Volume 2, Number 1 |
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CONTENTS |
PDF Pages |
Editorial HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.01 |
1 |
Criticism |
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Subjectivity in Art History and Art Criticism HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.02 |
2-13 |
Living in the Theme Park: A Textual Tour of Savannah’s Public Squares HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.03 |
14-33 |
“Beyond Borders”: Rabindranath Tagore’s Paintings and Visva-Bharati HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.04 |
34-43 |
Soyinka and Yoruba Sculpture: Masks of Deification and Symbolism HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.05 |
44-49 |
‘Just as good a place to publish’: Banksy, Graffiti and the Textualisation of the Wall HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.06 |
50-58 |
Performing and Dying in the name of World Peace: From Metaphor to Real Life in Feminist Performance HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.07 |
59-64 |
Perspective |
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Metaphysics and Representation: Derrida’s Views on the Truth in Painting HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.08 |
65-71 |
Homebirth Advocacy on the Internet HTML I PDF Version I DOI: 10.21659/rupkatha.v2n1.09 |
72-83 |
Creative |
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Red Alive |
84-87 |
Utopia |
88-91 |
Book Review |
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Samuel Taylor Coleridge and the Fine Arts by by Morton Paley |
92-95 |
Word, Image, Text: Studies in Literary and Visual Culture, edited by Shormishtha Panja, Shirshendu Chakrabarti & Christel Devadawson |
96-98 |
Picturing the Nation: Iconographies of Modern India edited by Richard Davis |
99-101 |
Fashion Design: Process, Innovation and Practice by Kathryn McKelvey and Janine Munslow |
102-105 |
About the Contributors PDF Version |
106-108 |