CONTENTS |
Editorial (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.01) |
CRITICISM |
The ‘Blue Flame’: An ‘Elliptical’ Interaction between Kahlil Gibran and Rabindranath Tagore (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.02) |
Language Allergy: Seduction and Second Languages in How the García Girls Lost Their Accents (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.03) |
Where Campfires used to Gleam—a Collage of Bipolar Dreaming in Davis’ Aboriginal Theatre (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.04) |
Masterless Men in a Masterful Land: Judith Wright’s Generation of Men (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.05) |
Identity and Belonging in Mudrooroo’s Wild Cat Falling (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.06) |
Bearing the Burden of Native Experience: A Stylistic Approach to Chinua Achebe’s Arrow of God (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.07) |
Ideological Mutations in the Drama of Bode Sowande (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.08) |
Biafra and the Aesthetics of Closure in the Third Generation Nigerian Novel (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.09) |
PERSPECTIVE |
The Bilingual Writer Stripped off his Bilingual Identity in Indian Literary Scene: Manoj Das and the Politics of Packaging (HTML I PDF I DOI: 10.21659/rupkatha.v2n2.10) |
CREATIVE |
Oil Paintings (PDF) |
BOOK REVIEW |
The Distance by Saborna Roychowdhury (PDF) |
About the Contributors (PDF) |