene Cixous, Luce Irigaray, and Julia Kristeva. The findings revealed that women poets’ rhetoric, awakening, resistance, and call to action had redefined women experience as a collective whole. Collective as they seem, the poems established a strong articulation of a feminist stance, which is a resistance against subversion and marginality. The paper is of relevance both to feminist scholars and others with practical interests in women poetry as it will enable them to better understand Filipino women experience and its representation in verse.

Keywords: Filipino women, feminist, poetry, representation, imaging.

Performative Retrieving of Tradition for Socio-Political Intervention: A Study of the Protest Theatre of Dario Fo

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Sohaib Alam1 & Farhan Ahmad2 

1Assistant Professor, Department of English, College of Sciences and Humanities, Prince Sattam Bin Abdulaziz University, Saudi Arabia. ORCID: 0000-0002-9972-9357. Email: s.alam@psau.edu.sa (Corresponding Author)

2Assistant Professor, Department of English Studies, Faculty of Indian and Foreign Languages, Akal University, Talwandi Sabo, India. ORCID: 0000-0001-5710-7800. Email: farhan_eng@auts.ac.in

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.22

Abstract

Theatre provides Dario Fo with a unique vantage point through which he vents out his thoughts on issues of class, justice, equality and lays bare in his performances that are comic, derisive, and outspoken people’s discomfort with the prevailing order. They are an indictment of the establishment’s perceived apathy and neglect of the oppressed groups. He does not let the zany spirit of his performances to overshadow his art but redirects it in a constructive and meaningful way.

Keywords: performance, folklore, popular culture, hegemony, dissent

Reconstruction of the Costume Elements of the Shilikty “Golden Man”

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200 views

Abdesh Toleubayev1, Rinat Zhumatayev2 & Samat Shakenov3

1,2,3Al-Farabi Kazakh National University, Republic of Kazakhstan.

Correspondence: zhumatayevr@gmail.com

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.21

 Abstract

The article contains the reconstruction of the Shilikty “Golden Man” clothing based on multidisciplinary studies of the archeological material from the royal kurgan “Baigetobe” in the Tarbagatai foothills. The authors describe in detail the reconstruction of the anthropological appearance and the results of studying organic samples from the burial complex, as well as explain the final shape of royal attire and justify the details and components of the reconstructed costume. The methodological basis of the study is the systemic approach that allows one to view the categories of the Saka royal clothing as profound systems. Within the approach, the methodology and the recreation of ancient royal clothing rely on a wide range of analogies from Eurasian Saka-Scythian monuments and ethnographic materials. Based on these monuments and materials, the authors have established that certain elements in the clothing of early nomads of Kazakhstan have more in common with the clothing of neighboring tribes of Asian steppes in the early Iron Age. This is evident in the cut, detailing and the décor of clothing recovered from such monuments as Pazyryk, Katanda, Tuyekta and Akalakha. The methodological challenge to study clothing based on archeological data is primarily related to the condition of the source. The authors briefly characterize the organic probes from the kurgan burial chamber that have been studied using regular and digital microscopes and conclude that the clothing of the Shilikty Man was colorful. Within the framework of multidisciplinary research, the authors have conducted an anthropological study of the skeletal remains and the sculptural reconstruction of the person from the Baigetobe kurgan. Anthropologically, this person belongs to the mixed Caucasoid and Mongoloid type with prevalent Caucasoid elements, which agrees with the anthropological features of the ancient population of Central Asia in the early Iron Age. Therefore, gold jewelry, the quality of fabrics and the multilevel burial structure confirm the high profile of the Shilikty Golden Man. The conclusions and results can be used for the reconstruction of the composite image of the nomadic nobility in Central Asia in the early Saka period.

Keywords: Shilikty, Tarbagatai, reconstruction, Saka-Scythian world, clothing, Golden Man.

Costume as a Form of Visualization of Ethnicity: From Tradition to Modernity

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350 views

Daria Yurievna Ermilova

Russian State University of Tourism and Service. Email: id311@yandex.ru

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.20

Abstract

The article traces the transformation of visualization of a person’s ethnicity through costumes – from traditional to modern. The object of the study is to understand the costume as an informational and sign structure. The topic of the study is the visualization of ethnicity through costumes from a historical perspective. The study aims to identify the specific characteristics of visualization of ethnicity in traditional and modern costumes. The study hypothesis is that, unlike traditional costumes that demonstrated regional and national affiliation, modern “Western” clothing has mostly lost these functions. Although in some regions costumes are still relevant as a “living” tradition, national clothing is disappearing from everyday life. Ethnic style using regional and national traditions as a source of stylization does not present an indicator of a person’s nationality. Nevertheless, some examples of modern clothing visualizing ethnicity can be found. The functional and semiotic approaches to the analysis of costumes serve as the basis of the study. Since the late Middle Ages, the development of urban dress in Western Europe has been determined by fashion rather than tradition. In Russia, the process of an urban costume losing the function of visualization of ethnicity began with the reforms of Peter the Great and for peasants’ costumes, this process did not start until the middle of the 20th century. At the beginning of the 21st century, traditional costumes were mostly worn by ethnic minorities as a symbol of national identity and self-affirmation. Referring to others’ traditions as a source of fashion innovations led to the emergence of ethnic style. Ethnic style is characterized by a superficial attitude towards the source. Ethnodesign, on the other hand, follows the principle of deep and thoughtful care about the tradition which gains relevance due to the rise of glocalization manifesting in the intensification of regional differences. Although the proponents of ethnodesign insist on the ability of design to integrate traditional ethnic symbols into modern culture, the question is about the ability of modern people to understand the meanings contained in traditional forms remains. The present article identifies the cases of a costume serving the function of visualization of ethnicity in modern society.

Keywords: visualization, ethnicity, traditional costume, ethnodesign, modern costume, functions of a costume.

The Role of Media in Consumption under “Attention Economies”: A Study Based on the Interviews of Chinese Postgraduates towards the M&M’s Advertisements

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288 views

Yuting Xie1, Megat Al Imran Bin Yasin2, Syed Agil Alsagoff3, Lay Hoon Ang4

1Department of Communication, Faculty of Modern Languages and Communication, Universiti Putra Malaysia. Email: shirley_xieyt@hotmail.com

2Department of Communication, Faculty of Modern Languages and Communication, Universiti Putra Malaysia. Email: megat@upm.edu.my

3Department of Communication, Faculty of Modern Languages and Communication, Universiti Putra Malaysia. Email: s_agil@upm.edu.my

4Department of Foreign Languages, Faculty of Modern Languages and Communication, Universiti Putra Malaysia. Email: hlang@upm.edu.my

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.19

Abstract

The rapid development of media in the world promote the prosperity of the economy to a certain degree. Advertisement, as one of communication form of mass media, gradually becoming one of an important part in the attention economy. In view of these, the research chooses M&M’s advertisements as examples to discover what factors attract audiences’ attention and then lead to consumption, and how they play their role during the process. Three methods are employed in this research: in-depth interview, observation and textual analysis. Five Chinese postgraduate students are selected as objects, and they answer the questions by the researcher after they watched two types of M&M’s advertisements (celebrity-based advertisement and content-based advertisement). Through the combination of interview, it can be found that both celebrities, memory and social media platform can exert their role in the attention economy. This article also expects to offer a reference for advertisers and product manufacturers, helping them adjust their marketing strategies rationally by using celebrities and other elements.

Keywords: Attention Economy, Advertisement, Media, Celebrities, Memory.

Memory Anchored by Place Attachment and Cognitive Maps in Michael Ondaatje’s Warlight and The Cat’s Table

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223 views

Justy Joseph1 & Dr. Nirmala Menon2

1PhD Research Scholar, School of Humanities and Social Sciences, Indian Institute of Technology Indore, India. ORCID id: 0000-0002-7182-0108. Email id: phd1901261006@iiti.ac.in

2Associate Professor, School of Humanities and Social Sciences, Indian Institute of Technology Indore. Email id: nmenon@iiti.ac.in

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.18

Abstract

Recollection is a gangplank between an obsolete past, indisputable present and an unidentified future, but human memory is convoluted as the compendium of a landscape.  Perceptions, values and experiences fastened to a landscape can anchor memories, shift perceptions and can alter the aboriginal integrity and cognitive capabilities of an individual. This research article studies the Canadian Nobel Prize winning author Michael Ondaatje’s novels The Cat’s Table (2012) and Warlight (2018) venturing to understand how characters and their identities are created with the aid of memory. This study examines how place attachment and understanding of environmental configurations through generation of cognitive maps distorts or ascends recollection.

Keywords: place attachment, cognitive geography, cognitive maps, memory, landscape

Creating Transcriptions and Adaptations for Viola in Kazakhstan: Retrospection, Theory and Practice

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239 views

Aizhan S. Bekenova1, Gulnar B. Abdirakhman2, Diana Ye. Mahmood3, Arita B. Baisakalova4 & Alma A. Abatova5

1Doctoral Student, Kazakh National Conservatory, Almaty, Republic of Kazakhstan.

Email: aizhans.bekenova@mail.ru

2Candidate of Arts, Kazakh National Conservatory, Almaty, Republic of Kazakhstan.

3Doctor of Philosophy (Ph.d), Kazakh National Conservatory, Almaty, Republic of Kazakhstan.

4Professor, Kazakh National Conservatory, Almaty, Republic of Kazakhstan.

5Associate Professor, Kazakh National Conservatory, Almaty, Republic of Kazakhstan.

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.17

Abstract

Starting from the past century, viola began to draw much interest of musicians, performers and musicologists, as it gradually acquired a new role of a solo instrument. Although these days more compositions appear written especially for this instrument, the independent role of viola was always accompanied more with transcriptions and adaptations of works composed for other related instruments, mostly violin, cello, etc. This article looks into the history and perspectives of making transcriptions for the viola in the Kazakh musical culture. The study also involves the analysis of Kazakh viola schools with a focus on their founders. Questions of the history and theory of viola transcriptions are still waiting for detailed scientific understanding. The work of musicians who successfully applied to transcriptions and adaptations in their practice and formed the technology of this creative process has not been sufficiently studied. It requires more in?depth study and can be used as a practical guide for the work of other musicians. This determines the relevance of this article.

Keywords: transcriptional work, musical arrangement, Fudiman, viola school, folk music, repertoire.

Nautanki: Evolution, Issues and Challenges

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299 views

Siddhartha Singh

Associate Professor, Department of English, Sri JNMPG College, Lucknow, India. Email: siddhartha.singh8@gmail.com

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.16

Abstract

A major form of folk theatre, Nautanki, still holds an important place in the collective consciousness of the rural mass of the north India. The storyline of this musical folk theatre, exceptional in preserving the written texts, is derived from multiple sources ranging from mythology, history, romances, and folklores to contemporary icons. With its emphasis on music, both vocal and instrumental, accompanied by its most important companion Nakkara or Nagara, the highly intensified operative theatre can hold the nerves of thousands of people for the whole night. Due to the pressure of Bollywood and new sources of entertainment, Nautanki started losing its distinctive character, yet its survival has kept the hope alive. The present paper will not only introduce the form in detail, but will also shed light on some of the important issues and challenges in Nautanki today.

Keywords: Nakkara, Sangit, Swang, Bhagat, Music, folk, Virangana, Patriarchy, Indian Feminism.

Transformation of Catuspatha in Bali Indonesia: Alteration Ideas from Empty Space to Aesthetic Element of City

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249 views

Ngakan Ketut Acwin Dwijendra1*, Frysa Wiriantari2, Desak Made Sukma Widiyani3, Anak Agung Ayu Sri Ratih Yulianasari4

1Faculty of Engineering, Udayana University, Bali, Indonesia. ORCID id: 0000-0003-0070-4254. E-mail: acwin@unud.ac.id

2 3 4Faculty of Engineering, Dwijendra University, Bali, Indonesia

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.15

Abstract

Catuspatha in Bali is interpreted not merely as a junction or crossroad but a crossroads that have their own sacred values ??and meanings and are equated with the great crossroads. At the time of the kingdom in Bali catuspatha was the center of the royal capital and meant the center of the country. Meanwhile, since the Dutch occupation in Bali, there has been a tendency to place aesthetic elements as the focal points or landmarks of a city at the center of a catuspatha and this trend was continued by the republican government during independence. The purpose of this study is to uncover the concept of catuspatha, the transformation of concepts, changes in the expression of catuspatha from the kingdom to independence and the impact of the changes. To achieve this goal, an observation was carried out on nine catuspathas of royal heritage in the Bali region with document research and reconstruction through interviews with priests of Shiva, Buddhism, Bachelors, and other elements as well as textual observations in the form of literature, research results, and ancient chronicles. The results obtained from this study indicate a change in the idea where the view of the center of the catuspatha as an empty space turned into an aesthetic element of the city that acts as a traffic sign and also as a city orientation. In the political context, there is an impact on the integrity of traditional values ??in the catuspatha where the symbols of royal power were expressed in the castle’s structure. The central facilities of the kingdom, are transformed into a mayor’s office with subordinate units. In the context of transportation technology, traffic lights are also expressed to regulate the flow of traffic on the catuspatha.

Keywords: catuspatha, transform, space, city, element

 

Colour Categories in Different Linguistic Cultures

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Zhanar A. Kaskatayeva1, Shara Mazhitayeva2, Zhanar M.Omasheva3, Nurgul Nygmetova4 & Zhanbai Kadyrov5

1Ph.D. Student, 1Buketov Karaganda State University, Kazakhstan

2Doctor of Philology, Professor, 1Buketov Karaganda State University, Kazakhstan

3Candidate of Philology, Karaganda State Medical University, Kazakhstan

4Candidate of Philology, Karaganda State Technical University 

5 Candidate of Philology, Professor, M.Kozybayev North Kazakhstan State University, Petropavlovsk, Kazakhstan

Correspondence: Shara Mazhitayeva, 28 University Street, 100028, Kazakhstan. Email: s_mazhit@mail.ru

 Volume 12, Number 6, 2020 I Full Text PDF

DOI: 10.21659/rupkatha.v12n6.14

Abstract

The interest in defining color naming culture-specific features in multisystem languages is one of the relevant themes in linguistics. Numerous colors, their names, and symbolic sense are a peculiar reflection of mentality and culture for any nation. When designating nominatively, the ambiguity and multi-functionality of each color become an important part of the socio-mental world view, which has different ways of expression in different languages. The color naming unit peculiarities in multisystem languages, i.e., Kazakh, Russian and English, are the target of the research. The study focuses on the metaphorical and symbolic use of color naming groups in Kazakh, Russian and English. The research material provided a list of color namings, made up of a continuous sampling of definition, phraseological, bilingual Kazakh, Russian and English dictionaries, including fiction books. Based on the material of Kazakh, Russian and English languages, the authors attempted to define meanings of color spectrum most significant components for different cultures. It is well-known that color namings are an important phenomenon, reflecting the traditions and customs of different peoples. The authors have attempted to examine and describe the criteria for designating colors in a particular society, as well as to determine the role and place of this category in a language system.

Keywords: linguistic world view, national psychology, mentality features, meanings and symbols, the world of colors, phraseological units with color naming components.

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